I guess Crystal Skull doesn't count.
Yeah, it's one of the most polished blockbusters I've seen. The editing is so tight. Not a single scene feels too long, every frame feels like it's just right.
It's a shame Avalanche's game isn't out. After leaving the cinema this morning, the first thing I wanted to do was walk straight to a store and buy it.
It will probably launch about the same time this is hitting Blu-ray, right?
100+ reviews now and still at 99%. Gods be good.
Early showing is available tonight at the big ass premium auditorium at the cinema downtown.
Coupled with fact it's 3D, that's 18 whole bucks.
I WANT TO FIGHT THE URGE
IS THIS WORTH IT
AAAGGH
If he makes a sequel he'll have to swerve. Make a Thunderdome to Fury Road's Mad Max 2.I have no idea how he tops this. This movie was seemingly made against all odds, and over a decade or so of preproduction. It's just so finely tuned.
It's just so freaking clean. It's like the leanest blockbuster I've ever seen. Nothing is wasted, nothing is left wanting.
I want a sequel so bad, but I wonder how it would go.
Yet there wasn't a single line of dialogue in the film used as exposition to detail why this is so. It was simply part of the organic world building in the first Act.
I think what's most interesting about Fury Road is that it doesn't really try to be anything like classic action films. It deserves a place among them -because- it offers something so refreshing AND well executed. It doesn't feel like it's aping the "good old days" or whatever, other than the scale of practical effects and stunning scope of set pieces. It's honestly something never seen before on this scale in terms of a chase film.
I don't want a sequel. Miller says this movie took so long to make he came up with a few other story ideas in the duration. I would be happy with just those stories. Not every character needs to return, they can all be stand alone for all I care!
I was really impressed with how tight even the narrative hooks were. There's one particular thing which clicked at the end of the film which really made the entire finale so much more satisfying.
Warning: Real spoilers!
Throughout the first act of the film, they introduce the Citadel as a place with water and greenery available to Joe and the higher clan members. This made for great visuals and it reinforced that they were BAD guys oppressing the masses for power.
At the same time they introduce Max's role into this society as a captured blood bank with a universally compatible blood type. This is a good excuse to get him in a tight spot and force him into the events of the film without it being his quest.
But at the end of the film, when Max proposes the plan to return and take the Citadel, it all clicks that this is the place that could replace the home they need. Yet there wasn't a single line of dialogue in the film used as exposition to detail why this is so. It was simply part of the organic world building in the first Act. The only places you see plants growing are in the overhead camera shots of the Citadel and when Joe walks through a greenhouse area when he's gathering everyone for war. But those scenes stick in your head and it just connects automatically when Max says they need to go back. So fucking perfect.
And when Max saves Furiosa with the transfusion at the end, again it is something which doesn't come as a surprise or twist when it happens because the audience has been familiarized with the idea of ad-hoc blood transfusions in this brutal world, and it is something Max has just recently experienced himself, plus, we know he'll be compatible because he's a universal donor. Again the show didn't need to say any of these things, since it has already shown it.
These aren't complex or deep plot elements, but they're simple moments which could have been handled in clumsier ways, but were weaved into the fabric of the narrative seamlessly instead.
I don't want a sequel. Miller says this movie took so long to make he came up with a few other story ideas in the duration. I would be happy with just those stories. Not every character needs to return, they can all be stand alone for all I care!
I was really impressed with how tight even the narrative hooks were. There's one particular thing which clicked at the end of the film which really made the entire finale so much more satisfying.
Warning: Real spoilers!
Throughout the first act of the film, they introduce the Citadel as a place with water and greenery available to Joe and the higher clan members. This made for great visuals and it reinforced that they were BAD guys oppressing the masses for power.
At the same time they introduce Max's role into this society as a captured blood bank with a universally compatible blood type. This is a good excuse to get him in a tight spot and force him into the events of the film without it being his quest.
But at the end of the film, when Max proposes the plan to return and take the Citadel, it all clicks that this is the place that could replace the home they need. Yet there wasn't a single line of dialogue in the film used as exposition to detail why this is so. It was simply part of the organic world building in the first Act. The only places you see plants growing are in the overhead camera shots of the Citadel and when Joe walks through a greenhouse area when he's gathering everyone for war. But those scenes stick in your head and it just connects automatically when Max says they need to go back. So fucking perfect.
And when Max saves Furiosa with the transfusion at the end, again it is something which doesn't come as a surprise or twist when it happens because the audience has been familiarized with the idea of ad-hoc blood transfusions in this brutal world, and it is something Max has just recently experienced himself, plus, we know he'll be compatible because he's a universal donor. Again the show didn't need to say any of these things, since it has already shown it.
These aren't complex or deep plot elements, but they're simple moments which could have been handled in clumsier ways, but were weaved into the fabric of the narrative seamlessly instead.
If he makes a sequel he'll have to swerve. Make a Thunderdome to Fury Road's Mad Max 2.
I don't want a sequel. Miller says this movie took so long to make he came up with a few other story ideas in the duration. I would be happy with just those stories. Not every character needs to return, they can all be stand alone for all I care!
I was really impressed with how tight even the narrative hooks were. There's one particular thing which clicked at the end of the film which really made the entire finale so much more satisfying.
I found Nux's arc really affecting.
Yes! That was something so refreshing to see in an action movie. Such a departure from the usual modern formula.
Yeah, Hoult really shined in the film. I was pretty surprised because at first I thought Nux was sort of a gag character. It certainly says something about the quality of the film that by the end I actually felt bad about thinking "lol what a loser" earlier in the film.
DUDE, WHY DID YOU SPOIL MARVEL MOVIES IN THAT TITLE!? HAVE YOU NO SHAME!?
DUDE, WHY DID YOU SPOIL MARVEL MOVIES IN THAT TITLE!? HAVE YOU NO SHAME!?
DUDE, WHY DID YOU SPOIL MARVEL MOVIES IN THAT TITLE!? HAVE YOU NO SHAME!?
George Miller is 70 years old, but he directed this with a passion, style and energy that other directors less than half his age only wish they were able to achieve. It really is a credit to him.
I feel like Thanos would get his neck broken about 30 seconds after challenging the villains in this film.Even Thanos can't stand up to the truly mad.
Perfect, haha
George Miller is 70 years old, but he directed this with a passion, style and energy that other directors less than half his age only wish they were able to achieve. It really is a credit to him.
Still haven't seen the movie yet (come on Saturday!), but from the way this movie is being loved, I really hope it helps inspires a new generation of directors/cinematographers because having more movies like this would definitely be a good thing. Also, props to Warner Brothers for taking the risk and dishing out $150 million for an R-rated movie. It took balls, just like the risk they took with LOTR.
It took balls, just like the risk they took with LOTR.
But that's not to say WB doesn't take expensive risks on filmmakers. Your point is still correct. They're well known for doing it, actually. Sometimes they eat shit on it, but sometimes really good work comes out of it.
What a movie. There was an audible gasp for air in the audience after the first major action set piece ended. Intense stuff.
I was afraid it wouldn't live up to the trailers, like how could anything actual live up to that. But nope, Miller delivers. Amazing from beginning to the end.
Is the 3D any good? I have small window on Saturday to watch it and it's only in 3D at my local cinema.
I would like to know this too