Escape Goat
Member
In effort to educate people on this question I did some research on wiki. So we know now why people don't shoot to wound and why we still got monkeys. Actors names don't appear in the order on a movie poster mostly due to their level of celebrity, experience and if it was negotiated in their contract.
The order in which credits are billed generally signify their importance. For example, in films, the first is usually the motion picture company, followed by the producer (as in "A Jerry Bruckheimer Production"). Next, depending on his/her standing, the director may be granted an extra, prominent credit (as in "A Ridley Scott Film"); this practice began with directors such as Otto Preminger or William Wyler in the late 1950s.
The actors whose names appear first are said to have "top billing". They usually play the principal characters in the film and have the most screen time. However, well-known actors may be given top billing for publicity or contractual purposes if juvenile, lesser-known, or first-time performers appear in a larger role: e.g., Marlon Brando and Gene Hackman were both credited before the title in Superman (1978), while Christopher Reeve, the unknown actor who played Superman, was not. Frequently, top-billed actors are also named in advertising material such as trailers, posters, billboards and TV spots.
An actor may receive "last billing", which usually designates a smaller role played by a famous name. They are usually credited after the rest of the lead cast, prefixed with "and" (or also "with" if there is more than one, as Samuel L. Jackson was in the latter two Star Wars prequels). In some cases, the name is followed by "as" and then the name of the character. This is not the case if that character is unseen for most of the movie (see Ernst Stavro Blofeld).
The two or three top-billed actors in a movie will usually be announced prior to the title of the movie; this is referred to as "above-title billing". For an actor to receive it, he/she will generally have to be well-established, with box-office drawing power. Those introduced afterward are generally considered to be the supporting cast.
In some cases, the position of a name in the credits roll can become a sticking point for both cast and crew. Such was the case on Gilligan's Island, where two of the stars were only mentioned by name in the closing credits. Bob Denver, who played Gilligan, was so upset with this treatment that he reportedly told the producers that since his contract stipulated that his name could appear anywhere in the credits that he wished, he wanted to be moved to the end credits with his co-stars. The studio capitulated, and moved Denver's co-stars to the opening credits of the show.
Sometimes actors can become highly competitive over the order of billing. For example:
Spencer Tracy was originally cast to play the lead opposite Humphrey Bogart in The Desperate Hours (1955) but when neither actor would relinquish top billing, Tracy withdrew and was replaced by Fredric March, who took second billing to Bogart. Bogart's role in the film had earlier been played on Broadway by Paul Newman but the young actor was not considered for the movie version since Newman, viewed by studios at the time as mainly a stage and television actor only beginning his movie career, was in no position to compete with Bogart.
Whenever it was pointed out to Spencer Tracy that he routinely took top billing in his films with Katharine Hepburn, he responded, "It's a movie, not a lifeboat."
In the opening credits of The Bridge on the River Kwai (1957), Alec Guinness, who is generally regarded as the main character in the film, receives third billing, after William Holden (who demanded top billing) and Jack Hawkins (who does not even appear until halfway through the picture). However, in the closing credits, Guinness is billed second and Hawkins is billed third.
For The Man Who Shot Liberty Valance (1962), James Stewart was given top billing over John Wayne in the movie's posters and the previews (trailers) shown in cinemas and on television prior to the film's release, but in the film itself, Wayne is accorded top billing. Their names are displayed on pictures of signposts, one after the other, with Wayne's name shown first with his sign mounted slightly higher on its post than Stewart's. Director John Ford remarked in an interview with Peter Bogdanovich that he made it apparent to the audience that Vera Miles' character had never entirely recovered from an abortive romance with Wayne's gunslinging rancher because "I wanted Wayne to be the lead." [3] Dustin Hoffman and Robert Redford used precisely the same billing formula for All the President's Men (1976), with Redford receiving top billing in posters and trailers while Hoffman was billed over Redford in the film itself. [4]
As both Tony Curtis and Jerry Lewis wanted top billing for Boeing Boeing (1965), their names appeared on a jet engine's rotating nacelle.[5]
In the film The Towering Inferno (1974), Steve McQueen, Paul Newman and William Holden all tried to obtain top billing. Holden was refused as his diminished star power was no longer considered to be in the league of McQueen's and Newman's. To provide dual top billing and mollify McQueen, the credits were arranged diagonally, with McQueen at the lower left and Newman at the upper right. Thus, each actor appeared to have top billing depending on whether the poster was read from left to right or top to bottom.[Technically, McQueen has top billing and is mentioned first in the film's trailers; however, at the end of the movie, as the cast's names roll from the bottom of the screen, Newman's name is fully visible first, something McQueen apparently didn't catch.
This was the first time that this type of "staggered but equal" billing had been used for a movie, although the same thing had been discussed for the same two actors five years earlier when McQueen was going to play the Sundance Kid in Butch Cassidy and the Sundance Kid (1969). (McQueen ultimately passed on the part and was replaced by Robert Redford, who didn't enjoy McQueen's status and took second billing to Newman.) Today, it has become understood that whoever's name appears to the left has top billing, but this was by no means the case when The Towering Inferno was produced. This same approach has often been used subsequently, including 2008's Righteous Kill starring Robert DeNiro and Al Pacino.[7]
In The Bonfire of the Vanities (1990), F. Murray Abraham asked for above-title billing. This was rejected as too many other stars were getting it (Tom Hanks, Bruce Willis, Melanie Griffith). Thus, Abraham asked for his name to be completely removed, even from the credits. Eleven years later, Don Cheadle did exactly the same thing when his name wasn't allowed to appear above the title in Ocean's Eleven (2001), presumably because his name would have alphabetically preceded George Clooney's and, unlike with the later sequels, the cast above the title was presented alphabetically (Clooney, Matt Damon, Andy Garcia, Brad Pitt, and Julia Roberts). Cheadle removed his name from the credits. [8] The producers apparently wanted Clooney, not Cheadle, to be the first name a casual viewer of the advertising would see.
In the film Miami Vice (2006), Colin Farrell originally received top billing. However, after Jamie Foxx won an Academy Award he requested top billing and received it despite his role actually being much smaller than Farrell's. Foxx's name appears first in the opening credits, while Farrell still receives top billing in the closing credits.
In a commercial for Michael and Michael Have Issues (2009), the aforementioned characters (faux-)argue over who gets top billing for their show.
