In truth, I was just making a joke. I don't even remember that much of Book 2.What you say is mostly accurate, and it sounds stupid on the surface....until you look at the text and fill in all the pieces you skewed.
I thought of everything I’d learned at the hands of Felurian, and felt the strange, wild laughter welling up in me again. I fought it down as best I could, but I could feel it tumbling around inside me as I met her eye and smiled.
Losi took a startled half-step back, her pale skin blushing to a furious red. (panties being melted)
Penny held out a hand to steady her. “Lord, girl, what’s the matter with you?” Losi tore her eyes away from me.
“Look at him, Penny, really look at him. He’s got a fae look about him. Look at his eyes.”
Penny looked curiously at my face, then flushed a bit herself (second set of panties gone) and crossed her arms in front of her chest, as if I had seen her naked. “Merciful lord,” she said breathlessly. “It’s all true, then. Isn’t it?”
Hopefully they stop after the 1st book.
(I really enjoyed it)
In truth, I was just making a joke. I don't even remember that much of Book 2.
Looking at the actual text, however, I don't feel I was skewing it as much as you say:
Context for others:Kvothe finishes bragging about laying Felurian, aforementioned elfin sex-goddess
Dude, we sound glib because the books are undeserving of "serious criticism." When you say it is wrestling with ideas, do you mean like pro wrestling?
I wouldn't be poking fun at your defensive, gushing posts, but you just had to preemptively fire off that comment about book gaf. Tisk Tisk.
Ferro's reasonably attractive, in a lean, fit way. Or at least that's how she's depicted in fanart.Yeah I'm confused. Thought Fox had obtained the rights a while back.
Lionsgate is Hunger Games and stuff like that.
Tad too gritty and no attractive female lead.
Well, that's different.It was an after affect of the faery air that he's been swimming through while in Fae. Notice that it doesn't affect just her, it affects Kvothe too. Not long before (or after, I don't have the text in front of me), he was considering kissing a random girl just because she was beautiful and had to remind himself that that was not an acceptable thing to just do. Faerie stuff made her horny, not Kvothe in particular, though the fact that she also liked him beforehand helped as well. It still doesn't detract from the fact that what actually pushed her into going with him was what he said to her, not fairy magic or his ordinary hotness. And it doesn't last in any case. Everything after that is normal sexual encounters.
Honestly, I have no problem with joking around with the absurd stuff that happens, and I'm sorry if I came down sounding accusatory. It's just that a lot of people just use it as serious criticism as well. It's annoying. As I said, there are obviously criticisms to be made, but most people write off the ideas it wrestles with as inherently wrong to use rather than discussing how the series utilizes them. It's very frustrating. I'm not even that huge a fan of the books, but it annoys me immensely to see the series put down over misrepresentation.
Okay, let's try serious criticism.
It's worth mentioning that while before the fairy sexcapades women were still pretty into Kvothe this is still part of the power fantasy. Nearly every female character introduced into the story is sexually attracted to Kvothe or offers herself sexually to him. If you can't see how that's idiotic power fantasy writing then I don't know what to say to you. I guess this is quite the setting where grown women lust after a virginal, socially awkward, 15 year old nerd.I didn't say book gaf, I said gaf gaf. I see this in virtually every thread. Most people don't look beyond if something makes immediate sense to them, and go off their initial reaction most of the time. They liked it or they didn't. Look at any given thread, and see how many people actually go in depth with their evaluation of any episode.
hahahahahaha
don't remember much out of the books anymore
the 3rd isn't out yet right? lol
Okay, let's try serious criticism.
Most people reach some kind of sexual maturity without the aid of a sex goddess. It's a part of human interaction. The thing is, not everyone gets it, because sex is complicated. It's been a constant sticking point in human relationships if history is anything to go by.
Rothfuss brushes past this integral facet of the human condition by kickstarting Kvothe's sexual development. Suddenly he's great at sex and having sex all the time, and just happens to run into an isolationist culture with very liberal ideas about sex. Oh, and very low STD rates. Just so you know. These guys are totally healthy so rampant sex with them is kosher.
