TheOnlyOneHeEverFeared
Member
Goodbye Christopher Robin is slightly less fluffy than it looks. It's still very fluffy, and absolutely intended for a certain audience, intended to be a crowd pleaser sort of thing, but it also has a certain edge and realism that was surprising, particularly for a PG film.
It's a heavily dramatised (fictionalised, that is to say) re telling of the life of Winnie the Pooh author A.A.Milne from his return from service in the first world war, to struggling with writers block and shellshock while struggling to reconcile his war service with the world he left behind and subsequently came back, to his bonding with his young son and subsequently finding something he wished to write to, and arguably exploited his experiences and his son (at least in the way the film tell the story) to become successful, which later damages both father and son and their subsequent relationship almost to the point of no return.
The film isn't quite as cynical as that mind, and the idea put forward by the film and the several of the characters is that while the real Christopher Robin has a poor time 'growing up' Milne has used those experiences not just to remind people how fun and innocent childhood is or can be, but that he 'cheered the world up after the war made everyone so sad'
So it's more than a bit sappy, to along with that hint of edge. There's more of it in the characters of Milne's wife Daphne who seems happy to parade their son around to gain access to fame and fortune, and the nanny character Noo who disapproves of the way her young charges life is nearly taken away from him, but thats not how the film wants to be seen, its a nice film.
It's expertly filmed and shot, it has some superb performances particularly from Gleeson (again), it has an excellent tone and the shooting locations incidentally, all look amazing. I thought it balanced the cynicism with the sappy, feel good, Winnie the pooh stuff very well, and I thoroughly enjoyed it.
It's a heavily dramatised (fictionalised, that is to say) re telling of the life of Winnie the Pooh author A.A.Milne from his return from service in the first world war, to struggling with writers block and shellshock while struggling to reconcile his war service with the world he left behind and subsequently came back, to his bonding with his young son and subsequently finding something he wished to write to, and arguably exploited his experiences and his son (at least in the way the film tell the story) to become successful, which later damages both father and son and their subsequent relationship almost to the point of no return.
The film isn't quite as cynical as that mind, and the idea put forward by the film and the several of the characters is that while the real Christopher Robin has a poor time 'growing up' Milne has used those experiences not just to remind people how fun and innocent childhood is or can be, but that he 'cheered the world up after the war made everyone so sad'
So it's more than a bit sappy, to along with that hint of edge. There's more of it in the characters of Milne's wife Daphne who seems happy to parade their son around to gain access to fame and fortune, and the nanny character Noo who disapproves of the way her young charges life is nearly taken away from him, but thats not how the film wants to be seen, its a nice film.
It's expertly filmed and shot, it has some superb performances particularly from Gleeson (again), it has an excellent tone and the shooting locations incidentally, all look amazing. I thought it balanced the cynicism with the sappy, feel good, Winnie the pooh stuff very well, and I thoroughly enjoyed it.