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NeoGAF Camera Equipment Thread | MK II

FStop7

Banned
Film is hard lol.

It at least doubles the amount of time I take in setting up for a shot. With digital even on MF and all that stuff, it might take me a few seconds to set up and shoot. On film, it's like a minute to set up lol.

Also the lack of instant gratification of knowing if the shot was good or not is a little annoying for now. I think it's gonna be awhile until I get over that lol.

But, I do find shooting in film more enjoyable and maybe even more cathartic than digital.

The only thing that really sucks is that there isn't a lot of places around DFW that develops film anymore. Both the good spots are basically 30 miles away from my home and work, and since they don't offer a same day or 1 hour service, I'm finding it a little difficult to use their services.

Has anybody used TheDarkRoom.com to develop their stuff? I'm probably gonna end up using them once I've finished up another roll or two in the next 2 weeks.

http://www.bhphotovideo.com/c/product/26996-REG/Kodak_1464817_D_76_Developer.html

do eeeeeeet
 

Sesuadra

Unconfirmed Member
Recommendations for a film 35mm Camera?

I'm enrolled in a beginning Photography class for the upcoming spring semester.
Currently I have a Nikon D3300 with kit lens and Nikon Nikkor AF-S DX 35mm f1.8G G Lens, but I found out today that its a 35mm film class.

Also will the Nikkor Lens work with a Nikon SLR camera?

They usually work but you have to focus manually.

I own a Nikon F501 that my grandfather bought in 1986. It is not a Nikon FE but you get it cheap and they are build nice.
 

mrklaw

MrArseFace
My gf wants the PEN-F, even tough she knows not much about photography. Well yeah l'm not getting her that one. An E-M10 seems to be the best value really.

I have the EM10 and its really nice. The mk2 didn't have any major upgrades so I went with the mk1
 
They usually work but you have to focus manually.

I own a Nikon F501 that my grandfather bought in 1986. It is not a Nikon FE but you get it cheap and they are build nice.

Thank you.

The 35mm DX lens kinda works on 35mm/FF, but most DX lenses don't work well. All FX lenses technically work, but with technical caveats.

When it comes to modern Nikon lenses in general there are two issues. The first is AF where most modern lenses are AF-S (motor inside lens) which older AF cameras don't support, but you can always manually focus them. I think the oldest body to support AF-S is the Nikon F90/N90.
The second issue is 'G' which means no aperture ring. Older, manual Nikon's can only use the smallest f-stop with those lenses, but a lot of quite recent Nikons (like the N70 which in production until ~2003) can use them with all apertures, but only in modes with automatic aperture control because Nikon originally wanted you to turn the aperture ring to change it. Any Nikon that can control the aperture automatically (shutter or program mode) are able to do this, but for full control you'll need the most recent film bodies like the F55, F65, F75, F80, F100, F5 or F6.

Nikon D lenses all have aperture rings and are made for the old AF system. The downside is they don't autofocus on newer entry level Nikons like the D3X00 and D5X00.
If you're going the manual focus route I'd consider looking at MF lenses as well. AF lenses work, but MF lenses are more precise with less slack and a longer throw.

Thank you, very appreciative.
 

FStop7

Banned
Lol it's been 7 years since I've actually processed stuff in the darkroom.

Also I'm using color film right now so I'm gonna need C41 chemicals and proper instructions since I've never developed color film.

B&H doesn't ship C-41 any more.

But Amazon does! http://www.amazon.com/dp/B00OU6LXUG/?tag=neogaf0e-20

I haven't developed film in years, either. And I've never developed color film. But fuck it, I'll shoot some throwaway rolls for practice.

The last stuff I need (glass bottles for storing chemicals and a good thermometer) will be here on Thursday.
 
B&H doesn't ship C-41 any more.

But Amazon does! http://www.amazon.com/dp/B00OU6LXUG/?tag=neogaf0e-20

I haven't developed film in years, either. And I've never developed color film. But fuck it, I'll shoot some throwaway rolls for practice.

The last stuff I need (glass bottles for storing chemicals and a good thermometer) will be here on Thursday.

Thanks for that link!

But I'll probably dive into developing my own stuff in the future as I need all the gear before I can tackle it and just looking at everything I need, I'd need to plop down $100 bucks just for that. I know it's an investment, but I need to divert those funds into a better investment for now lol.

Speaking of which, what is y'all's take on flashes/speedlights/whatever? I haven't encountered a situation where I need one, but this got me thinking... is that worth the investment? If so, which ones are good ones?

I'd love to get a Nikon-SBxxx but it's too expensive and again, I haven't run into a situation where I needed one. I've heard that the Yongnuo's are good especially as a just in case thing, but I don't really know much about them.
 