What does he leave for Kvothe? Emotional intimacy, which Kvothe is still very bad at. Evidently sex isn't everything and there's some deeper aspect to relationships no magic or goddess can give him, that he needs to develop for himself.
(I'm hating myself for merely summarizing this junk.)
So what you're left with is an emotionally immature teenager who just happens to be very good in bed. There's room for character development, but also room for hot sex scenes. Do you see the problem with this?
In Kvothe, Rothfuss has crafted a character "virginal nerds" of the world can personally identify with, while still maintaining that fantasy about having and being really good at sex. It's blatant. The self-insert coming from his inexperience with emotions, the power fantasy coming from his impeccable PUA prowess (to say the least of his innate naming skills).
It's transparent as all hell, and not even worth discussing in depth. Hence, I take my shots, and I leave it alone, because anything else is a waste of time. I feel you're challenging the validity of my opinion, I wrote this just for you.
I actually took it asbecause of how much time he spent in that realm. Remember before he went there he couldn't grow a beard and by the time he got back he basically could.
What was essentially months of not a year or more of his life was spent there, to them he was gone for a few days and the last time they saw him he was a super awkward kid that didn't know how to handle even the most basic of sexual scenarios such as being hit on by the bar maid.
But then he's suddenly back three days later from supposedly a forest, with a growing beard and total confidence in his sexuality. I felt that was the reason they were inclined to believe him when he spoke the truth of what happened, and why the girl took the compliment seriously rather than him pulling stuff out of his ass.
Pretty much. If nothing else, it's really rude to the people who do enjoy the series and want to be happy about this. This isn't meant to be a criticism thread in the first place.I agree the books aren't perfect or for everyone, but all the direct hate and insults while Bemoning how their series should have gotten the tv shows demonstrates a strong sense of jealousy over the whole thing, which is unecessary because the odds of this show being good are about the same as any other series being treated by these guysshits gunna be bad
Instead of just flinging the usual "LOLs this happened so stupid" pretty much completely out of context of the story, foreshadowing etc, we should be happy that this kind of stuff seems to be getting some traction!
It literally means that books that you guys DO like are that much more likely to get some form of adaption which is great.
Hey, remember that timehe had to kill a dude with lightning in a forest? Kvothe had his cliche scene in which the hero must come to terms with the grim realities of the power he wields, the responsibility and the toll it takes on one's psyche! Except he really killed that marauder out of self defense and besides, he went super sayian without consciously meaning to do it. It's cool, he's still the best.
It's almost as if this have your cake and eat it too thing is a trend. I don't think that even cracks the top 10 glaring BS list either. It's stacked! The truth is the Kingkiller Chronicles started off as entertaining only to go completely off the rails somewhere in the latter two thirds of the second book. I wouldn't even mind, except it really stopped being fun.
My idea of "power fantasy" goes far, far beyond juvenile male-dominance female-submission dynamics.This criticism would be much more valid if Kvothe's sex life is something that is spent a great deal of time on where the focus is him being the one in power.
Different standards. Rothfuss is more subtle about it than his peers, but it's still firmly 'power fantasy' by mine.It's not transparent at all when you look at the actual power dynamic.
This is a very low bar, I hope you realize that? I'm not impressed that this power fantasy is moderately less "power fantasy" than that one.If you want a sexual male fantasy, something like Richard from the Sword of Truth fits far more.
Disagree. Time is finite resource. I gain less to criticize this seriously than, for example, reading a book. Any book, really.Also, on the off hand, there is nothing that isn't worth serious criticism. Criticism isn't some rite of passage only good series get, it's a stress test. Everything deserves it, from the most brainless twilight rip off to Paradise Lost.
Addendum:It's not uncommon, in fantasy, or sci-fi, for the topic of sex to never really be handled at all in a way that's convincing or plausible. It's skirted past because it's a difficult topic to write about so sometimes you'll encounter a sex scene that just makes you go "wha..?" or a relationship with sex clearly shoehorned in, or just no sex at all. The older the book you read, the more likely sexuality is unexplored, as a subject, despite it being integral to human experience.
