dorkimoe
Member
I got most of these from an article about the brutal reviews, so I did not go hunting across the internet for positives.
https://screenrant.com/mowgli-movie-netflix-brutal-reviews/
Mowgli: Legend of the Jungle is receiving some brutal reviews, which isn't good for Netflix's big release. Mowgli was originally slated to release around the same time as Jon Favreau's The Jungle Book in 2016, but it received multiple delays before ultimately landing an October 2018 release date. Then, things took a turn when Warner Bros. unloaded Mowgli to Netflix. And now Netflix is releasing Mowgli on December 7 after first debuting it in select theaters around the United States.
Despite production delays, Mowgli: Legend of the Jungle, which is directed by motion capture mastermind Andy Serkis, sounded promising, since it was described as a more faithful adaptation of Rudyard Kipling's novel, The Jungle Book, which Disney's animated and live-action movies have taken inspiration from but tweaked for younger audiences. Starring Christian Bale, Benedict Cumberbatch, Cate Blanchett, Tom Hollander, and more, Mowgli was supposed to be WB's blockbuster answer to Disney's Jungle Book - but that may not be the case, even at Netflix.
The reviews for Mowgli: Legend of the Jungle are in, and it seems that while Serkis might have had a good idea on-hand, the execution of is poor and uneven. Critics have praised the performance of the young Rohan Chand as Mowgli, but the CGI and mo-cap performances have resulted in clunky, unfinished animal sequences which are difficult to watch. Added to that, Callie Kloves' Mowgli screenplay has also come in for criticism. And all of that is evidenced in Mowgli: Legend of the Jungle's most brutal reviews.
The Wrap - Monica Castillo
Perhaps the weakest link in the film’s food chain is first-timer Callie Kloves’ anemic script, overstuffed by fillers of little substance. The story does not move as swiftly as the wolves do. The script’s solution to standing apart from the classic story is to add new characters and subplots; unfortunately, too much of a good thing can also tire a viewer out or bore them.
As an actor, Serkis may be the industry’ mo-cap master, but storytelling through performance is a different skill than writing or directing. The forced additions of characters like Bhoot needlessly bloat the movie’s mismatched visual style and misfit character looks. Since it can take years to put one of these CGI-filled movies together, it was perhaps poor timing that Mowgli followed Jon Favreau’s 2016 live-action reimagining of Disney’s 1967 animated movie. While Serkis and his team tried to separate his retelling from the others, the experiments and extras did not always work out.
THR - Michael Rechtshaffen
Alas, just like Mowgli, who, as Kaa accurately observes, was “both man and wolf, and neither,” the film is constantly conflicted with its own considerable identity issues. Although the Serkis version would obviously like to be taken on its own terms, it’s virtually impossible to not invite comparisons to the Favreau film, both in terms of tone and technology.
Even more problematic is the lack of a unifying tone, with two instances in particular — one in which Mowgli is brutally attacked by his ape abductors and another in which he makes a shocking discovery in the hunter’s trophy room — pitched to such violently horrific effect it could have just as well been Sam Peckinpah’s Jungle Book.
Meanwhile, back in the wilds, unlike the lithe, remarkably fluid movements of the performance-captured, four-legged characters that graced the Favreau version, there’s an odd jerkiness to the computer-generated animals here, particularly in their interaction with Mowgli, that ironically bring to mind some of those vintage Disneyland animatronics.
https://screenrant.com/mowgli-movie-netflix-brutal-reviews/
https://film.avclub.com/with-mowgli-andy-serkis-brings-a-marginally-darker-jun-1830869818As in Favreau’s The Jungle Book, all of the animals in Mowgli are digital creations—though, unlike Favreau, Serkis doesn’t strive for realism. Far from it. With his lame paw and over-sized head, Shere Khan looks like an old, ratty toy, while Akela bears a striking resemblance to Huckleberry Hound. Other characters have been given squashed, anthropomorphic facial features; this makes the mo-cap performance more humanlike, though it has the unintended effect of making the denizens of the jungle look like escapees from The Island Of Dr. Moreau. Favreau’s film offered seamless, photorealistic spectacle; Mowgli answers the question of what a panther would look like if it had Christian Bale’s face.