http://www.mtv.com/news/articles/1488569/20040622/farrell_perry.jhtml
damn that sucks for those who were planning on going, great lineup too :/
damn that sucks for those who were planning on going, great lineup too :/
Alucard said:This is just really hard to understand because the lineup was easily the best that the festival had seen in years. How does a festival that features Morrissey, Broken Social Scene, Modest Mouse, The Flaming Lips, PJ Harvey, Wilco, and a host of others not sell enough tickets to even make the show happen? I just don't get it.
Alucard said:This is just really hard to understand because the lineup was easily the best that the festival had seen in years. How does a festival that features Morrissey, Broken Social Scene, Modest Mouse, The Flaming Lips, PJ Harvey, Wilco, and a host of others not sell enough tickets to even make the show happen? I just don't get it.
GG-Duo said:man... fuck Ticketmaster. it's all their fault
and maybe music has become too elitist? I don't know.
Diablos said:It isn't 100% ticketmaster's fault. Tickets were only up to $25 according to Farrell, so a $7.90 ticketmaster charge still isn't gonna make tickets that expensive.
I wouldn't mind seeing Broken Social Scene, The Von Bondies, Elbow, Gomez, The Polyphonic Spree, and other in smaller venues here in seattle.
shoplifter said:They were $45 when I looked, and the service charge was TWENTY FIVE FUCKING DOLLARS. I didn't buy any, even though I wanted to see Morrissey oh so badly.
Diablos said:Ok, that IS their fault. $25 for a service charge? Bull effing shit.
Star Power said:They can't really control that, it's all Ticketmaster.
dskillzhtown said:For everyone who hates mainstream artists, wouldn't it have been a good trade off to have 1 or 2 mainstream artists in exchange to seeing the groups you like?
shoplifter said:No, it wasn't necessary back in 91 or 92, it's not now either. Keep in mind that RHCP and Pearl Jam hadn't exploded yet.
Again, it wasn't the lineup. It was a shitty economy and ridiculous fees.
GG-Duo said:question:
So what makes Ticketmaster so special? How did they achieve this monopoly? What can we/government do about this?
WasabiKing said:It's definitely an issue of being able to draw people, but it's this new format that's screwing everything up. Two days! Also, some of those shows ran during weekdays. Makes absolutely no sense.
shoplifter said:On a good note though, this means I'll get to see Moz in a more intimate setting. Big arena type shows suck.
heavy liquid said:I was down with the two day format, but yeah, having shows during the week was an idotic decision. I would've gone to both, but could only afford to take one day off from work. I'd guess that this was the biggest factor as to why they didn't sell more tickets.
Eminem said:Whether people here like Incubus/Audioslave/APC/QOTSA, the fact is, people hear their singles on the radio and go. When was the last time you heard Broken Social Scene or Modest Mouse on heavy radio rotation? The bands just aren't big enough to draw the mainstream fan, which is what you definitely need for a festival such as Lolla.