What Rothfuss is doing here is saying: "Okay, I'm not going to bother developing his sexuality either. BUT, I want him to be very good at sex. So, I'm going to give him a sex lesson in the forest and he'll come out all sexy and shit and now all the girls who've been thirsting after him can get some of that premium, dry-aged Kote-meat.
It's lazy, and a bit cowardly. He wants to write about Kvothe having sex without ever going through the problems that make sex what it is.
My idea of "power fantasy" goes far, far beyond juvenile male-dominance female-submissions dynamics. Different standards. Rothfuss is more subtle about it than his peers, but it's still firmly 'power fantasy' by mine. This is a very low bar, I hope you realize that? I'm not impressed that this power fantasy is moderately less "power fantasy" than that one.
That merely means you (understandably) can't give every book it's due, not that the books are not due that criticism.Disagree. Time is finite resource. I gain less to criticize this seriously than, for example, reading a book. Any book, really.
Sex is a part of this, no doubt, but saying that it's the sole reason why it happens isn't a fair evaluation of it.
Anyway, can you elaborate on what you mean by 'developing his sexuality'? Do you mean you wanted more depth on how he performed sexual techniques, or how what do you mean exactly?
And it is? Fiction is rooted in escapism and speculative fiction moreso than any other genre. Most are self-insert fantasies of some sort for a reason. Kingkiller is just higher on the gradient than a lot of other but it is still on that gradient.because that would render the vast majority of literature to be power fantasy.
You can't dismiss criticism of the Adem and the Felurian sequence as "pot-shots." They take up like 1/3 of the entire second book.
At the end of the day you can invent all the justification you want for both sequences but honestly they're pretty much cringe-inducing shit.
Kvothe doesn't grow as a character by learning the 1000 ways to please a woman from sex fairy in sex land. He really doesn't. The Kvothe that comes out of the forest is the exact same one that walked in, except now he can fuck hot bar girls all day long.
We are given an info dump on the cthaeh and all of that other stuff in the Felurian chapters, which is interesting. The question is why did I have to read 100 pages of the main character becoming a superpowered sex god before I got to learn about that stuff? Could Rothfuss have somehow supplied that information to me in a way that doesn't make me want to cringe and stop reading the book?
Lets talk about the Adem. You dismissed their complete ignorance of sexual reproduction as a potshot, but I think that's unfair because the Adem are just terribly constructed. When I'm reading 200 pages on the Adem, I need them to be constructed in a logical manner.
Almost nothing about the Adem makes actual sense when you think about it. Not understanding birth, women always being the best fighters, their entire system of language being inefficient, etc etc. Its a complete failure in worldbuilding, and it makes the entire segment of the book difficult to enjoy.
A lot of people like to talk about all of the character development that Kvothe experiences throughout the second book. I'm going to completely disagree with this but if you really think that then whatever. Lets talk about plot progression
-Still has a strange obsession with Denna
-Not any closer to finding the chandrian
-Still at university
-Holy shit we're still at university guys
-Fixed the money situation though
In terms of plot progression, the only thing of note that happens to Kvothe in the entire book is A. seeing ash in the bandit camp and B. The maer paying his tuition.
At the end of the day its a bloated meandering book that really pales in comparison to Name of the Wind.
I never said that.
I know all the foreshadowing junk that happened in that forest. That is its own problem which I will not get into here. I'm talking about why he needed to learn sex from Felurian at all. No, really, what does it add to his character that he needed later in the book? Why couldn't he just explore it in his time with the Adem? It was already going to be a culture shock moment for him anyway. Do you think learning about sex from Felurian was integral to his experiences with the Adem? Do you think sexual prowess is a very important character trait for him?
I don't.
No one becomes good at sex and interacting with the opposite (or the same) sex overnight. Nor do they do it with a single person, a person who isn't even a human, who has very little idea of what being human is. It's a journey that lasts longer than a month, or a year, or whatever subjective time Kvothe spent with Felurian. How would you feel if, instead of teaching him about sex and girls, she taught him about emotional intimacy and just dropped an entire character arc onto his lap? Like, he came out of the forest as developed as he would be at the end of the third book.
