Delusibeta
Banned
Is this the point where I point out the irony in an a employee of the company that's currently working on Bayonetta 2 complaining about selling games anime based on character design?
I think that Eva marked a clear shift away from what was more an OVA/feature driven industry.
Eva showed up, and reused lots of scenes to keep the quality high and the budget low. But thematically it is a mess. Mamoru Oshii is right: http://otakuusamagazine.com/LatestN...i-The-most-opinionated-man-in-anime-4973.aspx
The other shift was that the character designs, not the characters, became the selling point. It's all about how you can sell the character in merchandising/UFO catcher toys now, not about who the characters actually are.
I don't think you can honestly compare current anime, which is basically Michael Bay/summer blockbuster stuff to me, with what was going on in the 80s and 90s. Miyazaki's golden age, Akira, Ghost in the Shell (an anime with an attractive female character that is about the character not the design), Roujin Z, Honnaemise, Jin-Roh, etc. The gap in quality is huge and clear. Obviously, there are outliers, like Bepop and Millennium Actress, but they are the exception to the rule when they used to be the norm.
If that is what anime is about now, I'm just not a fan. It doesn't speak to me. Doesn't mean it can't speak to you...
BTW - Not that I have a say, but not cool with my new tag.
My personal opinions are not Platinum project decisions...
I think that Eva marked a clear shift away from what was more an OVA/feature driven industry.
Eva showed up, and reused lots of scenes to keep the quality high and the budget low. But thematically it is a mess. Mamoru Oshii is right: http://otakuusamagazine.com/LatestN...i-The-most-opinionated-man-in-anime-4973.aspx
The other shift was that the character designs, not the characters, became the selling point. It's all about how you can sell the character in merchandising/UFO catcher toys now, not about who the characters actually are.
I don't think you can honestly compare current anime, which is basically Michael Bay/summer blockbuster stuff to me, with what was going on in the 80s and 90s. Miyazaki's golden age, Akira, Ghost in the Shell (an anime with an attractive female character that is about the character not the design), Roujin Z, Honnaemise, Jin-Roh, etc. The gap in quality is huge and clear. Obviously, there are outliers, like Bepop and Millennium Actress, but they are the exception to the rule when they used to be the norm.
If that is what anime is about now, I'm just not a fan. It doesn't speak to me. Doesn't mean it can't speak to you...
EDIT: One added thing. For all the money that Eva made, the anime industry has been in clear decline since it came out. All these companies chasing that crowd and appealing to a smaller and smaller market. Correlation does not imply causation, but I think there is something to be said for the correlation being pretty strong.
I think that Eva marked a clear shift away from what was more an OVA/feature driven industry.
Eva showed up, and reused lots of scenes to keep the quality high and the budget low. But thematically it is a mess. Mamoru Oshii is right: http://otakuusamagazine.com/LatestN...i-The-most-opinionated-man-in-anime-4973.aspx
The other shift was that the character designs, not the characters, became the selling point. It's all about how you can sell the character in merchandising/UFO catcher toys now, not about who the characters actually are.
I don't think you can honestly compare current anime, which is basically Michael Bay/summer blockbuster stuff to me, with what was going on in the 80s and 90s. Miyazaki's golden age, Akira, Ghost in the Shell (an anime with an attractive female character that is about the character not the design), Roujin Z, Honnaemise, Jin-Roh, etc. The gap in quality is huge and clear. Obviously, there are outliers, like Bepop and Millennium Actress, but they are the exception to the rule when they used to be the norm.
If that is what anime is about now, I'm just not a fan. It doesn't speak to me. Doesn't mean it can't speak to you...
EDIT: One added thing. For all the money that Eva made, the anime industry has been in clear decline since it came out. All these companies chasing that crowd and appealing to a smaller and smaller market. Correlation does not imply causation, but I think there is something to be said for the correlation being pretty strong.
Jin-Roh is 1999.