Thanks for that link!

But I'll probably dive into developing my own stuff in the future as I need all the gear before I can tackle it and just looking at everything I need, I'd need to plop down $100 bucks just for that. I know it's an investment, but I need to divert those funds into a better investment for now lol.

Speaking of which, what is y'all's take on flashes/speedlights/whatever? I haven't encountered a situation where I need one, but this got me thinking... is that worth the investment? If so, which ones are good ones?

I'd love to get a Nikon-SBxxx but it's too expensive and again, I haven't run into a situation where I needed one. I've heard that the Yongnuo's are good especially as a just in case thing, but I don't really know much about them.
I use one of these:
Neewer VK750 II
I think it's better to have one and not need one than to need one and not have it. It's one of those "you never know" accessories. Grab that and a dome diffuser, which is quite cheap and you should be fine.
 
I have the EM10 and its really nice. The mk2 didn't have any major upgrades so I went with the mk1

The Mark II has a much larger EVF, track pad Autofocus, 5-axis IBIS instead of 3 and significantly improved video quality with 60p,30p and 24p (finally, Olympus). I think it's a really worthy upgrade.
 
Film is hard lol.

It at least doubles the amount of time I take in setting up for a shot. With digital even on MF and all that stuff, it might take me a few seconds to set up and shoot. On film, it's like a minute to set up lol.

Also the lack of instant gratification of knowing if the shot was good or not is a little annoying for now. I think it's gonna be awhile until I get over that lol.

But, I do find shooting in film more enjoyable and maybe even more cathartic than digital.

The only thing that really sucks is that there isn't a lot of places around DFW that develops film anymore. Both the good spots are basically 30 miles away from my home and work, and since they don't offer a same day or 1 hour service, I'm finding it a little difficult to use their services.

Has anybody used TheDarkRoom.com to develop their stuff? I'm probably gonna end up using them once I've finished up another roll or two in the next 2 weeks.

I miss developing my own film and printing. A lot. It is really easy to get into, but hard to master, and it nice just to tinker away ( although frustrating too) all day on a print sometimes.

I still shoot film (got a mamiya 7 and 6x7) , but scan the negatives, kind of redundant way of shooting, but i guess if i really get into it, i have a body of negatives i can print the best way.

There is a local university that does open up its photography department to the public , but to the hire the facilities is quite expensive.

Actually i just had a look and it has gone down to £30 from £50 for a day. Hmmm.....

But yeah i have a black and white 35mm enlarger i can set up in my cellar if i want, but i mainly shoot colour. Which is really hard to set up and maintain :(
 
Looks like my Bonus check will be here in two days, at which point I will order my IR capable A7II. Can't wait. Really it's the filters that make it all expensive. X_x
 

FStop7

Banned
Speaking of which, what is y'all's take on flashes/speedlights/whatever? I haven't encountered a situation where I need one, but this got me thinking... is that worth the investment? If so, which ones are good ones?

I've never owned a flash and I think it's a pretty big blind spot in my knowledge.

If you're interested in doing portraits or shooting in unevenly lit situations then a flash is really worth it, IMO. Fill light really makes a difference. But I'm more interested in an LED light with adjustable color temp like the Rotolight Neo than I am a traditional flash.
 
I've never owned a flash and I think it's a pretty big blind spot in my knowledge.

If you're interested in doing portraits or shooting in unevenly lit situations then a flash is really worth it, IMO. Fill light really makes a difference. But I'm more interested in an LED light with adjustable color temp like the Rotolight Neo than I am a traditional flash.
What's a good intro lighting set up...on the cheap?
 

LProtag

Member
Didn't get a chance to go out and shoot with my new X100S last weekend much, due to snow, but I think I've got some time planned this weekend to go exploring my snowy corner of New England to find something interesting to shoot.

Loving the camera so far, I feel like I'm already getting a decent hang of the exposure triangle at this point as well.
 

giga

Member
Didn't get a chance to go out and shoot with my new X100S last weekend much, due to snow, but I think I've got some time planned this weekend to go exploring my snowy corner of New England to find something interesting to shoot.

Loving the camera so far, I feel like I'm already getting a decent hang of the exposure triangle at this point as well.

No excuses. Snow is the best time to go shooting.
 
I use one of these:
Neewer VK750 II
I think it's better to have one and not need one than to need one and not have it. It's one of those "you never know" accessories. Grab that and a dome diffuser, which is quite cheap and you should be fine.

Thanks for the link, I read and went for their lower end model lol.

