theBishop said:The first half is solid, although less charming than the debut. The 2nd half is aimless, but hints at possible new directions for a (hopefully stronger) followup. I get the sense that Spencer Krug's heart is now firmly with Sunset Rubdown. While Krug songs were highlights on Apologies, Dan Boeckner shines this time.
Well, yes, I know that. I figured that was the joke after I made the post.Oozer3993 said:Well the album is named Third. *ba-dum tshh*
LeonTrotskyTrout said:I agree. I wrote a review for that album... After California Dreamer, all is downhill for that album.
Krugs lyrics just aren't there either. Hopefully he's working on some amazing ones for Sunset Rubdown.
ZephyrFate said:And anyone who doesnt think Kanye's newest album deserves a spot on the top albums of the year doesn't know good music.
Des0lar said:Never heard of any of these bands.
ZephyrFate said:And anyone who doesnt think Kanye's newest album deserves a spot on the top albums of the year doesn't know good music.
Then I'm happy to say that I don't know shit about good music.ZephyrFate said:And anyone who doesnt think Kanye's newest album deserves a spot on the top albums of the year doesn't know good music.
I'm not a big hip-hop buff myself but the fact that Kanye was willing to blend other genres and make his stuff more accessible is a good thing.genjiZERO said:If you like your hiphop to taste like a peppermint patty.
Glad to see respect going to Portishead. I feel like they've been overlooked as of late for more accessible and commercial music.
Dr. Strangelove said:808s and Heartbreak is not a hip-hop album. It has elements, but overall-- no.
...And that just discredited the whole list. :lolNihilism said:Drowned in Sound's list is better (mainly because of #2):
1. M83 Saturdays=Youth (Review / Interview)
2. Frightened Rabbit The Midnight Organ Fight (Review / Interview)
3. Cut Copy In Ghost Colours (Review)
4. Nick Cave And The Bad Seeds DIG, LAZARUS, DIG!!! (Review / Interview)
5. Deerhunter Microcastle (Review / Interview)
6. Portishead Third (Review / Interview 1 | 2)
7. Why? Alopecia (Review / Interview)
8. Friendly Fires Friendly Fires (Review / Track-by-Track / Interview)
9. The Kills Midnight Boom (Review / Interview)
10. Bon Iver For Emma, Forever Ago (Review / Interview)
11. Fuck Buttons Street Horrrsing (Review / Interview / Tour Diary)
12. Foals Antidotes (Review / Interview)
13. Gang Gang Dance Saint Dymphna (Review / Interview)
14. Elbow The Seldom Seen Kid (Review / Interview)
15. Crystal Castles Crystal Castles (Review)
16. Shearwater Rook (Review/ Track-by-Track)
17. Sigur Rós Með suð í eyrum við spilum endalaust (Review)
18. Of Montreal Skeletal Lamping (Review)
19. Los Campesinos! Hold On Now, Youngster (Review) / We Are Beautiful, We Are Doomed (Review)
20. These New Puritans Beat Pyramid (Review / Interview)
21. No Age Nouns (Review / Track-by-Track)
22. Santogold Santogold (Review / Interview)
23. Nine Inch Nails The Slip (Review)
24. Okkervil River The Stand Ins (Review / Interview 1 / 2)
25. Late Of The Pier Fantasy Black Channel (Review / Track-by-Track)
26. Hauschka Ferndorf (Review)
27. TV On The Radio Dear Science (Review)
28. MGMT Oracular Spectacular (Review / Interview)
29. Wild Beasts Limbo, Panto (Review / Interview 1 / 2)
30. Atlas Sound Let The Blind Lead Those Who Can See But Cannot Feel (Review / Interview)
31. White Williams Smoke (Review)
32. The Stills Oceans Will Rise (Review)
33. Mogwai The Hawk Is Howling (Review / Interview)
34. Vampire Weekend Vampire Weekend (Review)
35. The Futureheads This Is Not The World ( Review / Track-by-Track)
36. Bloc Party Intimacy (Review)
37. The Raveonettes Lust, Lust, Lust (Review)
38. Johnny Foreigner Waited Up 'Til It Was Light (Review / Track-by-Track)
39. El Guincho Alegranza (Review)
40. Metronomy Nights Out (Review)
41. Lykke Li Youth Novels (Review / Interview)
42. Islands Arms Way (Review)
43. British Sea Power Do You Like Rock Music? (Review/ Interview)
44. Fucked Up The Chemistry of Common Life (Review)
45. Fleet Foxes Fleet Foxes (Review / Interview)
46. Blood Red Shoes Box Of Secrets (Review / Track-by-Track)
47. Rolo Tomassi Hysterics (Review/ Interview)
48. Times New Viking Rip It Off (Review / Interview)
49. Diamanda Galas Guilty Guilty Guilty (Review)
50. I Was A Cub Scout I Want You To Know That There Is Always Hope (Review / Interview)
Great album and Liz is a fantastic person. Some of her new stuff she's collaborated with friends on sounds just as good.PowderedToast said:OK here's my end of year list, guys.
1. Grouper - Dragging A Dead Deer Up A Hill
That's the only record I've heard all year that I've enjoyed enough to remember. I don't pay much attention to new releases, one because it's difficult, and two because there's so much music that I still haven't heard that I don't have time for new stuff. It's also nice to discover relatively new releases by myself, oblivious of the hype attached to them. I dislike Pitchfork because it's bad writing. They basically encompass everything I dislike about the music journalism; the awful trends, hype trains, endless hyperboles etc.
