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Mad Men - Season 6 - Sundays on AMC

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Carmela was much much much better written than Skylar, and also more tolerable too. and a better actress.

tony soprano i both liked and hated. he did some deplorable things but the writing for him was so in depth that i don't think i could paint him as black and white as i can with walter white.

oh is this the mad men thread?

uhhh..don draper is miserable. he looks flashy and everybody envys him but deep down he seems so bored with life.
 
Images of death everywhere. There was one scene with Don in bed where it looked exactly like he was laying in a coffin. The tie on the beach in his Sheraton ad looked like a noose.
He doodled one during a meeting last season, too.

tumblr_m2lewr2OSS1qarujbo1_500.png
 

War Peaceman

You're a big guy.
I think this episode is showing that Betty is starting to become a nicer person. She's really worried about that violin girl (I never understood who that girl was, or why she was staying at Betty's house), and was willing to risk getting robbed or even raped by those filthy street rats to find out what happened to her.

My interpretation too. Even the rape joke shows the freedom in her marriage - she feels comfortable enough to make an edgy comment intended to discomfort her husband. I like where she is going, as opposed to her 'recent' appearances which have been boring.
 

Moff

Member
really really liked that episode, my highlights was Dons frozen face when the woman asked "how did that happen", damn I love jon hamm.
 

Fuu

Formerly Alaluef (not Aladuf)
By the way, are we really supposed to infer Don totally ignored the question and it wasn't explained later? He just kept going through the pictures and everyone kept watching, so at that moment I assumed they didn't go into it so they were finished with the album first and could turn off the thing without getting sidetracked.

I mean, Megan didn't say anything either and she would obviously have no problems explaining what happened since she's not an ass, and I'm fairly sure Don explained the situation to her in Hawaii after the wedding. I don't know, outright not answering something like that is some anime-style shenanigan and it would be weird of Megan to not answer.
 
My interpretation too. Even the rape joke shows the freedom in her marriage - she feels comfortable enough to make an edgy comment intended to discomfort her husband. I like where she is going, as opposed to her 'recent' appearances which have been boring.

Something has definitely changed with Betty.

Seasons 4/5 Betty would have followed up those creepy rape comments with a glare and a lecture, not a smile and cuddling.
 
I love this show when it focuses on the office/business end. Dons home life after season 3 has become incredibly boring.

I find it incredibly moving and well rendered.

It's hard not to totally fall for every aspect of the show after watching Weiner's commentaries. Dude is non-stop "Oh my god, I love how they did this," and "Here's what this means," and "This is where I love the show we get to make" and you're like

HOLY SHIT, YEAH

THIS SHOW REALLY IS THE BEST, MATTIE
 

Nameless

Member
Also, the ocean waves sound in that scene tie to when he's drunk and asking the doorman what he saw when he died, "did you hear the ocean?".

Funny, that line and the entire Royal Hawaiian pitch immediately reminded me of the last time Don had an existential crisis(from "The Mountain King"):

1623_5.jpg


Clothes shed on the beach, footprints leading into the ocean. "But what happened to the guy?"
 
That would certainly explain Henry's nonchalant reaction to the rape comments.

What sorts of antidepressants were available in those days?
He did look flabbergasted, though in the final shot.

And as far as I know, the state of mental health care back then was even worse than it is today. So I imagine any medicated treatments probably didn't have the most pleasant of effects.
 

Jackben

bitch I'm taking calls.
Don is really losing it lately with his office game and I expect his home life to follow shortly. Megan might be a busy girl but she isn't stupid. Pete, Cosgrove and most of everyone else has caught onto him as a fading relic along with Roger (who is my #2 pick to die this season, right behind 'Pete's hair'). Don doesn't even bat an eye now with Pete brazenly talking about how he just tries to push due dates and go into his office to take naps! He would never have let Pete talk to him like that in the past.

One thing I didn't understand was the significance of Cosgrove and the scenes with the random accounts kid. Can anyone offer a meaning?

