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Secret_Riddle said:
Is it perhaps a case of the writers writing towards one thing (Christian Shepard actually in some way speaking to Locke and all that), before sort of retroactively changing their minds (making him the MIB)?
Seems like a fairly good bet.
 
Secret_Riddle said:
Is it perhaps a case of the writers writing towards one thing (Christian Shepard actually in some way speaking to Locke and all that), before sort of retroactively changing their minds (making him the MIB)?
.
This is the reason. It's unfortunate but oh well. That's the kind of stuff Erigu has a huge problem with and what people rag on Lost about in general towards the later seasons. They're correct but I personally don't have that big of a problem with it. A lot of the inconsistencies/stupid things tend to revolve around characters I don't care much about (like Christian).
 
Angry Fork said:
I personally don't have that big of a problem with it. A lot of the inconsistencies/stupid things tend to revolve around characters I don't care much about (like Christian).
The whole "go move the island" thing was a pretty big plot point though, right?
 
Except for Christian clothes being very random.

Every Christian moment is fine.

They are either MiB Christian or ghost Christian.

You figure out for yourself which one is which.
 
dave is ok said:
My favorite scene in Lost is when Jack explains to Sawyer that he is detonating a nuclear warhead and resetting the universe so he doesn't have to lose Kate.

It blew my mind in the worst way possible and caused the show's suspension of disbelief irreparable harm
Perfect way of putting it.

When that scene played, I literally said out loud, "Are you fucking kidding me?"
 
You guys seem to forget Jack is making a mistake.

He sits back ever since he came back to the island, making sandwiches and shit waiting for his "purpose" that Locke tells him about. Faraday comes back shouting his mouth off about "We can change our destiny".

Then Jacks like "Ok, this is it, this is why were here, this is my destiny" He's not thinking clearly. He is infact erasing the fact that he ever had a destiny!

What does Jack say in season 6 finale to Desmond?

"Desmond I tried that once, there are no short cuts, no do overs, what happened, happened, trust me I know."
 
Drealmcc0y said:
Except for Christian clothes being very random.

Every Christian moment is fine.

They are either MiB Christian or ghost Christian.

You figure out for yourself which one is which.

Those were my thoughts. That the MIB did impersonate Christian due to finding the coffin..but that the spirit of Christian itself also made an appearance (when he is in clothes, when he makes direct references to Jack and his old life)..primarily at the end of Season 4..and in the flash forward when he says hello to Jack, causing him to go on a pill bender.

Unless of course that really was just a hallucination caused by the island to bring Jack back..like Hurley said or could that have been the MIB and..oh my I've gone cross eyed.

Basically it comes back to this: if, at the end of Season 4, that was just the MIB..that entire stretch loses the majority of it's emotional weight. I feel like the answer is deliberately vague. The show writers leave a logical answer there (it could be the MIB) that's consistent with the show's mythology..but they also leave you with a more interesting and unanswered possibility to chew on.
 
Drealmcc0y said:
You guys seem to forget Jack is making a mistake.

He sits back ever since he came back to the island, making sandwiches and shit waiting for his "purpose" that Locke tells him about. Faraday comes back shouting his mouth off about "We can change our destiny".

Then Jacks like "Ok, this is it, this is why were here, this is my destiny" He's not thinking clearly. He is infact erasing the fact that he ever had a destiny!

What does Jack say in season 6 finale to Desmond?

"Desmond I tried that once, there are no short cuts, no do overs, what happened, happened, trust me I know."
It doesn't matter if what he is doing is right or wrong when his motivation is so unbelievable. A truly 'great' or even 'good' show would have never gone there. And if they did, by some horrible accident, they would have handled it better.
 
Drealmcc0y said:
They are either MiB Christian or ghost Christian.
You figure out for yourself which one is which.
Ambiguity (more like "vagueness", really) isn't a magical tool that somehow solves all plot holes. I realize it would save the show if it were the case, but such is life.
 
dave is ok said:
It doesn't matter if what he is doing is right or wrong when his motivation is so unbelievable. A truly 'great' or even 'good' show would have never gone there. And if they did, by some horrible accident, they would have handled it better.

Well if you say so, it must be true,

His motivation is that he is looking for his "leap of faith" moment. It turns out, it wasnt quite time yet.