Cheated, right? Because that's what we're reading books for. To see characters develop on their own merits. But why is it that Book 2 defenders don't seem to care he's just suddenly very comfortable with sex and women? It's because it's an afterthought in the world of fantasy, and it's an afterthought here, made more obvious by Rothfuss' handwaving of the matter to turn him into a Casanova without budging his emotional development anywhere near the same degree.
And it is? Fiction is rooted in escapism and speculative fiction moreso than any other genre. Most are self-insert fantasies of some sort for a reason. Kingkiller is just higher on the gradient than a lot of other but it is still on that gradient.
How exactly have the Adem managed to maintain such strong cultural and linguistic independence for so long? Unique, independent cultures that are wildly different from their neighbors tend to only survive in large numbers when theyre geographically isolated (which the Adem arent) or practice a high degree of self-imposed isolation (which the Adem dont, since their economy is based on sending mercenaries out to other parts of the world). Theyre a relatively very small minority with a unique culture in the midst of the as far as I can tell culturally homogeneous majority of the rest of Kvotheland. Thats not a situation conducive to long term survival- look at native American cultures, many of which all but vanished in a relatively short time period once European invaders reached a certain population density and assimilation became necessary or was forced on them (although in this case some cultures vanished because all of their members were dead, a problem that presumably doesnt apply to the Adem).
The only way I can see this working is if the Adem way of life originated somewhere east of the Stormwahl mountains and was being kept alive through allegiance or reverence to the location of origin a la religions like Islam that heavily incorporate cultural and linguistic elements from the geographic location the religion was born in even after the faith has spread all over the globe (compare against something like Christianity, many strains of which could easily appear to an outside observer to have originated ex nihilo in rural America some time in the last fifty years). But theres no sign that anything like this is going on. As far as I can tell the Adem culture was born way the hell back in the distant past before the proto-Ademre had any real contact with other cultures and then persisted more or less unchanged into the present day without ever being exported to other locations or blending with the cultures of neighboring . kingdoms? Is Ademre a kingdom? Are they even politically independent? I have no idea. Vashet talks about different Lethani schools and paths with their own schools and towns devoted to them so I have no idea if the Adem even have a central government.
After this we get along, tedious explanation about the language that comes across like Rothfuss dumping the contents of his world bible across the page. It does prompt me to wonder why and how the Adem actually came up with the sign language, though. Its function is basically to more or less replace facial expressions and emotional speech patterns, but for what purpose? Way back when Tempi said that Adem children dont do this and have to be taught to consciously to reign in their emotions as they grow up. And this isnt just a warrior class or anything, its every single Adem. It just seems like a society-wide suppression of hard wired human behavioral patterns would need more of an actual justification and would be harder to pull off.
There is. Malazan. And hey, it's actually finished. But it will never be adapted into anything because it's huge.Honestly there just isn't another fantasy series out there thats even remotely close to the quality of ASOIAF. I don't think I can see any other series out that would make a good tv show - including first law, stormlight, mistborn, etc.
How exactly have the Adem managed to maintain such strong cultural and linguistic independence for so long? Unique, independent cultures that are wildly different from their neighbors tend to only survive in large numbers when they’re geographically isolated (which the Adem aren’t) or practice a high degree of self-imposed isolation (which the Adem don’t, since their economy is based on sending mercenaries out to other parts of the world).
They are isolationist in both of these regards, just not in absolution. The Stormwal mountains make passage difficult (but not impossible) and they do not trade with the rest of the Four Corners because they are self sufficient. They send out Mercs for pay, but that's essentially only economic trade. That's why very few know how to speak Aturan and Kvothe had to learn their language to communicate, since mercs don't require more than minimal training to accomplish their missions (protect this, kill that). You can have degrees of isolation, it doesn't have to be completely cut off or freely interacting with the world. The adem interact with the rest of the commonwealth, but not much, which is enough to produce an unique society.
They’re a relatively very small minority with a unique culture in the midst of the as far as I can tell culturally homogeneous majority of the rest of Kvotheland.
While Kvothe has mainly traveled through Vintas and where the university is, it is clear that cultures of even the connected states are far from homogeneous. Just look at how much Wil has trouble adjusting, for example, or all the cultures talked about but not yet seen (like the Yllish).
