All you need is Haifuri~I had to edit my list 3 times because I knew forgetting stuff that should clearly be on it but somehow I forgot. That just shows what I thought of 2016.![]()
Movies:
3. Doukyuusei ; An emotional rollercoaster of a homosexual relationship between two students told in vignettes split into seasons. Really sensual direction with unique art and animation. Erotic but not exploitative, probably one of the more "real" homosexual relationships I've seen in anime that doesn't pull any punches.
The only option to watch this legally is to buy the aniplex BD right? I really did want to check it out.I totally forgot about this very important entry I needed to vote for. Thank you Narag! We must spread the good word!
The only option to watch this legally is to buy the aniplex BD right? I really did want to check it out.
For shame, that's one of the reason why I hate aniplex....Unfortunately yes. I don't understand why it isn't available for VOD on Daisuki. That would make it easier for people who might not want to put down that much money on the BD, to pay a small sum to at least watch it.![]()
Holy shiiiit! The only one I watched - JoJo!
5 - Aldnoah Zero - I'm not entirely sure this even belongs in 2016, but I ended up watching this in that year. I enjoyed it a lot as a mecha anime, the 'gundam' designs were very cool and the plot was well done and not cliched. Looking forward to the next season.
2. Thunderbolt Fantasy; This, like pretty much every Urobuchi show, took quite a while to get going but when it did boy did it come through. Docking points for that, most abominable and reprehensible cliffhanger ! Also a tiny bit too convenient ending.
3. Shōwa Genroku Rakugo Shinjū; Quite simply an exquisite and well produced period drama. Its incompleteness as well as my issues with certain character and the ending made it loose a bit of its lustre.
4. March comes in like a lion; This is probably my favorite depiction of depression in anime as of yet. The three distinct parts of the show; the shogi, the SoL bits and the character drama mix surprisingly well, offsetting each others potentially weak parts and making sure things don't get too heavy or too rote for any prolonged period of time. With some striking art direction, nice backgrounds, restrained yet unmistakably Shaft approach in storyboarding and Hashimoto doing, yet again, godly things with the OST, the occasionally needless monologues or a jarring mood shifts are but a tiny blemishes on an overally quite favorable picture.
5. Bungou Stray Dogs; This battle series doesn't quite reinvent the wheel far from it but with Igarashi at the helm, it manages to punch beyond its supposed weight. Sporting some truly glorious character reaction faces, good designs and character art, it gives life to a number of exceedingly endearing and memorable characters. The writing is not always subtle nor does the story avoids some stumbles, yet at the end, the character arcs come together more than you'd expect, making the very title be something more than just random words.
6. Space Patrol Luluco; Imaishi's insanity works quite well in short doses. With Luluco he got himself a surprisingly well knit script that while sometimes delivers a dud, ultimately manages, with the help of Trigger putting a shift at the animation front, to outdo itself at the very end and leave you staring in a dazed disbelief.
7. To Be Hero; My Chinese cartoons can't possibly be this good. And have so much sakuga. In terms of comedy this was probably the winner, with many episodes reducing me to a giggling mess. Despite toilet level humour in more ways than one, it's actually quite a heartfelt story, which the twist at the end only reinforces while sadly leaving me with mixed feelings on it cause I detest this specific brand of them.
8. Sound! Euphonium 2; (Oboe a shit) Still as pretty as ever. The structure is a bit of mess, so is the finale of the first arc (Oboe a shit) but nonetheless, this second season relegated characters I was not all that fond of to near irrelevance, while giving time and shedding light on people I found much more compelling. Even Kumiko's arc, while naturally being an extension of what came before, resonated much more strongly with me, as she coped with Asuka, her sister and the unrelenting passage of time. Shuichi was robbed though
9. Haikyuu !! S2&S3; The execution remains strong, in select points even mindblowing but Haikyuu is sadly quickly starting to lose its luster. Aoba remain pretty much the only interesting opponents this story managed to paint and the show visibly suffers for it when they're not on the horizon anymore. That finale of S2 though !
10. Tanaka-kun is Always Listless; Tanaka&Ohta duo was frankly too listless for me to handle, the rest of the main and side characters however, made up in energy and quirkyness what they lacked. There is quite a lot of effort put into this show, with some of the best eyecatches ever, good comedic timing and direction adapting an enjoyable material devoid of some usual anime excesses.
Honorable mentions:
2. Miss Hokusai;
3. Doukyuusei; Suffers from its vignette nature and limited runtime, making its big moments not hit as hard as it should. But it's quite well directed, refreshingly grounded in its depiction of school life and teenagers and has this nice brand of comedy that while still exaggerated, slots nicely into the established template of chara designs and rest.
4. Kizumonogatari II; There were like, tits in this. And lots of gore. And a boss rush plot. Also enough intestines flying around to hang yourself on. Truly the Ninja Scroll of our times.
It's impossible not to mention this, so I'll just have to lead with it. Sound! Euphonium Season 2 is not as good as the first season. But it's still a very good anime in its own right, and the show remained mostly enjoyable to me. There were a few missteps here and there (most notably with Asuka's story), and the Reina/Taki storyline was something that I could never really get on board with, but the positive moments still outshone them. The fifth episode, with its extended performance by the band, was one of the best anime episodes of the year by far. I also really enjoyed seeing the continued rise to prominence of Yuuko, who became the strongest character in the entire cast this season. Overall, I loved pretty much all of the core characters (no Midori and Hazuki don't count as core characters, so not caring about them isn't a contradiction), and the overall story of the band was something that I was really wrapped up in. It wasn't the very best that KyoAni had to offer at times, but it was still sterling work and a must watch anime.
