http://birthmoviesdeath.com/2015/12/28/i-dont-care-how-hard-it-was-to-make-the-revenant
and the sad thing about it is leo will prob get an oscar this year because of this 'difficulty' even though he has given much better (and more honest) performances before the revenant.
If you follow entertainment news at all you know one thing for sure about The Revenant: it was very hard to make. It was apparently a major torture session and Leonardo DiCaprio ate a bison liver for real. It was also super duper cold out there. Talking to Yahoo, Leonardo DiCaprio said:
I can name 30 or 40 sequences that were some of the most difficult things Ive ever had to do. Whether its going in and out of frozen rivers, or sleeping in animal carcasses, or what I ate on set. [I was] enduring freezing cold and possible hypothermia constantly.
He says that shooting the bear attack scene was 'agonizing.' One crewmember told the Hollywood Reporter that shooting the movie was 'a living hell.' Every day I look at the internet and I see similar stories about how much Leo suffered for this role, about how hard it was to make the film, about the difficult locations and bitter cold and the maniacal vision of director Alejandro González Iñárritu that took the movie over budget and over schedule. And every day I look at these articles and tweets and I think to myself, 'Who gives a shit?'
The emphasis on how hard The Revenant was to make is partially about a departure from the digital. It's the same reason The Hateful Eight's 70mm run is such a discussion point - it's about tactile reality returning to our movie screens. The promise of The Revenant is that the crew went there and did those things, and that Leo is having those experiences. It's intended as a shortcut to truth - "He actually was in the freezing water so you're truly seeing what a guy who grew up in the bubble of Hollywood looks like when he gets very, very cold!" - and it's intended as a counter to all of the CGI fakery that infects our theaters this days... although the whole movie is color graded and post-production fiddled with to within an inch of its life, so any idea that this movie is somehow more analog than Star Wars: The Force Awakens is a farce. And as anyone who has ever watched a profound movie shot on a soundstage, really doing the things doesn't make their depiction any more truthful. I will always support films that shoot real things, but let's not get that confused with emotional honesty, which is the true mission of all cinema.
The difficulty narrative is also part of Leonardo DiCaprio's Oscar campaign. Going the martyr route is a good choice when it comes to end-of-the-year awards, as actors who gain or lose weight or ugly themselves up or walk in a limp get taken way more seriously than actors who come in, do great and emotionally truthful work and then go home for the night. But I'm not interested in Leo's Oscar chances. I don't care about them. I care about the movie The Revenant, and what it's about, and how, if at all, the arduous process of making this movie informed the film, how it in any way impacts me as an audience member.
The reality is that it doesn't. If anything it kind of sinks the movie for me; when you watch Apocalypse Now the absolute swirling madness of that production is there onscreen, in the performances, in the atmosphere. But it's a movie about madness, so it all works. When you watch The Revenant you're very aware that you're watching a stunt show, that you're watching a high-profile, highly-paid actor putting himself through some dares. When DiCaprio eats a raw bison liver he vomits, which the actor says was his true reaction to biting into the actual steaming organ. But here's the thing: would that have been mountain man Hugh Glass' reaction? Watching The Revenant is like watching Leonardo DiCaprio's Very Bad Vacation, not like watching the survival saga of a man born to the wild. There is certainly physical reality onscreen but I'm not sure there's emotional truth.Weirdly enough Tom Cruise's high profile M:I stunts feel like they have more truth to them if only because the character of Ethan Hunt is just Tom Cruise with a nom du spy, as far as we can tell. It's bizarre, but Cruise hanging off a plane in Mission: Impossible Rogue Nation has more honesty and meaning to it than every single discomfort suffered by DiCaprio in The Revenant.
and the sad thing about it is leo will prob get an oscar this year because of this 'difficulty' even though he has given much better (and more honest) performances before the revenant.