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Mad Men - Season 6 - Sundays on AMC

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Wool

Member
I can't believe people are defending Peggy stabbing Abe. She was lucky anybody would want to date her. I've never seen a character who is so paranoid everyone is out to get her. Don, Ted, Abe, strangers outside, Stan, etc. She's been isolating herself more and more as the show goes on. Remember when she was alone in her room and saw the two dogs humping? That was her story in a nutshell.
 
Peggy has definitely been having a world revolves around me attitude lately but Abe was still a pretty huge doucher that she should have dumped a while ago. Not stabbed of course, but dumped. Then again he did put up with her shit too.
 
Peggy is pretty self-involved, but she's always been that way.

Working at Sterling Cooper REALLY didn't help, though. Hell, look at us just watching it, and how paranoid we are that someone like Bob Benson could possibly exist in that office.
 

Wool

Member
Peggy stabbing Abe was an accident. She didn't mean to. Don't understand what "defense" you're seeing.

- Nice stab Peggy. You go girl.

.


There were plenty more posts, but I'm not going to look for them. I hope we see more of Abe, he's a great character.

I understand the stabbing was accidental, but the fact that she was carrying a homemade spear around the house was not. What sane person does that? Then, immediately after stabbing him she says, "WHY DIDN"T YOU SAY SOMETHING!?" She is always quick to pass the blame, whether at work or at home.
 
That's not a defense of Peggy. That's disapproval of Abe's character. Again - it's an accident. You can't cheer her for an accident. That's part of the joke. What people are saying is that they thought Abe was a shitdick, and they liked seeing him get shivved because it was funny as hell.

And it was.

Nobody's arguing that she's not self-involved.

edit: And Abe isn't a great character. He's one of the closest things to caricature on the show, really. There's not much dimension to him. The closest we got to him having any real shading was when he offhandedly mentioned having kids with Peggy - and that moment only has ANY power because of the way Peggy reacts.

And of course, he's full of shit about having kids with Peggy anyway.
 

Dany

Banned
She wasn't safe in her home. She wanted to defend herself so she made a weapon. Accident. Wow are you really serious that she intended it?

Sure it was perfect considering how much of an asshat Abe was being but it was an accident. :p
 
Further adding to the "Megan is a Sharon Tate analog/allegory" - Mike Bertha at philly.com tweeted this a little bit ago:

http://www.philly.com/philly/blogs/trending/Mad-Men-Theories-Is-Megan-Draper-Sharon-Tate.html

Basically, the photo of Sharon Tate that Janie Bryant used to dress Megan in the last scene of the most recent episode, was from a photoshoot taken on the set of Rosemary's Baby.

Which Sally was reading 2 episodes ago.

The Polanski/Tate undertones are definitely intentional. Even if it's only undertones.

Considering how many scenes we've had of people recognizing Megan, it's only a matter of time before "HOW DARE YOU BREAK UP THAT MARRIAGE ON MY FAVORITE SOAP OPERA *stab stab stab*"
 

Wool

Member
She wasn't safe in her home. She wanted to defend herself so she made a weapon. Accident. Wow are you really serious that she intended it?

Sure it was perfect considering how much of an asshat Abe was being but it was an accident. :p

I understand the stabbing was accidental

I don't think you read my post.



Aren't there any other Peggy haters in this thread? Sunday's episode was really a good one for us. That conversation with Don about picking sides instead of just giving her opinion was great.
 
Thank God Peggy is finally done with that freaking loser Abe. Everything that came out of his mouth was just stupid. How is anyone in their right mind willing to keep living there not to talk of raising kids there. What a moron.
 

Axiology

Member
I just finished watching the latest episode. Goddamn that was a badass hour of television.
From Don Draper's story to Peggy stabbing Abe to the lesbian scene to Two-Cups pulling G maneuvers to rrrahheverything.

I did feel they may have overdone the Chaough/Don dynamic a little bit, but it makes sense, considering it's the heart of so much of what's going on right now. It was a little weird seeing Chaough so much over his crush with Peggy at the end, but I guess it would stem from his need to keep his life in order. Still, it might be a little too convenient for him to "get over it" (to some degree) right when Peggy breaks up with Abe. Like, it seems like it would be pretty clear what Peggy was alluding to when she showed up disheveled talking about her relationship ending and you would then expect Chaough to at least be more understanding. I understand the point is to highlight Peggy's confusion and abandonment, but it was a little too close to "Twilight Zone oh my god everyone in the world is different" for me.

Still, phenomenal episode. They even gave Bobby lines :eek:
 

CRS

Member
I think the door's wide open at this point for Bob to replace SOMEBODY, though who isn't clear to me yet. Possibilities:

* Roger. Still my top pick for most likely death this season -- after all, he already had his own funeral. Bob's already in accounts.
* Ken. I don't really expect Ken to die, but I still think there's a strong possibility he'll just quit after Dow Chemicals leaves. Bob will be indispensable in that case.
* Harry. Harry obviously thinks he's going to make partner, and I think it's just as clear he isn't going to. When those ideas collide, something dramatic will happen. The problem is that Bob isn't in creative. But how creative is managing TV really?

I don't think he's going to turn out to be anything other than what he looks like -- a desperate climber who will become much less nice to everybody once he has what he wants, a corner office. That's what the 70s are all about, right?

And Joan.
 
Further adding to the "Megan is a Sharon Tate analog/allegory" - Mike Bertha at philly.com tweeted this a little bit ago:

http://www.philly.com/philly/blogs/trending/Mad-Men-Theories-Is-Megan-Draper-Sharon-Tate.html

Basically, the photo of Sharon Tate that Janie Bryant used to dress Megan in the last scene of the most recent episode, was from a photoshoot taken on the set of Rosemary's Baby.

Which Sally was reading 2 episodes ago.

The Polanski/Tate undertones are definitely intentional. Even if it's only undertones.

They said that Tate's murder was of mistaken identity but it wasn't. Manson decided to kill everyone in the house anyway because of being rejected by his music associate Terry Melcher.
 

stewy

Member
I just finished watching the latest episode. Goddamn that was a badass hour of television.
From Don Draper's story to Peggy stabbing Abe to the lesbian scene to Two-Cups pulling G maneuvers to rrrahheverything.

I did feel they may have overdone the Chaough/Don dynamic a little bit, but it makes sense, considering it's the heart of so much of what's going on right now. It was a little weird seeing Chaough so much over his crush with Peggy at the end, but I guess it would stem from his need to keep his life in order. Still, it might be a little too convenient for him to "get over it" (to some degree) right when Peggy breaks up with Abe. Like, it seems like it would be pretty clear what Peggy was alluding to when she showed up disheveled talking about her relationship ending and you would then expect Chaough to at least be more understanding. I understand the point is to highlight Peggy's confusion and abandonment, but it was a little too close to "Twilight Zone oh my god everyone in the world is different" for me.

Still, phenomenal episode. They even gave Bobby lines :eek:

I think the Ted thing at the end had less to do with him "getting over" Peggy and more to do with him not having the safety blanket of two existing relationships.

When he professed his love it was under the safety net of the fact that both of them were in committed relationships and thus he had a convenient excuse not to follow through on his supposed feelings. When Peggy and Abe broke up suddenly her moral barrier had disappeared and it was put up or shut up time for Ted.
 
Didn't Elisabeth Moss play a leading role in a series for Sundance too?
She looked like a zombie in that.

eK9HBF9l.jpg
 

turnbuckle

Member
If anything, especially as Peggy stated, Abs kind of had it coming for just sneaking up and not saying anything to her. I mean, he should have said something!

I almost wonder if it was intentional. Like he was testing her to see if she would do something. Doubtful he expected to get stabbed as severely as he did, but he didn't hide the fact he was using this whole experience for his writing.
 

