Sp3eD said:
That is 100% true, and the sad thing this is starting to go to re-records / "alternate" masters too.
While I can understand the sentiment here it also sounds a bit whiny. Do you complain when you go to see a band live because they're not playing it exactly like the album? Would you rather they just DJed their own albums instead? Artists continually perform their own music, this is, many would say, the essential nature of music. An album is simply a snapshot in time and while it has grown to become an important musical medium in it's own right live music is still, in many cases, where the truth of a band lies.
The fact that so many concert venues have absolutely terrible sound and many sound techs mix things horribly (how many concerts have you been to where you could ever make out the vocals to a song you don't already know by heart? how many where everything wasn't all muddily mashed together?) have hurt live music as well as ticket prices where you can't typically afford to go out and see new bands unless you already know them well in advance (hey, The Mother Hips sounded great in Rock Band, but I certainly don't have $22 to see them live). Neither, however, means that live music doesn't matter. With the changes happening in the industry it looks like live music is going to start becoming a lot more important to a lot of artists.
I still think Fugazi did it best: $10 albums, $5 shows (when possible, major cities would often run higher due to expenses). Don't try to screw over your audience (or both your audience and yourself get screwed by your label) in the pursuit of raking in as much money as possible and they'll make it work for you in the end.
Sp3eD said:
They are only going to alienate the fans that try to fake perform and fall flat on their face when it doesn't sound like what they have been listening to for years. That is the sole reason I hate Live versions with an absolute passion.
I can see your point, but it's up to personal opinion. In many cases the live versions are vastly superior. In the case of the Live at Leeds tracks it was a landmark album and many of the songs from it ("Summertime Blues", "Young Man Blues") are only on that album because they're covers that were played live.
How about using the incredibly flat version of "I Want You To Want Me" on
In Color compared to the well-known and excellent live version from
At Budokan? It seems that part of your point is that you feel the most well-known version of a song ought to be used, but what about when that version
is live.
I'd also counter that as the game is trying to simulate a live experience should the songs in the game be about you trying to simulate simulating a studio experience?
I don't necessarily want every track to be live, but if they're good tracks I love them just as much and sometimes much more.