Don reading Dante's Inferno was very telling. Wonder how many levels of sin he would personally be entitled to. I was mad that he has cheated on Megan and fucked over his doctor friend on multiple occasions with the affair, but honestly I'm not fully surprised. His transformation after Lucky Strike fell apart when he wasn't able to pin his happiness on having a work wife and his and Megan's personal life became fractured by Megan's new career. He also lost Peggy, which although hasn't received much screen time, I expect has affected him majorly at work as well. Speaking of which, Peggy is doing brilliant at her new place and I'm really glad for her.

At the very least Don seems to really hate his cheating more than ever saying "I don't want to do this anymore" for his New Years resolution, though I'm not sure if he's just talking about having affairs or perhaps meaning living the life he has in general. He's miserable and he knows affairs won't fix anything but he can't escape it seems as he needs that and late night drinking just to cope and relieve the massive amount of anxiety he has.


That lost lighter is going to come back to fuck him in the worst way, I can already tell.

- - - - -

To touch on the opening scene speculation, I would be surprised if Weiner ran with that in a final season in a tangible way ala exact recreation of the opening. However I think the closer we get to the end the more we seen it for what it is, the end of Don's world. Don steps into what looks like his office, drops his suitcase and immediately appears to suffer a breakdown of his life. Items start dropping like pieces of a scene (his life is a sham, a moving play and he is simply an actor going through the motions of advertisement), he starts falling down, down, down, passing ads of his past and the symbolic sets of his lifestyle (cigarettes, women, giant glass of alcohol) until he reaches the end, cutting to black and showing him sitting there with a cigarette in his hand...
 
Though I don't see him committing suicide, I am 99% certain Don will have a breakdown of this magnitude sometime between now and the end.
 

Fuu

Formerly Alaluef (not Aladuf)
One thing I didn't understand was the significance of Cosgrove and the scenes with the random accounts kid. Can anyone offer a meaning?
Just setup for the new character I think, ass kissing Don and then getting called out by Cosgrove for trying to "look busy" outside of his office. His smarminess will most likely play a bigger part in another episode.
 
That lost lighter is going to come back to fuck him in the worst way, I can already tell.

Do we know which name is on his lighter? (Maybe I missed something in this ep or a past ep.)

If he's been carrying around a Dick Whitman lighter for the past 15 years, he's even more reckless than I thought he was.
 
- Tom & Lorenzo's post is up: Mad Style: The Doorway, Part 1
zmYVyR9.jpg


There was much discussion – as there would be – about Betty’s shocking rape joke. This is an instance where we don’t think over-analyzing it serves much purpose. It’s fairly straightforward, as all of Betty’s emotional responses are. She has always liked to rebel against the restrictions of her life by occasionally being shocking in some way. This is a woman who shot the neighbor’s pigeons, picked up a guy in a bar during the Cuban Missile Crisis and fucked him in a back room, manipulated a good friend into adultery because she didn’t have the nerve to do it at the time, and dressed up like an Italian prostitute in a neo-realist film and flirted with a bunch of Roman lotharios. She likes to be bad, and Don helped fulfill that side of her. Henry; solid, traditional, unflappable Henry, just doesn’t turn her crank that way. So in order to get a rise out of him (so to speak), she went to the blackest kind of humor she could dredge up. You have to remember how differently people saw rape at the time. It was under-reported and under-prosecuted to a sickening degree, and most of the population thought on some level that it was simply about sex that got a little out of hand.

It’s not a coincidence that her joke involved raping a young girl she sees as a stand-in for herself. It’s also not a coincidence that she’s dressed in the same pink that girl wore in the previous scene, with a similar bow prominently placed on the front. It’s feminine (to a coquettish level) and youthful and it’s meant to be jarring in the context of the scene.

bQ9JsIY.jpg


It’s only lightly signaled in this episode – and barely signaled at all here – but Abe and Peggy are clearly worlds apart. He’s obviously getting more entrenched in the counterculture and liberal causes and it is, of course, all over his clothing. Peggy, on the other hand, is the stylish, go-getting New York career girl of the period, with her knee-socks and beret. We may look at this outfit and see Velma from Scooby Doo, but this really was NYC-stylish in a “Marlo Thomas in That Girl” kind of way.