Mushishi is 2005
Ghost in the Shell: Stand Alone Complex is 2002
Hajime no Ippo is 2000
Baccano is 2007
Tatami Galaxy is 2008
Seirei no Moribito is 2007
Planetes is 2003
Paranoia Agent is 2004
Little Witch Academia is 2013
Gankutsuou is 2003
Space Battleship Yamato 2199 is 2013
Meanwhile, if you look beyond the classics, a lot of shit came out in the 80's and 90's.
I think that Eva marked a clear shift away from what was more an OVA/feature driven industry.
Eva showed up, and reused lots of scenes to keep the quality high and the budget low. But thematically it is a mess. Mamoru Oshii is right: http://otakuusamagazine.com/LatestN...i-The-most-opinionated-man-in-anime-4973.aspx
The other shift was that the character designs, not the characters, became the selling point. It's all about how you can sell the character in merchandising/UFO catcher toys now, not about who the characters actually are.
I don't think you can honestly compare current anime, which is basically Michael Bay/summer blockbuster stuff to me, with what was going on in the 80s and 90s. Miyazaki's golden age, Akira, Ghost in the Shell (an anime with an attractive female character that is about the character not the design), Roujin Z, Honnaemise, Jin-Roh, etc. The gap in quality is huge and clear. Obviously, there are outliers, like Bepop and Millennium Actress, but they are the exception to the rule when they used to be the norm.
If that is what anime is about now, I'm just not a fan. It doesn't speak to me. Doesn't mean it can't speak to you...
EDIT: One added thing. For all the money that Eva made, the anime industry has been in clear decline since it came out. All these companies chasing that crowd and appealing to a smaller and smaller market. Correlation does not imply causation, but I think there is something to be said for the correlation being pretty strong.
True, when you cull back over a certain period you can extract the best easily. Even the last decade can be the same way as that post kind of highlights, while if you tried to actually look at it season-by-season most of that's just crap I either couldn't care about it or is just moderately interesting.Jin-Roh is 1999.
Mushishi is 2005
Ghost in the Shell: Stand Alone Complex is 2002
Hajime no Ippo is 2000
Baccano is 2007
Tatami Galaxy is 2008
Seirei no Moribito is 2007
Planetes is 2003
Paranoia Agent is 2004
Little Witch Academia is 2013
Gankutsuou is 2003
Space Battleship Yamato 2199 is 2013
Meanwhile, if you look beyond the classics, a lot of shit came out in the 80's and 90's.
I'm still morbidly curious in a fusion of Vanquish and Shadow the HedgehogClearly the only way of solving this is producing an Infinite Space sequel based on Legend of the Galactic Heroes.
This thread sure got caught up on one guy's opinion
I'm still morbidly curious in a fusion of Vanquish and Shadow the Hedgehog
America had the benefit of playing catchup in the late 90's with companies localizing the standout titles first. Now everything comes over unfiltered in real-time and it's a total mess to sort out.True, when you cull back over a certain period you can extract the best easily. Even the last decade can be the same way as that post kind of highlights, while if you tried to actually look at it season-by-season most of that's just crap I either couldn't care about it or is just moderately interesting.
Jin-Roh is 1999.
Mushishi is 2005
Ghost in the Shell: Stand Alone Complex is 2002
Hajime no Ippo is 2000
Baccano is 2007
Tatami Galaxy is 2008
Seirei no Moribito is 2007
Planetes is 2003
Paranoia Agent is 2004
Little Witch Academia is 2013
Gankutsuou is 2003
Space Battleship Yamato 2199 is 2013
Meanwhile, if you look beyond the classics, a lot of shit came out in the 80's and 90's.
This thread sure got caught up on one guy's opinion
But they ended it!Yeah, seriously... Back to your regularly scheduled program... And someone fix my tag.
Yeah, and can make it kind of worrisome about still getting whatever good stuff that DIDN'T come out then. Well, we still got Dirty Pair even though it took a long while and stuff like Fist of the North Star got brought over, so at this point it's probably more about getting some of that stuff out AGAIN, like someone re-licensing Urusei Yatsura and Sunrise or whoever pulling their head out of their ass about Gundam.America had the benefit of playing catchup in the late 90's with companies localizing the standout titles first. Now everything comes over unfiltered in real-time and it's a total mess to sort out.