That’s not a situation conducive to long term survival- look at native American cultures, many of which all but vanished in a relatively short time period once European invaders reached a certain population density and assimilation became necessary or was forced on them (although in this case some cultures vanished because all of their members were dead, a problem that presumably doesn’t apply to the Adem).
This doesn't apply to them because the Adem are not threatened by the Commonwealth or any of the other Four Corners. Probably because the campaign needed to take the Adem from the Stormwal Mountains would be astronomical for essentially no gain. But for what it's worth, the only reason the Adem are where they are is because the proto adem were chased into that land, which they were only allowed to establish for themselves because no one else wanted it. So if you want to assimulate them, you would have to fight a viciously combat capable culture in a difficult to reach land that has shitty resources no one wants. That's the difference between them an native indians of america. No one wants the land they have, and even if they did, they'd be at a military disadvantage in every regard but numbers. Is it any wonder they weren't colonized?
The only way I can see this working is if the Adem way of life originated somewhere east of the Stormwahl mountains and was being kept alive through allegiance or reverence to the location of origin a la religions like Islam that heavily incorporate cultural and linguistic elements from the geographic location the religion was born in even after the faith has spread all over the globe (compare against something like Christianity, many strains of which could easily appear to an outside observer to have originated ex nihilo in rural America some time in the last fifty years). But there’s no sign that anything like this is going on. As far as I can tell the Adem culture was born way the hell back in the distant past before the proto-Ademre had any real contact with other cultures and then persisted more or less unchanged into the present day without ever being exported to other locations or blending with the cultures of neighboring…. kingdoms? Is Ademre a kingdom? Are they even politically independent? I have no idea. Vashet talks about different Lethani schools and “paths” with their own schools and towns devoted to them so I have no idea if the Adem even have a central government.
Dude, the past Adem culture was literally explained in the books. It was the most in depth explanation of cultural history of any culture we got except maybe for the Edema Ruh
After this we get along, tedious explanation about the language that comes across like Rothfuss dumping the contents of his world bible across the page. It does prompt me to wonder why and how the Adem actually came up with the sign language, though. Its function is basically to more or less replace facial expressions and emotional speech patterns, but for what purpose? Way back when Tempi said that Adem children don’t do this and have to be taught to consciously to reign in their emotions as they grow up. And this isn’t just a warrior class or anything, it’s every single Adem. It just seems like a society-wide suppression of hard wired human behavioral patterns would need more of an actual justification and would be harder to pull off.
The origin of this is not explained, but the development of cultural norms is not a concious process to be the most efficient means of communication possible. Development sprawls out unnaturally, meaning we have a lot of redundant or pointless gestures ourselves. I'd speculate that it has to do with their warrior culture (not every adem is a warrior, but they live in a warrior culture nonetheless), actions being more expressive than words. But as far as practicality of this goes, I'd wager handsigns are easier to read than facial expressions, which due to being intuitive and uncontrolled can often be misread. This is demonstrated when the schoolmaster somehow managed to put 6 expressions into one handsign, which is something that is difficult to read on a face. Also have more control. A facial expression can show discomfort when you don't want it to (like, perhaps, in the face of an enemy), but you can't make a discomforted handgesture unless you will yourself to do so. In contrast, free facial expression got associated with something you do with friends and family, since they're safe to express discomfort with, which snowballed into a general cultural norm.
Really, I don't approve of political treatises in fiction but the Adem don't hold up even under mild scrutiny. It's like if you took caricature of some East Asian culture and then dropped it right into 12th century Europe and tried to convince me that it's a working society, and it grew up alongside the Franks, the Romans, and the Slavs.
I'll just copy paste:
Really, I don't approve of political treatises in fiction but the Adem don't hold up even under mild scrutiny. It's like if you took caricature of some East Asian culture and then dropped it right into 12th century Europe and tried to convince me that it's a working society, and it grew up alongside the Franks, the Romans, and the Slavs.
I'm not a big fan of his criticism. He wants everything explained very precisely, which is the thing I find most clever about the series. It doesn't shy away from obscuring details or being abstract. The Adem part was boring to me, because it was more boring fantasy training scenes during a part in the series when I demanded plot. The beginning of the second book had more plot. I didn't dislike it because it was ambiguous and unrealistic. The society was left pretty open to interpretation.