My D3200 combined with my MF lenses can't do TTL and it has to do manual flash so I decided to save that $15 bucks and just get a manual flash instead.

I've never owned a flash and I think it's a pretty big blind spot in my knowledge.

If you're interested in doing portraits or shooting in unevenly lit situations then a flash is really worth it, IMO. Fill light really makes a difference. But I'm more interested in an LED light with adjustable color temp like the Rotolight Neo than I am a traditional flash.

Yeah, flash is also something I don't know much about. Hell, I didn't even know what TTL was until I spent an hour last night messing with the built-in flash on my camera lol.

Always-on LED lights on a hot shoe are a huge pain imo. I started out with a non-dimmable light and it worked as fill light but it was the wrong color temp(it looked like those dumbasses on the road with blue headlights) so it only worked in daylight. -___-

Next was a cheap Amazon unit I borrowed from a friend that had a dimmable option, but it was a pain to use on a bootleg glidecam since my rig already maxes out at 3lbs. It worked great on a tripod, but any kind of movement required more adjustment. Worst thing to ever come out of it was that the rolling shutter was more pronounced so I couldn't really do decent speed pans, and had to slow it down and speed it up in post lol.

That said, static LED's in a studio setting are fncking fantastic. I want a pair just to play with haha.

I miss developing my own film and printing. A lot. It is really easy to get into, but hard to master, and it nice just to tinker away ( although frustrating too) all day on a print sometimes.

I still shoot film (got a mamiya 7 and 6x7) , but scan the negatives, kind of redundant way of shooting, but i guess if i really get into it, i have a body of negatives i can print the best way.

There is a local university that does open up its photography department to the public , but to the hire the facilities is quite expensive.

Actually i just had a look and it has gone down to £30 from £50 for a day. Hmmm.....

But yeah i have a black and white 35mm enlarger i can set up in my cellar if i want, but i mainly shoot colour. Which is really hard to set up and maintain :(

My school doesn't really do film processing. :(

Well, it's not that they don't... I can use all their equipment, provided I buy my own chemicals and all that.

One of the local photo labs here charge something like $20 USD to process and get 4x6 proofs. I just finished my first roll of film today so I might stop by there tomorrow and see how good they are.
 
Thanks for the link, I read and went for their lower end model lol.

My D3200 combined with my MF lenses can't do TTL and it has to do manual flash so I decided to save that $15 bucks and just get a manual flash instead.



Yeah, flash is also something I don't know much about. Hell, I didn't even know what TTL was until I spent an hour last night messing with the built-in flash on my camera lol.

Always-on LED lights on a hot shoe are a huge pain imo. I started out with a non-dimmable light and it worked as fill light but it was the wrong color temp(it looked like those dumbasses on the road with blue headlights) so it only worked in daylight. -___-

Next was a cheap Amazon unit I borrowed from a friend that had a dimmable option, but it was a pain to use on a bootleg glidecam since my rig already maxes out at 3lbs. It worked great on a tripod, but any kind of movement required more adjustment. Worst thing to ever come out of it was that the rolling shutter was more pronounced so I couldn't really do decent speed pans, and had to slow it down and speed it up in post lol.

That said, static LED's in a studio setting are fncking fantastic. I want a pair just to play with haha.



My school doesn't really do film processing. :(

Well, it's not that they don't... I can use all their equipment, provided I buy my own chemicals and all that.

One of the local photo labs here charge something like $20 USD to process and get 4x6 proofs. I just finished my first roll of film today so I might stop by there tomorrow and see how good they are.
I'm glad I can help somebody on this thread. Yeah I didn't know what TTL was myself once. I didn't want manual flash cause I wanted something that I wouldn't have to babysit too much. I'm at the point where I do need to look for lighting. I need something on the cheap at some point.
 
Can anyone recommend a good entry spot for medium format film shooting? Good entry spot meaning, cheap bargain used cameras.

Just the other day I was looking at the Mamiya 645's. Seemed really cheap for what they are.

I use a Mamiya 645e. Got it for about $350 several years ago with 80mm F/2.8 lens. The lens is great, can't praise it enough. It's a good cheap setup but the camera is a budget camera, so do shoot a test roll and check that the light meter and focus are accurate.

PM me any questions if you like, I know my way around the camera pretty well.
 

Firest0rm

Member
I'm jumping into photography, and i'm interested in a light-weight entry camera. I'm considering the Sony Alpha NEX-5R. Best Buy Canada has it on clearance for $299 with a 18-55mm Lens.

Thoughts on this camera?
 
I'm jumping into photography, and i'm interested in a light-weight entry camera. I'm considering the Sony Alpha NEX-5R. Best Buy Canada has it on clearance for $299 with a 18-55mm Lens.