Jackben

bitch I'm taking calls.
GQ: I would kill to see a gag reel from this show. If only I thought Matt Weiner would ever release one.

Charlie Hofheimer:Ohh, I have a secret for you, which I think I'm allowed to say. There are gag reels from every season, and they're played for the cast at the wrap party. I had a couple nice highlights last season, but this season, I apparently didn't mess up enough. By season six, honestly, people are aiming at it in certain off takes. All the regular cast members will occasionally throw one take to the gag reel. [Laughs] Because everyone wants to make it now.
Omg
 

SickBoy

Member
I think the Ted thing at the end had less to do with him "getting over" Peggy and more to do with him not having the safety blanket of two existing relationships.

When he professed his love it was under the safety net of the fact that both of them were in committed relationships and thus he had a convenient excuse not to follow through on his supposed feelings. When Peggy and Abe broke up suddenly her moral barrier had disappeared and it was put up or shut up time for Ted.

I actually think that's a bit of a character moment from Ted -- when he was vulnerable and uncertain about Fleishman's, he was a different person... more abrasive in his general dealings and more raw (and open about his feelings regarding Peggy).

After they landed the account, that ad-man veneer of confidence and self-satisfaction returns and he's able to handle the Peggy situation in the way that he wants to be able to -- put it in its own little compartment.

I may be wrong, but I think Peggy-Ted is nowhere near a dead issue at this stage.
 

Axiology

Member
I like the gif

a_560x0.gif

LOL

I will say I think you guys are going a little far with the theory that Abe was using his relationship for his story. I do think that he was telling the truth when he said every one of Peggy's actions were offensive to his very being, but I think he was sincere in loving her and wanting to start a future with her.

I think it was only through the incidents in this episode that he was really pushed over the edge towards hating her. She had been playing both sides of the conservative/counter-culture pretty well up to this point (although clearly her conservative side caused a lot of strain on their relationship and was a clear sign of their incompatibility), so it would make sense that Abe still felt there was a chance they would work well together. That's why he is genuinely shocked when she "takes the officer's side" or so firmly opposes them staying in that neighborhood any further. It would be pretty silly to think that way back when they first started going out his plan was to betray her and use her to further his career somewhere down the road. Silly still to suggest that until things got as bad as they did for them in this episode he was realistically considering the same. Him saying "you just gave me a great end to my article" does confirm that her response to "the real world" will be a factor in his final report, but it's clearly just something he had been thinking about in the back of his mind and was only cemented when she demanded they move out and fucking stabbed him.

To suggest he was double-crossing her this whole time is ridiculous. I actually believe he was even sincere when he agreed to move, because he actually did love her in spite of him hating every aspect of her character.

That being said, of course Abe is fuckin nuts for wanting to "experience the real world" by staying in a crapshack where he gets stabbed and attacked repeatedly and wrong for inflating the issues of race so far that he both excuses criminals and belittles Peggy, who has made great strides for gender equality. His intentions are (mostly) good, but his head is nowhere near where it needs to be to have a wife, or a family and really, regardless of whether he was or was not a moron he wasn't gonna work out with Peggy.
 

kirblar

Member
I actually think that's a bit of a character moment from Ted -- when he was vulnerable and uncertain about Fleishman's, he was a different person... more abrasive in his general dealings and more raw (and open about his feelings regarding Peggy).

After they landed the account, that ad-man veneer of confidence and self-satisfaction returns and he's able to handle the Peggy situation in the way that he wants to be able to -- put it in its own little compartment.

I may be wrong, but I think Peggy-Ted is nowhere near a dead issue at this stage.
I don't think it was the account at all- it was his interactions with Peggy and the fact that Ted is actually a fundamentally decent person. When he spoke w/ Peggy in the middle of the episode, he realized that after the kiss, she simply wanted to just treat it as though it had never happened for the sake of both their personal and professional lives. At the end of the episode, he's back to treating her like normal, even though it's painful for him, because it's what she wanted earlier. However, the irony is that Peggy now would actually like a relationship with him, but she closed the door on that when circumstances were different. Her "back up plan" moved on.
 