Peggy wears a lot of blues and greens in this episode, possibly signaling a new set of power colors to replace her old, mid-Century, mustard yellow power color. The blue-and-green color combo was extremely popular during this colorful period, as was the pink-and-orange one. They come back in and out of style, but they’re fairly strongly identified with the late sixties. As was purple, for that matter, which we’re already seeing a lot of.
Much, much more via the link.
 

ZaCH3000

Member
The lighter coming back to end everything he built for himself would be totally ridiculous. That is a storyline that can't be shoehorned into the show. Its totally unrealistic. There are too many assumptions for it to unfold.

For example, the lighter is known to be Don's. That is why his secretary returned it to him because it obviously has his name on it. Additionally, he smokes like a wood burning oven so he is always using that lighter to light his cigarette. So how is him losing the lighter going to come back to haunt him?

Will someone with a military background find it and personally make it their mission to return it to him? Will that person go to such lengths as to contact the department of defense to collect information about Don to track him down to return the lighter? It just seems implausible.

I do think the scene is symbolically important. Perhaps the lighter represents something about Don that we lack the insight to for deciphering its symbolic message. It may very well be the beginning of a new character revelation for Don, or perhaps a new fracture that is arising due to his increasing levels of anxiety. It is certainly a clue for what to expect from the remainder of this season.

Man, I love this show. Roger is my favorite character. The man speaks with so much charisma and his words laced with wisdom makes watching him incredibly enjoyable. Don remains as scandalous as ever by returning to his former ways of infidelity. However, he is preparing for a drastic change it appears. I think we are going to see very interesting character development from Don either for the good or bad this season.
 

Jackben

bitch I'm taking calls.
Do we know which name is on his lighter? (Maybe I missed something in this ep or a past ep.)

If he's been carrying around a Dick Whitman lighter for the past 15 years, he's even more reckless than I thought he was.
I think it's Lt. Donald Draper. Earlier in the episode I noted with confusion 'how did that guy know Don was a lieutenant?'. I'm guessing he recognised the lighter and read the inscription when he got closer.
 
I think it's Lt. Donald Draper. Earlier in the episode I noted with confusion 'how did that guy know Don was a lieutenant?'. I'm guessing he recognised the lighter and read the inscription when he got closer.

If it's Don Draper, though, and that private looked him up or something out of general curiosity, wouldn't records show he was KIA? That certainly would raise some red flags and cause issues.

Of course, the private could be KIA himself and there is no issue if he didn't have time to look it up.

Edit: Actually, I guess I got the war stuff reversed. Can't remember lol.
 

wenis

Registered for GAF on September 11, 2001.
I'm pretty sure the Mad Men wardrobe department raided my grandma's closets for Betty's outfits.

It's kinda freaking me out. She dresses exactly like my grandma did. Especially with the head scarves.
Betty is your grandmother.
 

GQman2121

Banned
Were all military issued lighter's engraved? Or are people just assuming that Don or Dick is on the lighter?

I took the switcharoo of lighter's with Dinkins as a one off thing. Something that resonated with Don for him to never forget his checked past.

I don't know, I don't think anything will come out of it other than Dawn saying that Dinkins was killed or something. Then Don can ponder his existence a bit more.
 

Jackben

bitch I'm taking calls.
If it's Don Draper, though, and that private looked him up or something out of general curiosity, wouldn't records show he was KIA? That certainly would raise some red flags and cause issues.

Of course, the private could be KIA himself and there is no issue if he didn't have time to look it up.

Edit: Actually, I guess I got the war stuff reversed. Can't remember lol.
Thanks to Don's actions, it was Dick Whitman that was KIA not Draper. If someone looked up Draper to return his lighter, they would probably find him. Though I can also see it leading to some tension and difficulties for Don along the way as it will bring military attention to his life once again.
 

pigeon

Banned
Just setup for the new character I think, ass kissing Don and then getting called out by Cosgrove for trying to "look busy" outside of his office. His smarminess will most likely play a bigger part in another episode.

