A gentle giant and the girl who raised her are caught in the crossfire between animal activism, corporate greed and scientific ethics.
Release date: June 28th on Netflix.
Links:
Cast:
An Seo Hyun as Mija, Tilda Swinton as Lucy Mirando, Jake Gyllenhaal as Dr. Johnny Wilcox
Paul Dano as Jay, Steven Yeun as K, Byun Hee-bong as Heebong
Lily Collins as Red, Yoon Je-moon as Mundo Park, Giancarlo Esposito as Frank Dawson
Reviews:
- AV Club:
One might call the movie a clash of different cartoon sensibilities. On the one hand, there are the scenes between Mija and her loyal, genetically engineered best friend, which in their finest moments bring to mind the work of Hayao Miyazakis Studio Ghibli, rendered in loving action. On the other, there are the wacky and outlandish caricatures of largely English-language Mirando sections, with over-the-top press conferences, and Thanksgiving Parade-sized pig balloons, and Gyllenhaals manic, deeply bitter, sweat-soaked Dr. Johnny jumping around like a cross between Steve Irwin and Richard Simmons. Perhaps the fact that these two sides of the film seem incompatible is intentional: The bucolic values of agrarian life dont sit well with the crassness of the corporate blitz. It might be blunt, but at least its a point. - Variety:
Shot in bright, cinematic widescreen by DP Darius Khondji, this Netflix-produced feature belongs on the big screen, where no one would mistake Okja for a real animal, and yet the CG is convincing enough to suspend disbelief. Bong has chosen to make Okja a larger-than-life animal, but she could just as easily be a talking pig (theres plenty of Babe DNA here already) the key is that his audience be able to recognize her soul. And yet, Mirando employees repeatedly insist that super-pig meat is quite the delicacy, which puts audiences in the strange position of wondering how the movies main character might taste. - The Guardian:
There is something inspired in the way the director handles the contrast between the bucolic paradise in which Mija and Okja have grown up together and the alien jungle of the big city. The narrative dynamic is comparable to King Kong in its way; but less adult and less obviously knowing. The scenes at the beginning where Mija loses her footing and Okja instinctively improvises a rescue are tremendously conceived. And the digital creation of Okja is itself brought off with terrific skill. The pure energy and likability of this film make it such a pleasure. - Slant Magazine:
Okja's first half is the most surpassingly lovely passage in Bong's career, abounding in the casual magic that one associates with a Miyazaki or an early Spielberg film.
Promo photos: