Erigu said:
To the point where you would single out the show as "really special"? And add "Erigu is a cuckoo", which, to me, kinda implies this isn't a mostly subjective matter?
I guess I glanced over that part. I do think you're kind of crazy with your obsession, but that wasn't what I meant to pull into the discussion. When I said "And what if he has and
still feels that way?" I was referring solely to the "really special" comment.
And yes, if I can only name a handful of shows that affect me the same (positive) way that I described, then that, to me, qualifies as "really special". Do you think I'm being too loose with the term? Should it be reserved for a single show rather than a handful?
Erigu said:
I already commented on the music, and while the show obviously was a fairly expensive one (except for the CGI, but I don't expect much in that area anyway, on TV), it all felt... unremarkable, in the end. Recent AMC shows have far better photography, for example...
I've seen your comments on the music (that it's overbearing, annoying, etc), and I simply disagree. I think the music fits quite well and I really enjoy it. I appreciate more subtle scores as well, I just wouldn't want one in Lost. Wouldn't have the same "epic" feel.
Pretty unrelated, but out of curiosity, have you seen The Social Network? What did you think of its score? I only ask because it's another piece of work where the score is one of my favorite parts of the whole picture, rather than something I wouldn't think of mentioning.
BenjaminBirdie said:
Breaking Bad is the only show that's better looking than Lost consistently (Deadwood is better looking than both, for the record). This season pushed it over the top. Lost had incredible camera-work but Hawaii did at least 40% of the legwork of making it the best looking show on television at the time. But it had to be shot properly for that to work. Hawaii 5.0 looks like sterile garbage and is shot on pretty much the exact same locations.
But Breaking Bad not only does landscape, it does dynamic, it does quiet, it does everything, and it takes chances all over the place, doing whatever it takes to achieve a character-based intimacy that's critical to the series' dramatic success.
Yes! So true. It's one of the reasons I continue to be compelled to watch it immediately when it comes on, despite the story lagging a bit during stretches of the past 2 seasons.
BenjaminBirdie said:
Someone else pointed it out, but that time lapse bit on the latest? And the camera slowly dollying in during? Fucking genius.
First thing I thought of when you brought it up
