The project began with us wanting to tell stories that are less linear, that react to the player and unfold in ways that no one's ever seen in one of Ken's games. That told us a lot up front about what we'd need: namely, characters with strong, competing objectives, who each had a stake in everything the player did. Starting with that framework, we spent a lot of time thinking about those characters, their conflicts, the right setting to force them all together, and the systems underpinning it all. For a long time, there wasn't even a set protagonist — just sort of a cipher, a blank slate.
Eventually, the story and world started to coalesce into something specific, and we needed to figure out who the player character should be. As a rule, you want to put your heroes in the last place they ever want to find themselves. So, what kind of person would really struggle to deal with all these relationships and warring interests? And I remember that was the point where Ken came up with this monologue that kicked everything off.
blog.playstation.com