Doh, you're right. Thought it was 2008 for some reason and that was the one title I didn't double check.Wasn't Tatami Galaxy in 2010? Yuasa would have been directing Kaiba in 2008.
Well, again, they don't have anything acting as a filter anymore, so it's rather understandable. Word of mouth is also unreliable because anime fandom always has that segment that is perpetually enamored with everything then burns out entirely, replaced by the next batch of people raving about every last thing.Plenty of great stuff comes out today though, definitely. I think people who think that no great anime comes out anymore just really don't pay attention to the more interesting stuff.
But they ended that!
Well, again, they don't have anything acting as a filter anymore, so it's rather understandable. Word of mouth is also unreliable because anime fandom always has that segment that is perpetually enamored with everything then burns out entirely.
Doh, you're right. Thought it was 2008 for some reason and that was the one title I didn't double check.
Well, again, they don't have anything acting as a filter anymore, so it's rather understandable. Word of mouth is also unreliable because anime fandom always has that segment that is perpetually enamored with everything then burns out entirely, replaced by the next batch of people raving about every last thing.
Well, again, they don't have anything acting as a filter anymore, so it's rather understandable.
She can step on me.
Yeah, KLK is not one of those standout titles. It was a fun but messy ride, and that's about it.*cough*
I was wondering how this thread had gotten another entire page, but I wouldn't have guessed it was fighting over whether old anime is better than new anime.
I wouldn't have guessed that a dev got dragged in here to explain why we aren't getting a KLK video game either.
Yeah, KLK is not one of those standout titles. It was a fun but messy ride, and that's about it.
Especially when a company will have to end up selling copies of the game to far more people than those who nagged them about it.In any case it's a bad idea to harrass someone on twitter about making an anime game even if it is.
Yeah, seriously... Back to your regularly scheduled program... And someone fix my tag.
Except I have no idea if you are getting a KLK video game.
Eva was a show that explicitly promised its audience more fanservice in next episode previews.For what it's worth, I do agree about the disintegrating approach to quality anime in the market overall. Eva was meant to deconstruct, but instead it just made the corruption popular.
It was like Eva said, "this is what you are, anime! You're a horrific world-destructing, lonely-child-exploiting, endlessly-duplicating Oedipal monstrosity!"
And the industry said, "Uh, hey, you're right! Even moreso than we thought! Thanks for the advice! Off we go!"
Oops.
I was wondering how this thread had gotten another entire page, but I wouldn't have guessed it was fighting over whether old anime is better than new anime.
I wouldn't have guessed that a dev got dragged in here to explain why we aren't getting a KLK video game either.
Eva was a show that promised its audience more fanservice in next episode previews.
It should be a turn-based JRPG based around outfits ala FFX-2.I'm still morbidly curious in a fusion of Vanquish and Shadow the Hedgehog
Ive just been reading along, I kinda want to contribute but dont know how and points I would have stated have already been said lol
I can't wait for the Satsuki Phat figure and her Nendoroid to come out. *causally whistles*
I can't wait for the Satsuki Phat figure and her Nendoroid to come out. *causally whistles*
The blurays look awesome but there's like 9 volumes or somecrap. I'm not paying 6k each! They look soo cool but I'm not that crazy. I hope they release the OST2 separately or its included in a UK limited edition or something :/
Except I have no idea if you are getting a KLK video game.
Persona said:Dear investors and IP holders: please hire us to make a Kill la Kill fighter. Thanks. Sincerely yours, LabZeroGames
Quite a lot of anime has always skewed the way of the Otaku, what is the Otaku Insect Fetish Thing of today's was the Moe series of recent was the harem series of the 1990s and 2000s or the hyper violent shlock of the 1980s. There is always bad shit and like the good shit both have changed their faces over the decades.
For a while anime became popular precisely because it had sex and violence, while American animation shied away from it.Quite a lot of anime has always skewed the way of the Otaku, what is the Otaku Incest Fetish Thing of today's was the Moe series of recent was the harem series of the 1990s and 2000s or the hyper violent shlock of the 1980s. There is always bad shit and like the good shit both have changed their faces over the decades.
Moe killed anime and is now after video games!