"It only ends once, anything that happens before that is just progress"
 
Secret_Riddle said:
Those were my thoughts. That the MIB did impersonate Christian due to finding the coffin..but that the spirit of Christian itself also made an appearance (when he is in clothes, when he makes direct references to Jack and his old life)..primarily at the end of Season 4..and in the flash forward when he says hello to Jack, causing him to go on a pill bender.

Unless of course that really was just a hallucination caused by the island to bring Jack back..like Hurley said or could that have been the MIB and..oh my I've gone cross eyed.

Basically it comes back to this: if, at the end of Season 4, that was just the MIB..that entire stretch loses the majority of it's emotional weight. I feel like the answer is deliberately vague. The show writers leave a logical answer there (it could be the MIB) that's consistent with the show's mythology..but they also leave you with a more interesting and unanswered possibility to chew on.

To me...

Christian in the cabin is always MiB, manipulating Locke and/or Ben

Christian at the donkey wheel is MiB, getting Jack back to the island to.... wait you havent seen season 6.... I wont tell you why needs some people back to the island.

Christian on the freighter that explodes and in the hospital are both Ghost MiB.

Thats it to me.
 
Drealmcc0y said:
Well if you say so, it must be true,

His motivation is that he is looking for his "leap of faith" moment. It turns out, it wasnt quite time yet.

"It only ends once, anything that happens before that is just progress"
His motivation was that the writers needed to find a way to explode a nuclear warhead as an end of season climax, and couldn't figure out how to do it - and that was painfully obvious
 
dave is ok said:
His motivation was that the writers needed to find a way to explode a nuclear warhead as an end of season climax, and couldn't figure out how to do it - and that was painfully obvious

Dude you could say this with any show.

I give you a perfectly good fucking reason that totally goes with the journey of Jack Shephard
 
Catalix said:
Perfect way of putting it.

When that scene played, I literally said out loud, "Are you fucking kidding me?"

Meh. I've been heartbroken to the point where I wouldn't hesitate to blow up a nuke and wipe out an entire future to get over it. :lol
 
Lets talk about garbage final seasons?

Season 5 of The Wire was a borefest.

Politics and a newpaper company. What a load of shit that was.

The Wire was only good when it focused on the gangsters and dirty cops.
 
Drealmcc0y said:
Sure, you could say anything that happens in the show is just because the writers wanted it that way.

Even if the characters motivations fit perfectly for that character.
We are on some level aware that what we are watching is fictional, that doesn't mean you should be able to see the puppet strings plain as day. Character motivation is important to not fuck up - because when you do something the audience can't relate to the suspension of disbelief is broken.
 
dave is ok said:
We are on some level aware that what we are watching is fictional, that doesn't mean you should be able to see the puppet strings plain as day. Character motivation is important to not fuck up - because when you do something the audience can't relate to the suspension of disbelief is broken.

More bullshit from you.

I could just say "I can see the puppet string in the Wire from a mile a way. It dont matter if the character motivation fits in perfectly for that character."

People cant relate to wishing they could reset time to change things?
 
Drealmcc0y said:
I could just say "I can see the puppet string in the Wire from a mile a way. It dont matter if the character motivation fits in perfectly for that character."
You're not making sense. If it does fit, there's no visible puppet string.

Jacks motivations fit in PERFECTLY with it.
"Why? Because you fucking said so?"
 
Drealmcc0y said:
You guys seem to forget Jack is making a mistake.

He sits back ever since he came back to the island, making sandwiches and shit waiting for his "purpose" that Locke tells him about. Faraday comes back shouting his mouth off about "We can change our destiny".

Then Jacks like "Ok, this is it, this is why were here, this is my destiny" He's not thinking clearly. He is infact erasing the fact that he ever had a destiny!


What does Jack say in season 6 finale to Desmond?

"Desmond I tried that once, there are no short cuts, no do overs, what happened, happened, trust me I know."
I'm with you on that part of Jack's development, but my point of contention centers around Jack's "I had her, then I lost her" spiel. It was a pretty laughable moment, in an otherwise high stakes situation. The thing is, Jack had already stated a pretty compelling motivation for latching onto Farraday's ultra risky "time reset" plan in "Follow the Leader":

KATE: You know, before we were caught... you said that we needed to put things back the way they were supposed to be. What did you mean by that?
JACK: If we can do what Faraday said... our plane never crashes... Flight 815 lands in Los Angeles. And everyone we lost since we got here... they'd all be alive.
It's a grand proposition, one that would conceivably justify the guilt ridden doctor's wild actions. So many people died under his leadership, why the hell wouldn't he want to erase such a heavy burden?