More sex and violence.I'm going to enjoy seeing how they try to make it interesting.
But we just got Jonathan Strange and Mr Norrel + The Magician.shit like this NEVER pans out. how many times have we heard of a wheel of time movie, tv and videogame deal for instance? and then years later all we get is this
https://www.youtube.com/watch?v=cvNYIEN1vIg
So glad I'm not the only person who's read Ronan Does a great job of ripping this terrible series to shreds.
Edit: wait a minute, is this the dude that thinks that interpreting figurative language literally is valid criticism? Holy shit, it is. Haly, man, just trust me, stick to your own guns on this one. While I disagree with you, atleast you've proven you can support your arguments. This guy tho...It's no wonder that copypasta had the integrity of a wet tissue. This guy is HORRIBLE at literary criticism.
Hah, his posts on Silent Regard really rubbed you the wrong way huh? He doesn't interpret figurative language literally. He criticises terrible prose that sounds flowery but has no descriptive power. Silent Regards is full of that nonsense. It's Rothfuss doing his best impression of what he things good prose should sound like without really understanding what makes good prose you know...actually good.
The thing about suspension of disbelief is that it works differently for different aspects of a story. We willingly suspend our disbelief when we read fantasy for things like demons, fairies, aforementioned evil tree, and so on because we know this is fantasy and the introduction of fantastical beings that do not exist is part of the genre. However, the Adem are not fantastical beings, they are a human culture, and we know human cultures very well. Because of this we expect the Adem breathe oxygen, need to eat and drink to continue living, and know that the act of a female having unprotected sex with a male can lead to pregnancy.Many things in fantasy or sci-fi novels require enormous suspension of disbelief. The more elaborate and bizarre the setting or culture, the more likely that it implodes upon investigation. I don't think the Adem are too bad in the grand scheme of things, not when there's stuff like demons, magic, a fairy world, an eternal evil tree or the Chandrian.
I don't think too highly of the Kingkiller Chronicles, but the books are pretty enjoyable for me nonetheless.
The thing about suspension of disbelief is that it works differently for different aspects of a story. We willingly suspend our disbelief when we read fantasy for things like demons, fairies, aforementioned evil tree, and so on because we know this is fantasy and the introduction of fantastical beings that do not exist is part of the genre. However, the Adem are not fantastical beings, they are a human culture, and we know human cultures very well.
Any post hoc rationalization that, no really, this could actually happen is just that. What the Adem are a society constructed just to provide his boy hero with freely willing, no strings attached casual sex partners, as well as to remind us that he's totally awesome at sex, guys.
The thing about suspension of disbelief is that it works differently for different aspects of a story. We willingly suspend our disbelief when we read fantasy for things like demons, fairies, aforementioned evil tree, and so on because we know this is fantasy and the introduction of fantastical beings that do not exist is part of the genre. However, the Adem are not fantastical beings, they are a human culture, and we know human cultures very well. Because of this we expect the Adem breathe oxygen, need to eat and drink to continue living, and know that the act of a female having unprotected sex with a male can lead to pregnancy.
Any post hoc rationalization that, no really, this could actually happen is just that. What the Adem are a society constructed just to provide his boy hero with freely willing, no strings attached casual sex partners, as well as to remind us that he's totally awesome at sex, guys. They make no sense whatsoever from a worldbuilding perspective, especially since they are both supposedly highly isolated as a society and their only economy is exporting mercenaries to fight in the outside world.. You'd think there'd be some cultural osmosis going on from trade but apparently not.
Lionsgate is developing a movie, TV show and videogame based on Patrick Rothfuss fantasy series The Kingkiller Chronicle.
The series is centered on the wizard Kvothe, who survives a tragic childhood to become a notorious household name. The Kingkiller Chronicle series of books and novellas has sold 10 million copies, and the first two books The Name of the Wind and The Wise Mans Fear were New York Times bestsellers.
Robert Lawrence (Clueless) is producing. 20th Century Fox Television and New Regency Productions had been developing a Kingkiller TV series in 2013.
