Has anyone given an explanation to why the theme isn't in Halo 4? It just doesn't make sense to me.
It's hard to explain really, but it's mostly a composer thing, and i'm sure 343 had the same thing as Davidge did in mind.
Has anyone given an explanation to why the theme isn't in Halo 4? It just doesn't make sense to me.
Beyond the already-stated lack of consistent leitmotifs (it cannot be said enough: it breaks my heart not to hear the Halo theme anywhere in here ;__and the tired bombast of a good deal of the tracks, there's something missing here. Marty's music had was this romantic melodic sense that didn't just excite me, but moved me. It had a lot of heart. In Halo 4's soundtrack, it's those moments which become breakthroughs for me -- tracks like To Galaxy and 117.
I don't agree with this, Marty's pride is a gold whale.I'm sure if they wanted him they could have gotten him.
Alright, I got pretty syrupy in that post. :V you understand what I'm getting at though!
Needs more cowbell.Nah, I was just posting a classic Marty song.
Problem is that people want Marty, but always forget that they will get a pale imitation of him. Neil's version atleast tries to be it's own then rehash Marty's work.
Also replacing old themes is a piss poor reason to hate a OST.
Yes.
Not listening. I need to hear them in the game first.
But I did go back and listen to some of the previous OSTs. Never Forget... I actually fucking cried a little. ;_;
I don't want to listen to it, but I really hope the score isn't too... bombastic. One great thing about Marty's work is that there were always those calm, mesmerizing, ambient tracks that you tend not to get from other games and composers...
As harsh as it sounds, I hope they ditch Neil for Halo 5 and find someone else who can write themes that actually sound unique -- I feel like I could take every single track on Halo 4's OST and stick it in a Transformers trailer and it'd fit perfectly. This score just has absolutely no identity.
Everything I've heard so far sounds great.
It is kind of weird since Halo Wars proved that it could have its own distinct sound to fit the tone of the game and still manage to slip the main theme in there. Really Stephen Rippy did a perfect job given the situation.
http://www.youtube.com/watch?v=Z89adFGjR3g
Agreed.Nothing beats ODST. That soundtrack was godly.
Volume 2, perhaps?The Eurogamer video of the third level also had music I didn't come across on the OST.
Wait, what? Davidge didn't write 117? I thought he composed all the songs on the OST? I purchased digitally so didn't see any of the credits. What's up with this?∀ Narayan;43752012 said:I've listened to it three times now. It's definitely grown on me. Very different, but good. 117 is my favorite track out of the lot. I find it interesting that this particular track was composed by Kazuma Jinnouchi and orchestrated by Nobuko Toda. Does anyone know if Sotaro Tojima composed any tracks? I know he's the audio director. It really shows, as the sound design in this game is nothing short of brilliant.
I'm really looking forward to hearing how the soundtrack is presented in the game.
Agreed.
Volume 2, perhaps?
Wait, what? Davidge didn't write 117? I thought he composed all the songs on the OST? I purchased digitally so didn't see any of the credits. What's up with this?
117: Composed by Kazuma Jinnouchi.
Orchestrated by Nobuko Toda;
Music Preparation, Thanh Tran;
Recordist, Tim Lauber.
Stage Manager, Tom Steel;
Stage Engineer, Denis St. Amand;
Additional Stage Crew, Greg Dennen;
Orchestra Contractor, Peter Rotter;
Conductor, Nick Glennie-Smith;
Recorded at Newman Scoring Stage, 20th Century Fox.
Orchestra performed by the Hollywood Studio Symphony:
Bruce Dukov, Julie Gigante, Tereza Stanislav, Lisa Sutton, Roger Wilkie, Jackie Brand, Katia Popov, Phil Levy, Natalie Leggett, Sarah Thornblade, Marc Sazer, Helen Nightengale, Charlie Bisharat, Darius Campo, Jay Rosen, Rafael Rishik, Jeanne Skrocki, Shalini Vijayan, Irina Voloshina, Sara Parkins, Songa Lee, Lorenz Gamma, Kevin Connolly, Yelena Yegoryan, Cheryl Norman, Alwyn Wright, Neil Samples, Radu Pieptea, Brian Dembow, Roland Kato, Shawn Mann, Robert Brophy, Alma Fernandez, David Walther, Jennie Hansen, Keith Greene, Laura Pearson, Carolyn Riley, Andrew Picken, Aaron Oltman, Steve Erdody, Andrew Shulman, Dennis Karmazyn, John Walz, Kim Scholes, Trevor Handy, Paula Hochhalter, Erika Duke, Tina Soule, Paul Cohen, Ed Meares, Drew Dembowski, Bruce Morgenthaler, Steve Dress, Sue Ranney, Geoff Osika, Nico Philippon, Thomas Harte, Geri Rotella, Heather Clark, Lara Wickes, Leslie Reed, Stuart Clark, Ralph Williams, Rose Corrigan, Judy Farmer, Jim Thatcher, Brian O'Connor, Steve Becknell, Phil Yao, Jon Lewis, David Washburn, Rob Schaer, Rick Baptist, Alex Iles, Steve Holtman, Phil Keen, Doug Tornquist, Wade Culbreath, Greg Goodall, Brian Kilgore, – The American Federation of Musicians on the United States and Canada.
Score Mixed by Alan Meyerson at Remote Control Productions, Santa Monica, CA;
Assistant Engineer, Christian Wenger.
Score Production Producer, Nobuko Toda (FILM SCORE LLC);
Executive Score Production Manager, Daniel Monteverde;
Score Production Manager, Kurt Jessen, Nicolas Alvarez;
Assistant Score Production Manager, Takashi Baker (Arriba Entertainment Inc.)
Music Director 343 Industries, Sotaro ‘Tajeen’ Tojima
Some of the tracks have an almost industrial vibe in parts. Great for sci fi.
Heeeellll NOO. 117 is the most generic and RPG-sounding track on the entire OS. It's what would come out of Michael Bay directing a Star Ocean movie.Kick out David, bring in Kazuma for ALL of Halo 5.
Problem solved.
Heeeellll NOO. 117 is the most generic and RPG-sounding track on the entire OS. It's what would come out of Michael Bay directing a Star Ocean movie.
http://youtu.be/2G7QOdq6GYo?t=56s
is this piece in the OST?
edit: okay, I found that it's titled "Haven". This is my favorite track of the OST. It's sweeping, emotional, devastating and triumphant at the same time. That's the melody I'll have in my head for a long time.
I take it back.