But then, in "The Incident", we supposedly get to the heart of the matter. What was really at the root of Jack's troubled soul? What was truly driving him to put hundreds of lives in danger with a NUCLEAR DEVICE? ... Juvenile heartbreak. "I had her, then I lost her." Oh give me a break.

It was already implied that heartache was an underlying contributing factor for Jack wanting a time reset:

KATE: And what about us? We just... go on living our life because we've never met?
JACK: All the misery that we've been through... we'd just wipe it clean. Never happened.
KATE: It was not all misery.
JACK: [Sighs] Enough of it was.

That's all the we needed. Right there! But for some reason, the writers couldn't help themselves. They felt the need to force the issue, choosing to bring this petty "shipper" nonsense to the forefront. Making it a main focal point for Jack's nuclear argument in the season finale was truly misguided. It just disappointed me that they didn't show restraint and keep that angle as subtext. Jack's other motivation (giving all those dead people a second chance) was much grander in scope, and easier to root for.
 
Catalix said:
Jack's other motivation (giving all those dead people a second chance) was much grander in scope, and easier to root for.
Except for Kate, that is. But as we've seen, she's not that troubled over that "first degree murder" thingy. She even pleads not guilty!
 
Catalix said:
Jack's other motivation (giving all those dead people a second chance) was much grander in scope, and easier to root for.
Basically this. Saving the lives of 50 people should mean more to Jack than getting back together with his ex-fiance who he could probably get back together with anyway without blowing up the universe, if he really wanted to.

Huge misstep by the writers.
 
Blader5489 said:
Meh. I've been heartbroken to the point where I wouldn't hesitate to blow up a nuke and wipe out an entire future to get over it. :lol
lol harsh. But were you young at the time? Can't discount that factor. Keep in mind, Jack's a grown ass man with years of heartbreak under his belt (a divorce even!). I'm supposed to take this dude seriously.

I've had some shitty breakups, but I don't think I could ever let my emotions rule me to that extent. Shit ain't worth it, imo.

or maybe I'm just dead inside. I haven't ignored that possibility.
 
Erigu said:
Except for Kate, that is. But as we've seen, she's not that troubled over that "first degree murder" thingy. She even pleads not guilty!
She used an innocent child as leverage for her get out jail free card.

And in her imaginary afterlife construct, she even conjures up a scenario where she is in fact innocent of her premeditated crime. The nerve of this woman!
 
Erigu said:
You feel Lost is a "really special show"?
Why?

Just so you don't think I'm dodging this question:

Fry8 and Willy105 both touched on some of the reasons. So many great moments, scenes and episodes that make me smile/laugh/give me goosebumps/insert-other-emotion. Heck, I even cracked a huge grin as I scrolled through the images in Fry8's post.

Production value is top-notch, music is great...it was just an enjoyable experience for me overall, and continues to hold up on re-watches. I can't say that about many shows. It captivated me over 6 years, and I thoroughly enjoyed it (despite some of my gripes with it...talking overall experience here).

So yeah, that's why the show is special to me.

I really need to do a re-watch one of these days, I just don't have the time...
 
Catalix said:
lol harsh. But were you young at the time? Can't discount that factor. Keep in mind, Jack's a grown ass man with years of heartbreak under his belt (a divorce even!). I'm supposed to take this dude seriously.

I've had some shitty breakups, but I don't think I could ever let my emotions rule me to that extent. Shit ain't worth it, imo.

or maybe I'm just dead inside. I haven't ignored that possibility.

Depends on if a month ago counts as young. :lol
 
Blader5489 said:
Depends on if a month ago counts as young. :lol
We don't know how old you are. A month ago means nothing without your age

Did the relationship end because you forced her to watch Season 6 of Lost?
 
404Ender said:
So many great moments, scenes and episodes that make me smile/laugh/give me goosebumps/insert-other-emotion.
To the point where you would single out the show as "really special"? And add "Erigu is a cuckoo", which, to me, kinda implies this isn't a mostly subjective matter?