Lionsgate said Kingkiller Chronicle is the best-selling fantasy series behind Game of Thrones. Negotiations with several studios launched this summer with meetings taking place during Comic-Con.
Lionsgate Motion Picture Group Co-President Erik Feig and creative executives Jeyun Choi Munford and Jessica Switch will work on the movies. Lionsgate Executive Vice President of Television Chris Selak will spearhead its television adaptation and Lionsgate President of Interactive Ventures and Games Peter Levin will be in charge of videogame development.
Pat Rothfusss imaginative storytelling, the spellbinding character Kvothe and the vivid world of Temerant in The Kingkiller Chronicle series have a passionate and savvy fanbase and the potential to reach an even broader audience in adaptation, Feig said in a statement. It is rare that a property comes along with a world so rich and multilayered that it lends itself to exploration across film, television and video game audiences at the same time.
The deal was negotiated by Bonnie Stylides for Lionsgates Motion Picture Group and by Dan Hadl for the Television Group. Rothfuss is repped by Jerry Kalajian of Intellectual Property Group, Matthew Bialer of Sanford J. Greenburger Associates and Matt Sugarman of Weintraub Tobin.
http://variety.com/2015/film/news/kingkiller-chronicle-movie-tv-show-lionsgate-1201607468/
The thing about suspension of disbelief is that it works differently for different aspects of a story. We willingly suspend our disbelief when we read fantasy for things like demons, fairies, aforementioned evil tree, and so on because we know this is fantasy and the introduction of fantastical beings that do not exist is part of the genre. However, the Adem are not fantastical beings, they are a human culture, and we know human cultures very well. Because of this we expect the Adem breathe oxygen, need to eat and drink to continue living, and know that the act of a female having unprotected sex with a male can lead to pregnancy.
Any post hoc rationalization that, no really, this could actually happen is just that. What the Adem are a society constructed just to provide his boy hero with freely willing, no strings attached casual sex partners, as well as to remind us that he's totally awesome at sex, guys. They make no sense whatsoever from a worldbuilding perspective, especially since they are both supposedly highly isolated as a society and their only economy is exporting mercenaries to fight in the outside world.. You'd think there'd be some cultural osmosis going on from trade but apparently not.
Again, why would there be? First off, the Adem are elitist, considering the rest of the Four Corners to be savages. You want to tell me how much cultural osmosis Britain gained from, say, India or Africa? How much american settlers took from Native American culture? So why would their mercenaries give two shits about any culture they work for? They're hired to defend this or fight that. They don't need more than a VERY basic understanding of the language to do that, hence why most of them barely speak Aturian.They make no sense whatsoever from a worldbuilding perspective, especially since they are both supposedly highly isolated as a society and their only economy is exporting mercenaries to fight in the outside world.. You'd think there'd be some cultural osmosis going on from trade but apparently not.
Sorry to ruin that for you, but I highly dislike it when series are thrown under the bus for misunderstood or misrepresented things. The way I defend this series makes me out to be a bigger fan of it than I actually am. I like them well enough, but they're not my absolute favorite. It's just that too many people have very poor arguments against them that otherwise go unchallenged.This thread was more fun when we were doing sex jokes.
Regardless all of these points are moot if it ends up up that Kvothe isn't a reliable narrator.
Meh, pass. Stormlight Archives pls.
Skyrim doesn't have a tuition and student loans mechanic for its wizard school, though.I don't see why we need a Kingkiller video game. Skyrim already lets you be awesome at everything with minimal effort.
That's another thing. It's bizarre that people criticize that Kvothe accomplishes everything with ease, then in the same breathe claim he just pull himself out of abject poverty like it's no big deal.Skyrim doesn't have a tuition and student loans mechanic for its wizard school, though.
It's important stuff.
That show has already been done. It's called dragon ball z. Pass on shooting anything relating to malazan.If any fantasy series deserves to get adapted it's Malazan: Book of the Fallen
it would appeal to Game of Thrones fans in the sense that it's many points of views, mature fantasy, and has character deaths that really fucking suck.
It appeals to other geeks in that it also has a more traditional fantasy setting, parties, and a really interesting mechanic to its gods/demigods.