If you had told me a year ago that one of my favorite anime of the year would be a Trigger anime written by Mari Okada, I would have laughed in your face. But that's exactly what wound up happening. Kiznaiver is a really awesome anime that appealed to me a lot, between its compelling character writing, the great music, and the wonderful sense of style and color the whole show had. The story focus wound up being perfect for Okada, who was able to channel her love for suffering and explorations of pain into a story where it actually made sense for everything and was building up to something greater. Kiznaiver did a great job at balancing the whole cast, and I wound up caring for pretty much all of the main characters by the end of it (Chidori's suffering never got old, of course).
One of the most impressive anime since Flowers of Evil when you look at both the visual quality of the show, as well as the ambition and writing. The way they bring all of the rakugo performances to life is simply remarkable. Very frequently I would sit transfixed for the entire time. The character acting played out by both the animation as well as the vocal performances is second to none. And the story evolves in some very interesting ways, especially towards the end as I began to question how much of the story was unreliable narraiton. This is the anime for everyone who complains that they want a proper adult anime (none of them will actually watch it, because they really mean that they want Naruto or Gundam but with all adult characters and no comedy), and it's one of those rare shows that really elevates anime as a medium. If you were to only watch one anime from 2016, it should be Showa Genroku Rakugo Shinjuu.
No, this isn't a joke placement. While I'm unsure if I can say definitively if this was the best anime of the year overall for everyone, I think that for me, this was the show that had the most profound impact on me. What Appmon lacks in terms of the same overwhelming level of quality that Rakugo has, it made up for in terms of the sheer heart that it had on display. But most importantly of all, it taught me that it was okay for me to love again. And coming at the point it did in my life, as well as during such a brutal and unpleasant year, I think that's something of more value than almost anything else that I can think of.
I sat down to watch the first episode of Digimon Universe: Appli Monsters with a lot of apprehension. It had been four years since there was a new Digimon TV series, and the only new Digimon thing to come out in that timeframe was the supremely awful Digimon Adventure tri, a project so bad that I would fall into fits of depression just seeing tweets acknowledging its existence. Half an hour or so later, I sat there marveling at the episode I had just watched. I had been nervous going in with some of the talk from the staff and the preview stuff that the new series would be something that barely resembled Digimon, a resurrection in name only, wearing the name of the franchise but feeling more like Yokai Watch or something like that. Instead, what I saw was Digimon in every way possible, even as they challenged the conventions of the franchise. The staff working on the show did a wonderful job at figuring out what the essence of Digimon was, and making a show that managed to capture all of that while still shaking virtually everything up. This is the perfect way to modernize Digimon for children of 2016, and it feels like something that could fit in easily alongside Digimon Adventure or Digimon Tamers, too.
The characters, while they haven't yet hit the absolute peak of their development, have all been sketched out really well. Haru is a wonderful protagonist who defies traditional Digimon tropes in favor of being a much more bookish character. It's really nice to have a main character who isn't your typical hot blooded shounen protagonist, and his relationship with Gatchmon is really nice. Eri is also a really strong heroine, and very different from any previous Digimon character both when she's in character as her idol persona, as well as during her more normal/vulnerable moments. Astra has really captured the Youtuber thing perfectly, complete with me not understanding him half the time, and Rei wound up being a more interesting character than I first thought he would be. I also really like the designs in motion a lot more than I thought would based on how they first looked in stills. The main quartet all look pretty distinct, and I like the designs for most of the major appmon. The CG for the Super Grades sometimes leaves something to be desired (I think Mienumon looks nice and Dosukomon looks pretty solid in general, but Mediamon is ugly as all hell), but it's mostly been used decently to date.
The level to which the show has been exploring the concepts of AI stuff and what ramifications they can have on our society in the future is interesting. I really look forward to seeing where all of that goes, and I think the show is doing a good job at exploring the really Digital aspect of Digimon. This also ties into how they've really looked at the idea of what happens when the apps get infected with viruses. This is the most grounded Digimon has felt since Tamers. When I look at the whole package, I see Digimon Universe: Appli Monsters as something really special. A show which has meant a tremendous amount to me so far on an emotional level. Without this show, none of this list would likely exist as I was not really watching anime for most of last year until it debuted. This show has restored my hope in more new anime coming out in the future that I will love, and has given me a lot of positive feelings. And for that reason, it is my Anime of the Year for 2016.
1. Shouwa Genroku Rakugo Shinjuu
2. Thunderbolt Fantasy
3. Bungou Stray Dogs
4. Mob Psycho 100
5. JoJos Bizarre Adventure: Diamond is Unbreakable
6. Concrete Revolutio - The Last Song
7. Kuromukuro
8. Miss Bernard said.
9. Tiger Mask W
10. Nobunaga no Shinobi
1. Doukyuusei
2. Kizumonogatar I: Tekketsu-hen
3. Girls und Panzer der Film
4. Kizumonogatari II: Nekketsu-hen
5. Monster Musume OVA
thanks Polt/Narag.