Production value is top-notch, music is great...
I already commented on the music, and while the show obviously was a fairly expensive one (except for the CGI, but I don't expect much in that area anyway, on TV), it all felt... unremarkable, in the end. Recent AMC shows have far better photography, for example...
 
Erigu said:
it all felt... unremarkable, in the end. Recent AMC shows have far better photography, for example...

Well, AMC shows (Mad Men and Breaking Bad) do have decent (but sterile) cinematography (there are times however where BB has some really great shots), but nothing to talk about.

However, Giachinno's score for Lost certainly is not unremarkable. That is a grave understatement.
 
Willy105 said:
Well, AMC shows (Mad Men and Breaking Bad) do have decent (but sterile) cinematography (there are times however where BB has some really great shots), but nothing to talk about.
More than there would be to say about Lost's.

Giachinno's score for Lost certainly is not unremarkable.
It certainly is remarkable. As in "overbearing". "Annoying".
 
Willy105 said:
Well, AMC shows (Mad Men and Breaking Bad) do have decent (but sterile) cinematography (there are times however where BB has some really great shots), but nothing to talk about.

However, Giachinno's score for Lost certainly is remarkable and deserves a lot of praise.

Breaking Bad is the only show that's better looking than Lost consistently (Deadwood is better looking than both, for the record). This season pushed it over the top. Lost had incredible camera-work but Hawaii did at least 40% of the legwork of making it the best looking show on television at the time. But it had to be shot properly for that to work. Hawaii 5.0 looks like sterile garbage and is shot on pretty much the exact same locations.

But Breaking Bad not only does landscape, it does dynamic, it does quiet, it does everything, and it takes chances all over the place, doing whatever it takes to achieve a character-based intimacy that's critical to the series' dramatic success.

As far as Yung Giacc goes, you'll get no argument from me, but plenty from everyone else. I think he's the best in the biz, but a lot of people think he's a manipulative hack.

But then, no one liked Soul Coughing either.
 
(possibly my favorite scene of the whole season, when Sawyer tells Jack that he met his father before)

The music was amazing during this scene too. Makes me want to cry each time I see it. Probably my favorite of the show.
 
Erigu said:
More than there would be to say about Lost's.

Sure, by the end of the show, cinematography got downgraded to normal TV fare (compared to stuff like the pilot), with the camera always close up to the character's face and never showing the environments. Hardly a complaint though.

It certainly is remarkable. As in "overbearing". "Annoying".

If you find Lost's fantastic score to be "overbearing" or "annoying", then it's no wonder so many movies and TV shows have garbage playing the background nowadays.
 
Willy105 said:
Sure, by the end of the show, cinematography got downgraded to normal TV fare (compared to stuff like the pilot), with the camera always close up to the character's face and never showing the environments. Hardly a complaint though.
Well, "unremarkable", like I said...

If you find Lost's fantastic score to be "overbearing" or "annoying", then it's no wonder so many movies and TV shows have garbage playing the background nowadays.
Yeah, I'm familiar with that opinion of yours...
 
big ander said:
Yeah, I was a big champion of the cinematography in Lost. But Breaking Bad's blows it out of the magic bath water.

Glad someone wasn't too busy arguing with the unarguablewith to pick up what I'm putting down.

;D
 
dave is ok said:
Michael Slovis is basically a god. Although his New Mexico looked a lot better than New York did on Rubicon.

Someone else pointed it out, but that time lapse bit on the latest? And the camera slowly dollying in during? Fucking genius.
 
dave is ok said:
My favorite scene in Lost is when Jack explains to Sawyer that he is detonating a nuclear warhead and resetting the universe so he doesn't have to lose Kate.

It blew my mind in the worst way possible and caused the show's suspension of disbelief irreparable harm

And then everyone went along with his plan instead of repeatedly hitting him in the face with a rifle butt like the dangerous lunatic that he was deserved. Certainly a low point in the show's writing. Characters deciding to detonate a nuke, probably killing themselves in the process, on the slight chance that some nutty professor's theory is right. One of the worst examples of plot-driven characterization instead of character-driven plot in the show's history.

What I liked a lot about S1 in particular was that you had this group of survivors who seemed like real people in a desperate situation and who's actions seemed to be a result of who they were. By the end of the show's run they were idiots who were performing whatever outlandish antics were demanded of them by the script, logic or consistency be damned.
 
Erigu said:
To the point where you would single out the show as "really special"? And add "Erigu is a cuckoo", which, to me, kinda implies this isn't a mostly subjective matter?

