Frankenstein is perhaps one of the most misunderstood horror classic by the masses. When we heard the name "Frankenstein", what come up on our mind is the grotesque monster made by stitched limbs of human originating from different individual, made to life by the power of science. As such people feared the monster, its appearance, and its sinister motive to bring ruin to its own creator.
But Frankenstein is not the name of the monster, as the creature left unnamed by its own creator. Frankenstein is none other than the creator of the himself. Driven by thirst of science and grief, he created an abomination that he himself even refused to acknowledged, while deep down he still feel responsible and unable to destroy it.
The horror evoked by Frankenstein novel is shouldn't be the monster, but Victor Frankenstein himself. On how such creation could born in this world in the first. Or perhaps, even the conceiving such idea, an idea of science so advanced it break the taboo and natural order of our world, shouldn't be thought in the fist place.
How all of that related to
Franken Fran? Well, it because
Franken Fran is a work that try to create the true horror of Frankenstein. An attempt that for me is exceptionally done well. So exceptional that it could surpass the original classic, until Katsuhisa Kigitsu turned it into his own modern Frankenstein's monster.
In classic Frankenstein tale, the emphasis of the horror is on the creator, or the idea of how the come up with their creation of monster. Meanwhile in modern Frankenstein tale, much of them used the grotesqueness of the monster itself as horror, either by appearance, behavior, or even both. With
Franken Fran, or to be exact Madaraki Fran, Katsuhisa Kigitsu do not only one but both the essence of Frankenstein tale.
Madaraki Fran herself is a creation akin to Frankenstein's Monster, made by the genius and/or mad Dr. Madaraki. She had stitch marks run across her face, and there are two big bolts nailed to the sides of her head, creating a bizarre contrast with the rest of her beautiful facial feature. But unlike the classic monster, Fran inherited many skills of her own creation. She's capable of performing surgeries and other medical science with relative ease, and this perhaps the main reason why Dr. Madaraki regard her as his perfect creation.
This is where the greatest part of
Franken Fran come from; she's both Victor Frankenstein and his Monster. Fran with her skill is able to create her own grotesque monster(s). Not by sinister or malicious intent, but instead by her naive understanding of human relation, the world, and science. We see many of her "patients" turned into a tragic end, resulting in gory mess or abominable, otherworldly appearance because what she believe best by science in order to keep her belief of "all live is sacred" will bring happiness as long as her patient live. Her naivety and endless chase of science is what made the part of Victor Frankenstein in her, evoking the horror of idea as science with the wrong motive can result in tragedies. Meanwhile Madaraki Fran herself is creation of Dr. Madaraki, capable of creating grotesque (human) monster, making her the Frankenstein's Monster of the manga. As such Her status as both Victor Frankenstein and the monster have created a double layer of horror that evoked by the original.
All of the horror and dark comedy in the manga of course wouldn't work if its not for Katsuhisa Kigitsu writing skills. For me, there are many stories in
Franken Fran where the "punch line" and climax executed just at the right time. This make
Franken Fran enjoyable (no, not that kind of enjoyment) to read as you somehow got hooked with it, unable to stop even though the structure of story mostly self contain with only several cameo and little continuity that brought on some "mini series" within the manga. Even when the quality dropped significantly during the later part of the manga, only this part of
Franken Fran that hadn't suffered too much, making me still hooked to the end.
Ah, now we talk about the most tragic part of
Franken Fran. It is not a story that make
Franken Fran a tragic tale for me but how it over welcome itself, degrading in quality to the point that I would said it tried to self-parody. One of the tragic part is how Fran's role degrading as the manga goes on. In early volume she had quite active role in many stories, where her misunderstanding or misguided goodwill turned her patients into a twisted fulfillment of their own wish. In later volume she only become a horror-making machine that'll central to the story. She does not have any active willingness to the horror she created, turning what supposedly "Fran turned other people wishes to horror" into "patients turned their wish into horror that bite themselves while Fran taking care of the mess". This undermine double layered Frankenstein tale because it no longer focused on Fran, but the twisted wish of her patient and the dark comedy that played out of it while Fran herself do absolutely nothing.
While earlier I said Katsuhisa Kigitsu still able to deliver good climaxes even on the later volumes where the quality fall apart, the couldn't be said to how story the ends. In early volumes, stories are resolved with satisfying (depends on how you see it) end, leaving nothing unchecked that could makes feel unsure what happened after the epilogue. But in later chapter this not happening when there are many stories ends with many things unresolved. Is it as if Katshuhisa Kigitsu try to make a continuation chapter of those stories for a later time, while earlier story that turned into mini-series and character that make cameo ends up like that because they
still able to do so.
Many part of
Franken Fran later volumes feel pointless, or even should I said the later volumes themselves shouldn't exist. It pointless best shown by Fran's sisters. Veronica Madaraki despite her moe demeanor even after her debut chapter, serves a crucial role in delivering the most horror evoking in the manga. Her debut chapter had shown how her sister belief "all life is sacred" hresulted in tragic being that barely living anymore, had make Fran more of a monster that Veronica's own "quick and painless death". The same couldn't be said with Fran's older sister, Gavrill. Her chapter appearance does not add anything to the central theme of
Franken Fran. Even her physical appearance (more emphasis on appearance, shown by Gavrill's bolt looking like pair of headphones as opposed to Fran's oversized one) and her reason for existing (Veronica was made after Fran to become a bodyguard for Dr. Madaraki himself, while Gavrill more like a living weapon, something that completely out of Dr. Madaraki's character" told us quite clear that she was being added just because Fran somehow had an older sister.
That's why
Franken Fran ends up as a flawed work for me. Not even a flawed gem because it dragged itself way too much. If only it ends at volume 3, maybe even 4,
Franken Fran would be a horror work that remembered for its double layered Frankenstein tale. But that's not the case and the fact that I remembered more of its shortcoming than its highest point, makes me sad.