Thoughts on this camera?

I jumped in with the Sony NEX-5T, and I loved it. It was a great camera to learn the basics on and I was able to produce some very good pictures. I ended up outgrowing it, but have stayed in the Sony family (upgraded to an A6000) and haven't regretted a thing. It's a very versatile camera.

EDIT: Also, thanks everyone on the Mamiya 645 suggestions, they look to hit all of the spots that I wanted!

Does focal length work opposite of crop on larger format cameras? Is a 50mm wider on a medium format camera than a 35 mm camera?
 

Firest0rm

Member
I jumped in with the Sony NEX-5T, and I loved it. It was a great camera to learn the basics on and I was able to produce some very good pictures. I ended up outgrowing it, but have stayed in the Sony family (upgraded to an A6000) and haven't regretted a thing. It's a very versatile camera.

EDIT: Also, thanks everyone on the Mamiya 645 suggestions, they look to hit all of the spots that I wanted!

Does focal length work opposite of crop on larger format cameras? Is a 50mm wider on a medium format camera than a 35 mm camera?

I just found out the NEX-5R is sold out. Dammit :(, What's a good alternative?
 
I just found out the NEX-5R is sold out. Dammit :(, What's a good alternative?

Go on eBay or Craigslist, I see tons of NEX-5 family cameras there all the time. I bought mine used and never had any problems with it. Lots of people sell them when they upgrade.

I'd offer to sell mine even, but there's a weird tiny spot on the sensor that I can't tell if it's affecting image quality or not and am hesitant to offer it without knowing. I've beat that camera to hell.

Dont' be afraid to look at other NEX cameras either. NEX-6 and 7 are good cameras as well, but the 5 series is probably the sweet spot as far as accessibility is concerned. WiFi transfer is great too so you can send photos directly to your phone, and even use your phone as a remote (these features aren't available on the 6 or 7).
 

captive

Joe Six-Pack: posting for the common man
I jumped in with the Sony NEX-5T, and I loved it. It was a great camera to learn the basics on and I was able to produce some very good pictures. I ended up outgrowing it, but have stayed in the Sony family (upgraded to an A6000) and haven't regretted a thing. It's a very versatile camera.

EDIT: Also, thanks everyone on the Mamiya 645 suggestions, they look to hit all of the spots that I wanted!

Does focal length work opposite of crop on larger format cameras? Is a 50mm wider on a medium format camera than a 35 mm camera?

yes. I have the Mamiya AFD and Mamiya 55mm lens, which is equivalent to about a 35mm lens on a 35mm camera.

Both of which are still for sale if anyone is interested. The body can take any mamiya film back 6x6 or 6x45 or medium format digital. A touch more expensive than the entry level ones though, but not by much.
 

Firest0rm

Member
Go on eBay or Craigslist, I see tons of NEX-5 family cameras there all the time. I bought mine used and never had any problems with it. Lots of people sell them when they upgrade.

I'd offer to sell mine even, but there's a weird tiny spot on the sensor that I can't tell if it's affecting image quality or not and am hesitant to offer it without knowing. I've beat that camera to hell.

Dont' be afraid to look at other NEX cameras either. NEX-6 and 7 are good cameras as well, but the 5 series is probably the sweet spot as far as accessibility is concerned. WiFi transfer is great too so you can send photos directly to your phone, and even use your phone as a remote (these features aren't available on the 6 or 7).

OK, I'll give eBay and Craigslist a shot. Are there any things I should keep in mind when buying a camera from someone off these sites? (i've never really bought a camera before and I've also never gotten anything off either site before).
 
This isn't really an equipment question but does anyone know if there's a way, in Lightroom, to change the date of a large group of photos by exactly one year?
 
OK, I'll give eBay and Craigslist a shot. Are there any things I should keep in mind when buying a camera from someone off these sites? (i've never really bought a camera before and I've also never gotten anything off either site before).
Best thing to do is look at the rep and what other stuff they usually sell on ebay. Definitely don't be afraid to message the seller about what you're buying.
 
This isn't really an equipment question but does anyone know if there's a way, in Lightroom, to change the date of a large group of photos by exactly one year?

I don't know if this helps but if JPGs and using Windows try selecting the files > right click > properties > details. From there you can change the date taken. Could possibly work with raw images, possibly on a mac using similar info window.
 
OK, I'll give eBay and Craigslist a shot. Are there any things I should keep in mind when buying a camera from someone off these sites? (i've never really bought a camera before and I've also never gotten anything off either site before).