Re: Ted:

He's a narcissist. He imagines Peggy's is touch and glance is all about him. Then, when he's not thinking about Peggy, he assumes she's not into him either.

Don is right when he tells Peggy she doesn't really know Ted.

PS: I think he's not thinking about Peggy because he's moved onto Moira.
 

Divius

Member
Finally saw the ep and thought it was great. Peggy stabbing was lol. Love the Tate theory.

Just realized we are already approaching the end again, just 4 more eps to go. No idea what is going to happen.
 

SickBoy

Member
I don't think it was the account at all- it was his interactions with Peggy and the fact that Ted is actually a fundamentally decent person. When he spoke w/ Peggy in the middle of the episode, he realized that after the kiss, she simply wanted to just treat it as though it had never happened for the sake of both their personal and professional lives. At the end of the episode, he's back to treating her like normal, even though it's painful for him, because it's what she wanted earlier. However, the irony is that Peggy now would actually like a relationship with him, but she closed the door on that when circumstances were different. Her "back up plan" moved on.

I don't see it that way at all, but I guess we'll see. It certainly wouldn't be unusual for the show to go either way with it.

Ignatz seems partly right... I don't think his unhinged/anxious behavior had much to do with Peggy (rather, it was about the fact there was work to be sold). Whatever the case, the confident, relaxed state he's in at the end of the ep. doesn't seem to be what we've generally seen from him since the merger. Indeed, one of the reasons I doubt your take is that it seems so natural and easy for him to ignore anything but the surface of what Peggy's saying... so either Ted is a great actor or it's something else. (because certainly that sort of feeling seems within the Kevin Rahm's range).

Whatever the case, I like Ted as a character (there's a little mystery -- is he boy scout material or not?) and want to see where he goes.
 

pigeon

Banned
PS: I think he's not thinking about Peggy because he's moved onto Moira.

I kind of think he's been fucking Moira the whole time, based on her behavior in the office and especially her dislike of Peggy. That's the reveal that shows how bad Ted really is and causes Peggy to jump out the window.

That's right. PEGGY IS THE FALLING MAN
 

S1lent

Member
I actually think that's a bit of a character moment from Ted -- when he was vulnerable and uncertain about Fleishman's, he was a different person... more abrasive in his general dealings and more raw (and open about his feelings regarding Peggy).

After they landed the account, that ad-man veneer of confidence and self-satisfaction returns and he's able to handle the Peggy situation in the way that he wants to be able to -- put it in its own little compartment.

I may be wrong, but I think Peggy-Ted is nowhere near a dead issue at this stage.

Had they even landed the account? I thought it was still uncertain.
 

S1lent

Member
I was pretty sure that was the extent of his conversation with Don. Not verbatim, but something along the lines of "they called this morning - full speed ahead."

Oh that's right, totally forgot about those last lines of dialogue, guess I was too distracted thinking about poor Peggy in that scene!
 

Jackben

bitch I'm taking calls.
I don't think Ted is a cheater. But I also agree with Don: Peggy doesn't fully know Ted and vice versa. Ted is definitely of the same cut as Don in terms of being very self interested. From his very first introduction on the show he is very aggressive with Don, wanting to be treated as his equal. He's made numerous attempts to pouch Pete and who knows who else from Don's agency. When he originally snaps up Peggy it is likely more about taking Don's protege from him than about Peggy herself.

I feel that has evolved as Ted has gotten to know Peggy and appreciate her on her own merits. But as soon as they are all put together for the merger, the dynamic has changed. Sure he might have been plagued by thoughts of their kiss while under the stress of securing new business in a disorganized creative department...

But as soon as the situation calms down at the workplace, so has Ted. He's relaxed and ready to move on from whatever romantic tension was there, not realising for Peggy it was not just a moment of weakness but a genuine and deep-seated feeling.
 
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