unpopularblargh
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Instead of listing the top ten wholesale I'm just going to post excerpts about the ones I found interesting from the bottom half of the ranking. You can visit the link above for the whole top 100:
84. The League of Extraordinary Gentlemen
79. The Green Hornet
78. The Shadow
75. Green Lantern
73. TMNT (2007)
65. Mystery Men
59. The Amazing Spider-Man 2
56. The Phantom
51. The Crow
47. Constantine
Two things quickly become evident when putting together a list of the 100 Best Superhero Movies of All Time. First, this is the Golden Age for such films, a decade where technology, long-unrequited fandom and surging popular awareness have all combined to thrill moviegoers and make Hollywood billions of dollars. Second, it's still fair to say that most superhero films are not that good. There's no real contradiction at play here. The niche just lacks the pedigree of its fellow movie genres. Though superhero comic books may have started to make a dint in popular culture 75 years ago (give or take), technology only crossed over from hindrance to enabling force in the last 20 years or so. As a result, while curating a 100 Best Westerns of All Time or 100 Best Documentaries of All Time list requires the exclusion of arguably good films to select the best 100—for superhero movies? The pickings get slim after 40. In fact, the real challenge for this list was choosing amongst the dreck (some of it beloved dreck!) that would fill out the bottom half.
Finally, some criteria. To be considered for this list, a film must possess at least two of the following three qualities: 1) It must involve costumed shenanigans, 2) It must involve a superpowered protagonist and/or 3) the protagonist must exist in a world where the supernatural/extraordinary is demonstrably present. These criteria are why meta-commentary films like Kick-Ass and Super are not on this list. And it's also why some films with pulpy characters like Zorro, Tarzan and Conan are not, while others like The Phantom are. (Zane's costume combined with the Skulls of Touganda do the trick.) Admittedly, the lines gets blurry. Also absent from this list is any consideration of foreign superhero films. That's not because some are not worthy—especially given the movie quality issue mentioned at the top—it's just an area we'd rather get better versed in before pouring into this list. Next year, perhaps.
Instead of listing the top ten wholesale I'm just going to post excerpts about the ones I found interesting from the bottom half of the ranking. You can visit the link above for the whole top 100:
84. The League of Extraordinary Gentlemen
By the film's end, fans of the series got to leave the theater knowing they have just seen a bad film that pretty much guaranteed a good version of the material would not be seen any time soon. It would also be Sean Connery's final role before retiring from acting. It feels like that should be held against the movie, too.
79. The Green Hornet
The Green Hornet isn't most superhero movies. It's its own entity, a disarmingly peculiar movie boosted by Rogen's chemistry with Jay Chou, playing his exasperated sidekick, and by Gondry's refusal to play by the established expectations and rules of the superhero mode.
78. The Shadow
Nonetheless, even as the script hobbles the film's otherwise sleek design, Baldwin shows an Alec Guinness-worthy ability to inhabit strange characters and deliver potentially hokey lines with sincerity and charm. (Seriously, check out his turn as The Conductor in 2000's Thomas and the Magic Railroad—the man kills it.) But while that may make the film must-see for all his fans, it's probably not enough to justify anyone else seeing it.
75. Green Lantern
Proof that Warner Bros.' negative aptitude for the DC Universe's potential-laden source material existed before the arrival of Zack Snyder, Green Lantern wastes a solid cast—Mark Strong's turn as Sinestro should have lasted longer than a single movie, or at least survived the reboot—and the enviable but too often fumbled ”first pick" of an established hero's mythos.
73. TMNT (2007)
Calling TMNT the second-best of the Teenage Mutant Ninja Turtles movies is probably the damning-est of faint praise, but Kevin Monroe's CGI-animated adaptation is at least better moored to the spirit of its comic book source and, to some extent, the original animated cartoon. The film wisely ignores the third film from the original Muppet-y, live-action trilogy.
65. Mystery Men
The movie opened in 1999, just a few years before the start of the 2000s superhero boom, back when comic book films weren't an industry unto themselves. These were the days when no one took superheroes seriously and most representatives of the classification were straight-up garbage, so intrinsically bad that they well near spoofed themselves. A dedicated send-up didn't make a lot of sense then, but it makes more sense now.
59. The Amazing Spider-Man 2
Ultimately, The Amazing Spider-Man 2 is noteworthy for one thing—not waiting until the third or fourth film to achieve the overstuffed, increasingly garish look one associates with less popular (2007's Spider-Man 3) and outright ridiculed (1997's Batman and Robin) franchise efforts.
56. The Phantom
Billy Zane is beefy and believable as the 21st Phantom out to avenge the death of his dad (the 20th), and I sort of wish Catherine Zeta-Jones had spent more of her career playing rogue-ish femme fatales who lead a squadron of female mercs.
51. The Crow
Alex Proyas's gothic cult classic, in which Brandon Lee's Eric Dravin flits from rooftop to rooftop, makeup supernaturally intact, is almost hilariously bleak, a sort of Hot-Topic-toned cousin to something from Hermann Warm's wettest of dreams. Because of that, The Crow is either something completely understood, an object with which a select few audience members can truly sympathize, or something to be consumed in bewilderment
47. Constantine
At the same time, though, Constantine does boast some absolutely mesmerizing supporting performances that have helped the film develop a late-blooming appreciation: In particular, the radiant, androgynous Tilda Swinton as the scheming angel Gabriel and the malevolent Peter Stormare in a sadly brief but brilliant portrayal of Lucifer. It almost makes one hope for a different film featuring the same characters in more depth, rather than the somewhat generic plot of Constantine itself.