I just sold my third hand, 2 year old NEX5R for 240. You should have pulled the trigger on that one.

Look for auction deals that has goods pictures taken by a good photographer. But in your case, just look for one with return guarantee.

But if you have 0 feedback I probably will cancel the auction. I literally sold a prepaid Moto E 4 times before the bidder pay the auction. The prior 3 times a low feedback buyer wion the auction and didn't pay the bill. For some reason prepaid phone buyers are worst the ebay noobs.
 
I don't know if this helps but if JPGs and using Windows try selecting the files > right click > properties > details. From there you can change the date taken. Could possibly work with raw images, possibly on a mac using similar info window.

The problem is these photos were taken within about a month of each other so ideally I'm looking for a script or something that can change a group of photos dates by 1 year.
 

captive

Joe Six-Pack: posting for the common man
The problem is these photos were taken within about a month of each other so ideally I'm looking for a script or something that can change a group of photos dates by 1 year.

In lightroom select the folder(s), or select the files, in the right hand pane there is a "Capture Time" Time with the date they were taken, click the button to the right of that and it will bring up a menu that lets you change the date.

or you could use powershell
https://blogs.technet.microsoft.com...powershell-to-modify-file-access-time-stamps/
 

gsrjedi

Member
This isn't really an equipment question but does anyone know if there's a way, in Lightroom, to change the date of a large group of photos by exactly one year?


Yep, click the Metadata tool bar at the top. There should be something called "edit capture time".

I've used it to change pictures from trips to their correct time zone. It will shift them all by the number of hours/minutes/seconds I set the starting picture at when I select them all. I'd imagine if you only change the year it should change that for all of them
 

Ty4on

Member
The problem is these photos were taken within about a month of each other so ideally I'm looking for a script or something that can change a group of photos dates by 1 year.

I don't know of any scripts, but Python has libraries for exif modification if you can code :/

I don't have any experience modifying files, but it shouldn't be that hard. The only Exif script I know of is one Brian Klug made for organizing images by camera model.
 

Flo_Evans

Member
Not enough gear photos on this page...

RHcSuuX.jpg


Got a nikon F-adapter for the A7s :) sporting the Nikon 180mm 2.8

bonus:

9wjfuJN.jpg


Rokinon 85mm t1.5 cine in F mount so I can use it on all my cameras :)
 
In lightroom select the folder(s), or select the files, in the right hand pane there is a "Capture Time" Time with the date they were taken, click the button to the right of that and it will bring up a menu that lets you change the date.

or you could use powershell
https://blogs.technet.microsoft.com...powershell-to-modify-file-access-time-stamps/

Yep, click the Metadata tool bar at the top. There should be something called "edit capture time".

I've used it to change pictures from trips to their correct time zone. It will shift them all by the number of hours/minutes/seconds I set the starting picture at when I select them all. I'd imagine if you only change the year it should change that for all of them

Thanks for the advice guys, this worked perfectly. I just changed the year and it fixed all my photos relative to that.
 

The Chef

Member
Dudes I need some advice.
I just got a camera track slider as well as a tripod. SliderThe slider is amazing but it's just too heavy for the tripod. When the camera gets to the end of the track it basically wants to fall over.

Any suggestions?
 

Aurongel

Member
Dudes I need some advice.
I just got a camera track slider as well as a tripod. SliderThe slider is amazing but it's just too heavy for the tripod. When the camera gets to the end of the track it basically wants to fall over.

Any suggestions?
Does the center of the tripod have a hook on the bottom to tie weights to? Also, most sliders I've seen are set up on two tripods. This one only mounts in the center?
 

The Chef

Member
Does the center of the tripod have a hook on the bottom to tie weights to? Also, most sliders I've seen are set up on two tripods. This one only mounts in the center?

It does have a hook. But the tripod head itself feels too flimsy to hold the weight. its a cheapy I can see it strain and bend and I move the camera on the track. Would it help to put some weight on the hook?

And yeah, this slider only has a mount on the middle. But in one of the Amazon pictures it shows it on two tripods? Not sure how that would work.
 

owlbeak

Member
Hey Camera GAF, a question - I have been wanting to get a mirrorless as a (sometimes) replacement for my DSLR. I currently have a Canon Rebel T3 which isn't the best camera in the world, but I love it and have taken a lot of really great images with. But I'd like something smaller, more portable, and more capable. I've been comparing the OM-D E-M10 Mk II and Sony Alpha A6000 and can't really decide which is a better option. I would say I'm leaning toward the Olympus purely for the in-body 5-axis stabilization. My budget is around $800.

I do a lot of landscape photography and long exposure work at night. Any advice is appreciated!
 
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