Yeah, this is how I read it. In a larger sense, this is supposed to tell you just how successful SCDP has been -- far from the old "startup" days where they lied about Cooper's office, they're now successful enough that they have their own generation of backbiters. Remember Roger and Don slapping down Pete for being a climber way back in the first season? Everything old is new again.

To touch on the opening scene speculation, I would be surprised if Weiner ran with that in a final season in a tangible way ala exact recreation of the opening. However I think the closer we get to the end the more we seen it for what it is, the end of Don's world. Don steps into what looks like his office, drops his suitcase and immediately appears to suffer a breakdown of his life. Items start dropping like pieces of a scene (his life is a sham, a moving play and he is simply an actor going through the motions of advertisement), he starts falling down, down, down, passing ads of his past and the symbolic sets of his lifestyle (cigarettes, women, giant glass of alcohol) until he reaches the end, cutting to black and showing him sitting there with a cigarette in his hand...

Previously I never thought much of the opening scene/closing scene speculation, but this is actually a pretty insightful breakdown, I think.

Don is really losing it lately with his office game and I expect his home life to follow shortly. Megan might be a busy girl but she isn't stupid. Pete, Cosgrove and most of everyone else has caught onto him as a fading relic along with Roger (who is my #2 pick to die this season, right behind 'Pete's hair'). Don doesn't even bat an eye now with Pete brazenly talking about how he just tries to push due dates and go into his office to take naps! He would never have let Pete talk to him like that in the past.

Don has a serious staffing problem. As Tom and Lorenzo note, the new woman was clearly hired to be the new Peggy, and she's very obviously no Peggy. The scene with the two new writers basically shows that neither of them understand Don at all, and Stan makes very clear in the Hawaii scene that, while he has the perception of Peggy, he doesn't have the values. The Peggy scenes actually do a good job of showing exactly why Don has this issue -- she's obviously better at handling clients than Don is, but she still handles her employees exactly the way Don always did, and doesn't yet understand why that's wrong.
 
Thanks to Don's actions, it was Dick Whitman that was KIA not Draper. If someone looked up Draper to return his lighter, they would probably find him. Though I can also see it leading to some tension and difficulties for Don along the way as it will bring military attention to his life once again.

Right, but if I remember correctly, Don switched the dog tags. So on the remains were Don and in his possession was Dick. So officially, Don was killed and Dick was sent home.
 
Maybe I read it wrong but I just assumed the kid called Don "Lt." because he was older. Anyway I don't think the lighter will be a plot device in the future, other than maybe Don finding out the kid died in action.
 

Meier

Member
Oh yeah, good point. Abe was in there, too. Harry's new look is hilariously awful.

I know right? Ginsberg looks awful now. And let's not even start with that monstrosity growing on Stan's face.

I loved Harry and Ginsberg's new looks. Harry's was the most authentic to me.. I was like yeah, nailed it IMMEDIATELY when I saw him.

God fucking damnit, Don. He cut right back into man whore mode. I thought it might wait til mid-season

Yeah, totally disappointing. I honestly don't ever like it when he cheats.. it felt natural to me when Tony did it on The Sopranos, because that's kind of the lifestyle he lived and he was always surrounded by sex and it was all implied and known to Carmella when she got into the thing. But with Don, his wife is oblivious to it and on top of that she is such a beautiful and sweet girl. It's frustrating. It frustrated me when he did it with Betty too.

Speaking of Megan, when she was on top of him, naked, I was completely wide-eyed. What a body.

p.s. Was probably mentioned while it was on, but I was surprised that Betty was still "fat." I figured they'd be over that storyline by now.
 
Harry's was the most authentic to me.. I was like yeah, nailed it IMMEDIATELY when I saw him.
I think it nails him as a character, sure. I liked costume designer Janie Bryant's explanation:
I always loved his transformation from season one and season two, when he was in short sleeves and bow ties, to becoming Mr. Hollywood. He's kind of douchey. I always think of his character as a wannabe, and so he’s easily influenced by fashion trends.
 

Jackben

bitch I'm taking calls.
Right, but if I remember correctly, Don switched the dog tags. So on the remains were Don and in his possession was Dick. So officially, Don was killed and Dick was sent home.
I don't think that's right. I'm not sure about the tag situation but do you remember the train scene where Don is coming home and the Whitman family is waiting to receive Dick's casket? Dick-now-Don is supposed to offer condolences to the family but he flips the final switch on his new life by chickening out at the last second and leaving the train. His brother is the only one who saw him there.
Yeah, this is how I read it. In a larger sense, this is supposed to tell you just how successful SCDP has been -- far from the old "startup" days where they lied about Cooper's office, they're now successful enough that they have their own generation of backbiters. Remember Roger and Don slapping down Pete for being a climber way back in the first season? Everything old is new again.
I didn't think of it this way but you guys are right. SCDP has grown a lot and is now a major firm it seems. Thanks for the feedback on my opening analysis by the way, pige.
Don has a serious staffing problem. As Tom and Lorenzo note, the new woman was clearly hired to be the new Peggy, and she's very obviously no Peggy. The scene with the two new writers basically shows that neither of them understand Don at all, and Stan makes very clear in the Hawaii scene that, while he has the perception of Peggy, he doesn't have the values. The Peggy scenes actually do a good job of showing exactly why Don has this issue -- she's obviously better at handling clients than Don is, but she still handles her employees exactly the way Don always did, and doesn't yet understand why that's wrong.
Yeah I immediately recognized that broad as being a very underwhelming and unattractive replacement for Peggy. Her placement seems half-hearted and almost comical. I definitely agree about the employee situation and Stan, he's perhaps the only one there with any brains for advertising that 'gets' Don, but he doesn't really give a shit about selling to the customers and would rather relish in the morbidity of the Sheraton pitch than brainstorm on how to fix it. I think you are spot on with the analysis of Peggy's scene with Ted Chaw in that she shows naive misunderstanding about valuing the holidays and the employees not realizing they could go home. But she's a damn great copywriter and has the same drive and eye as Don did in his heyday and Chaw does a good job of recognizing that in her while subtly pointing out her flaws.
 

ZaCH3000

Member
I loved Harry and Ginsberg's new looks. Harry's was the most authentic to me.. I was like yeah, nailed it IMMEDIATELY when I saw him.

Harry is awesome. Its unfortunate he can't play the game as ruthlessly as Pete. Harry is unlikely to ever receive a partnership because of his nice guy persona. It frustrates him but he has found his way into a career rut, I think. I wonder if he will remain with SCDP or leave for a new company, Hollywood perhaps.

I need to watch the premiere again because I feel like I missed out on so much stuff from being purely engrossed.
 
I don't think that's right. If you remember the train scene where Don is coming home and the Whitman family is waiting to receive Dick's casket, Dick-as-Don is supposed to offer condolences to the family but he flips the final switch on his new life by chickening out at the last second and leaving the train. His brother is the only one who saw him there.
Ah, that is right. Got them reversed, whoops! Forget Don is the assumed identity lol. So yeah, then should be much of an issue.
 

Jackben

bitch I'm taking calls.
The lighter may end up being only symbolic and not as much of a catalyst as I initially thought, but I really think this isn't the end of his military past coming back to mess with him.

Harry's temper-tantrum at not being included in the pictures is pretty hilarious. I love his character because it is so desperate for meaning and yet very cemented in futility. His very being exudes wannabe douchbag, as that costume designer pointed out. I think regardless of his future standing in SCDP he'll be grateful for it though considering his absolute slavery to the ridiculous fashion trends of the time.
 

Meier

Member
I think it nails him as a character, sure. I liked costume designer Janie Bryant's explanation:

Hah, that's funny. I thought it not only nailed him as a character but just nailed the era perfectly -- it was the most striking to me. He looked like a Beatle or something. Totally believable look. Ginsberg took me off guard for a moment initially. I barely recognized him for the first second or two.

When do we think Peggy and Cha are gonna hook up?
 
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