Fancyarcher
Member
It should have been disproven as far back as Night of the Living Dead.
Or Sidney Poitier films, or heck some of the blacksplotation films that were successful with white audiences like Shaft.
It should have been disproven as far back as Night of the Living Dead.
Hidden Figures raked in over 200 million as well.
Probably has to do with Bradley Whitford saying he would vote for Obama for a third term. That political message resonates strongly nowadays.Hollywood is still figuring out about Get Out's sleeper success.
Yeah i knew the game was rigged when they were gun shy about the equalizer sequel staring Denzel Washington
Talking of which, is that film getting a sequel?
The diversity of his films' audience has grown over the years, but it's still not reflecting a general audience. https://shadowandact.com/tyler-perrys-talks-his-white-audience-problem/ Which isn't a problem, business-wise, his films are absurdly profitable!I think he's referring more to the fact that Tyler's film up until A Madea Halloween have generally had poor legs, and thus appear to have a limited "church" audience.
Indeed "Boo!" did prove to have some crossover appeal, according to Lionsgate's own exit polling, which showed that 60% of ”Boo!" audiences on opening weekend were black and the other 40% comprised of a mix of everything else, implying that while black audiences still make up the majority of Perry's fans, there's been a shift, as past "Madea" films drew audiences that were made up of around 80 to 90% black ticket buyers, also according to Lionsgate. So "Boo!" clearly attracted a more diverse audience, compared to past "Madea" movies. Might it signal the beginning of a trend for "Madea," or might it be its Halloween focus that intrigued and drew typically non-Tyler Perry fans?
Yes, they're filming in Marshfield, Massachusetts as soon as Denzel finishes up Roman Israel, Esq.
http://www.patriotledger.com/news/20170707/denzel-washington-to-film-new-movie-in-brant-rock
Black Panther is gonna fuck some people up
When they talk about "wider audience" they are almost certainly talking about the international film market. Things are a lot more complicated internationally. Get Out made 76 million internationally, which is respectable, and fantastic for its budget, but a bulk of its money came from domestic audiences.
The catch with stuff like Fast and the Furious is the whole "muh established franchise" thing. It's good that films like Fast and Furious exist, but I'd be wary of assuming their success will automatically translate to other films.
Especially in Tyler Perry's case where he is the sole controller of everything- sets, scripts, actors. He's literally a one man business. Efficient as heck. There was a 60 Minutes segment on him a few years back. Awe inspiring.
The international market, though.
I think its also a self fulfilling prophecy in a lot of ways. Hollywood don't make movies with mostly black casts and thus movies with mostly black casts never become huge break out hits. Then this idea just perpetuates itself like its gospel.
It's not that, because they do make all Black cast films just low to modestly budgeted ones. They don't make big budget blockbuster genre (science fiction, action, fantasy, etc...) films with predominately Black casts.
It's not that, because they do make all Black cast films just low to modestly budgeted ones. They don't make big budget blockbuster genre (science fiction, action, fantasy) films with predominately Black casts.
The diversity of his films' audience has grown over the years, but it's still not reflecting a general audience. https://shadowandact.com/tyler-perrys-talks-his-white-audience-problem/ Which isn't a problem, business-wise, his films are absurdly profitable!
I beg to differ. King Arthur with a very racially diverse cast tanked hard. So my point is with so many movies coming out every year, you can easy find movie success that support your narrative.
What make you pick Black instead of other minority race?
International market speaking, Coming to America did really well.The international market, though.
I wonder how instrumental the success of his productions was in Georgia legislature making a tax credit for filming in state. Now it seems like basically every movie and tv show films in Georgia.
This should've been disproven after Straight Outta Compton did gangbusters at the box office.
Nice. Love me some Denzel action. I really liked the first film.
I don't think the answer is that diverse movies sell, its that the presence of too many non whites wont drag down a BO.
Bad movies will bomb regardless if its all black all brown or all white
Good, now apply this to Asian actors please
Asians (or half asians, unless they look 99% white like Keanu) get kung-fu action films. The women get to be a villain or some white girl's best friend. Black people get jovial romps - especially the currently popular standup comedian-come-star (Kevin Hart right now).
Or Fast Five, Furious 6, Seven, F8.....
Wait until the world realizes Vin Diesel is black.
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Not really with Black movies.
When the Bough Breaks was critically panned last year and grossed 30 million domestically off a 10 million dollar budget.
And Rock.
Good, now apply this to Asian actors please
women will watch anything with morris chestnut
It was curious how so many people were angry/annoyed/dismissive that an all-black movie like War Room was a huge success relative to budget because it was a Christian all-black movie. I remember a lot of mockery and deeply negative commentary.War Room, a 2015 Christian film with an all Black cast that are unknowns, performed better domestically than so many bigger budget films.
It made 73.7 million domestically at the box office off a 3 million budget.
Dwayne is fine. White people think he's white. Black people think he's black. Hispanics are pretty sure he's Hispanic, or at least married to one (I would bet money he is). And Asians think he's like that one 6'+ dude that's in every family.
I don't think the answer is that diverse movies sell, its that the presence of too many non whites wont drag down a BO.
Bad movies will bomb regardless if its all black all brown or all white
Dwayne is fine. White people think he's white. Black people think he's black. Hispanics are pretty sure he's Hispanic, or at least married to one (I would bet money he is). And Asians think he's like that one 6'+ dude that's in every family.
*raises hand*Which person thinks The Rock is a white dude?
Like, who?
I wanna see receipts.
To me its an indication of how much more important genre and rotten tomato scores have become. Girls Trip has a 88% on RT and is the typical date night kinda movie.
In fact pretty much all the movies that have flopped this year - Valerian, King Arthur, Sleepless (starring Jamie Foxx), Monster Truck, Baywatch, CHIPS, etc - the most common denominator you can find among them is that critics reviewed the movies poorly. Many star diverse casts, some have black leads, some are small budget, some are huge budget, they cross a lot of genres, but they all were viewed as bad films.
This can be solved if Asian American producers, directors start making films with predominately Asian American casts or Asian American leads to show there's a market there.
The problem right now is Hollywood doesn't believe there's a market yet and there aren't any examples showing there is.
True. I had a homegirl who use to call him Morris Bulletproof Chestnut. LOL
Another example. Meet the Blacks, an independently funded Black film with a budget of 900,000, was critically panned and made 9 million dollars at the Box Office last year.
I beg to differ. King Arthur with a very racially diverse cast tanked hard. So my point is with so many movies coming out every year, you can easy find movie success that support your narrative.
Which person thinks The Rock is a white dude?
Like, who?
I wanna see receipts.
Asians (or half asians, unless they look 99% white like Keanu) get kung-fu action films. The women get to be a villain or some white girl's best friend. Black people get jovial romps - especially the currently popular standup comedian-come-star (Kevin Hart right now).
"critically" ends up usually just meaning white film/culture critics though. not a completely valid metric when we talking blackity black movies IMO (however good or bad they may actually be)