Mutagenic said:I cannot for the life of me understand how people continue to downplay others' musical tastes. Music is one of the most subjective topics, and here we have users calling out others for not sharing the exact same tastes as them.
Great album and Liz is a fantastic person. Some of her new stuff she's collaborated with friends on sounds just as good.
Sure it does. Most of it, anyways.Truant said:Yet none of the flaming has to do with actual music taste.
Truant said:Yet none of the flaming has to do with actual music taste.
Shaneus said:Oh, I'm deadly fucking serious. Cut Copy's brand of music is imo incredibly generic and flat, and doesn't do much to differentiate itself from the other new-wave artists that are around at the moment (Juggernauts etc.).
The Presets however, are doing something that's different and incomparable to anyone else before them... CC, on the other hand, I could roll off about 5 or 6 acts from the last 25 years that they were clearly inspired by and didn't do much to improve on.
There's a reason why The Presets scooped the ARIA awards this year!
Mutagenic said:I cannot for the life of me understand how people continue to downplay others' musical tastes. Music is one of the most subjective topics, and here we have users calling out others for not sharing the exact same tastes as them.
You have heard Cut Copy's In Ghost Colours though right? If not, go and have a listen please.reilo said:Alright, so these are the albums off that list I gave a shot listening to:
Fleet Foxes - Sun Giant
TV on the Radio - Dear Science
Nick Cave & the Bad Seeds - Dig, Lazarus, Dig
M83 - Saturday's Youth
Of those four albums, the only two that stood out were Dear Science and Saturday's Youth.
In fact, I think M83's album is brilliant.
Fleet Foxes, on the other hand, bored me to all mighty hell. It felt like I was listening to the same song over, and over, and over again. There was little to no diversity nor musical progression and the style of the music wasn't that interesting to begin with.
I wanted to like Dig, Lazarus, Dig, but I just couldn't overcome the talk-singing vocals, and the second half of the album didn't hold my attention.
From the small selection I listened to, how Fleet Foxes made number one I have no idea. It's just a downright forgettable album.
I'll give it a try.striKeVillain! said:You have heard Cut Copy's In Ghost Colours though right? If not, go and have a listen please.
striKeVillain! said:...And that just discredited the whole list. :lol
Oh wow. I'm really liking this. Almost done with the album and it's just fun as shit to listen to.striKeVillain! said:You have heard Cut Copy's In Ghost Colours though right? If not, go and have a listen please.
reilo said:Fleet Foxes, on the other hand, bored me to all mighty hell. It felt like I was listening to the same song over, and over, and over again. There was little to no diversity nor musical progression and the style of the music wasn't that interesting to begin with.
reilo said:Fleet Foxes, on the other hand, bored me to all mighty hell. It felt like I was listening to the same song over, and over, and over again. There was little to no diversity nor musical progression and the style of the music wasn't that interesting to begin with.
Flynn said:These kinds of records tend to find a consensus because of their inoffensive nature. I understand why people like them, because they're frequently beautiful, smartly written and what not, but along with The National, New Pornographers, Vampire Weekend and any number of critics faves -- they kind of bore me to tears.
The good news is that many lists, Pitchfork included, tend to fill out the rest of their space with stuff that's more experimental or just plain noisy.
This is exactly how I feel. There was a short period of time years ago that I loved stuff like this, but I just really can't stand it anymore. I can see why some people like it, but it's just not for me.Flynn said:These kinds of records tend to find a consensus because of their inoffensive nature. I understand why people like them, because they're frequently beautiful, smartly written and what not, but along with The National, New Pornographers, Vampire Weekend and any number of critics faves -- they kind of bore me to tears.
Nothing wrong with Bloc Party the band. Silent Alarm is one the best albums of the past 10 years and I am also a fan of Weekend. Intimacy was just a waste of their talent and a gross disgrace to their previous two albums. I felt so sad listening to Intimacy and seeing the magic from their first two albums completely non-existent.sazabirules said:What's wrong with Bloc Party?
vatstep said:This is exactly how I feel. There was a short period of time years ago that I loved stuff like this, but I just really can't stand it anymore. I can see why some people like it, but it's just not for me.
They're stealing it from college radio stations. I'm almost done with my personal list.Flynn said:The thing that bums me out about this stuff is that lots of public radio stations with contemporary music, like KCRW and The Current, are creating a kind of format around this stuff. I call it "Indie Easy Listening."
pakkit said:They're stealing it from college radio stations. I'm almost done with my personal list.
I really don't get the new Kanye. Most of the beats are pretty well done, but people who are calling his MCing weak and then hailing this album? These lyrics have a lot of his worst lines. To each their own.
Mutagenic said:I cannot for the life of me understand how people continue to downplay others' musical tastes. Music is one of the most subjective topics, and here we have users calling out others for not sharing the exact same tastes as them.
Great album and Liz is a fantastic person. Some of her new stuff she's collaborated with friends on sounds just as good.
Battles sucks. Don't go lumping me into that "everyone" category >:|theBishop said:Why did everyone love "Atlas" but not so much "Bad Trails".
reilo said:Battles sucks. Don't go lumping me into that "everyone" category >:|
I'll objectively crucify you.theBishop said:But you're objectively wrong. See? :lol
reilo said:Battles sucks. Don't go lumping me into that "everyone" category >:|
Shut up, they suck. Live with it.Graf Nudu said:SHUT UP!!!
I'M GOING TO HUNT YOU DOWN AND KILL YOU WHEREVER YOPU ARE!!!
reilo said:Shut up, they suck. Live with it.