I guess I glanced over that part. I do think you're kind of crazy with your obsession, but that wasn't what I meant to pull into the discussion. When I said "And what if he has and still feels that way?" I was referring solely to the "really special" comment.

And yes, if I can only name a handful of shows that affect me the same (positive) way that I described, then that, to me, qualifies as "really special". Do you think I'm being too loose with the term? Should it be reserved for a single show rather than a handful?

Erigu said:
I already commented on the music, and while the show obviously was a fairly expensive one (except for the CGI, but I don't expect much in that area anyway, on TV), it all felt... unremarkable, in the end. Recent AMC shows have far better photography, for example...

I've seen your comments on the music (that it's overbearing, annoying, etc), and I simply disagree. I think the music fits quite well and I really enjoy it. I appreciate more subtle scores as well, I just wouldn't want one in Lost. Wouldn't have the same "epic" feel.

Pretty unrelated, but out of curiosity, have you seen The Social Network? What did you think of its score? I only ask because it's another piece of work where the score is one of my favorite parts of the whole picture, rather than something I wouldn't think of mentioning.

BenjaminBirdie said:
Breaking Bad is the only show that's better looking than Lost consistently (Deadwood is better looking than both, for the record). This season pushed it over the top. Lost had incredible camera-work but Hawaii did at least 40% of the legwork of making it the best looking show on television at the time. But it had to be shot properly for that to work. Hawaii 5.0 looks like sterile garbage and is shot on pretty much the exact same locations.

But Breaking Bad not only does landscape, it does dynamic, it does quiet, it does everything, and it takes chances all over the place, doing whatever it takes to achieve a character-based intimacy that's critical to the series' dramatic success.

Yes! So true. It's one of the reasons I continue to be compelled to watch it immediately when it comes on, despite the story lagging a bit during stretches of the past 2 seasons.


BenjaminBirdie said:
Someone else pointed it out, but that time lapse bit on the latest? And the camera slowly dollying in during? Fucking genius.

First thing I thought of when you brought it up :)
 
cloud_sleep said:
And then everyone went along with his plan instead of repeatedly hitting him in the face with a rifle butt like the dangerous lunatic that he was deserved.
And after Miles pointed out the obvious, too ("hey, don't you guys think you might be about to cause the incident? yeah? you're going anyway? well, okay then...").
Obviously, the characters knew they were:
1) in the season finale, so a big explosion was probably on the program
2) on Lost, so detonating a nuke sounded like an a perfectly sound idea that might even send them back to the 2000s [it did, naturally]

What I liked a lot about S1 in particular was that you had this group of survivors who seemed like real people in a desperate situation and who's actions seemed to be a result of who they were. By the end of the show's run they were idiots who were performing whatever outlandish antics were demanded of them by the script, logic or consistency be damned.
Exactly.
(and even some parts of the first season were a bit... I mean, Shannon's fake death, as has been mentioned earlier, for example... oh, that Locke and his fancy drugs!)


404Ender said:
I guess I glanced over that part.
This explains that, I guess...

I do think you're kind of crazy with your obsession
And I think it's cute how you guys like to call me "obsessed"... You know me so well.

out of curiosity, have you seen The Social Network? What did you think of its score?
I... honestly don't remember. Guess it didn't bother me, at least.
I'll try and pay more attention, next time around.
 
Drealmcc0y said:
To me...

Christian in the cabin is always MiB, manipulating Locke and/or Ben

Christian at the donkey wheel is MiB, getting Jack back to the island to.... wait you havent seen season 6.... I wont tell you why needs some people back to the island.

Christian on the freighter that explodes and in the hospital are both Ghost MiB.

Thats it to me.

This might have actually confused me even more.

Definitely can't wait to get through Season 6 so I can start backtracking.
 
Its funny, it wasnt until The Incident/LA X that I grew to care deeply about the characters.

I mean when they dropped that bomb and the scene where Juliet falls. Good lord, gets me every time.
 
Erigu said:
I... honestly don't remember. Guess it didn't bother me, at least.
I'll try and pay more attention, next time around.

I loved the score during the opening sequence, when Zuckerburg was walking towards his dorm in college. But I can't remember any of the score that came after....

I want to see the movie again, anyway. Next time I'll pay attention to it as well.
 
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