Dali said:
The only "skewering" I've read in response to my thoughts was disappointment at it not being something it wasn't. Not my fault people had some sort of preconcieved notion what the series was going to be.
Having a preconceived notion of what the series is meant to be (drama/comedy/commentary/fantasy) or whatever is rather different from having a preconceived notion that a series should attempt to set and maintain some kind of tone.
Sometimes a show will set a tone which will be followed every episode without fail, in which case it's the tone of the series. At other times, a show might have episodes with different tones, e.g. the comedy episode, the serious episode, the romantic episode.
But when you have a show where the tone flicks between scenes and where there is no attempt at a skilled transition between moods then you have a show with an inconsistent tone.
This causes a problem because the viewer doesn't know how they are supposed to feel about a certain event. If it's light-hearted, then a shoot-out may be fairly wacky, with lots of tomfoolery. If it's serious, then people might get killed. If a show hasn't alerted the viewer to what the tone of the scene is in some fashion then they won't know how to feel when the scene takes place.
Dali said:
The only time it switches between moods quickly is when neesa is involved, but if the change is jarring or feels inconsistent then I guess you completely missed how everyone was affected by her throughout the series.
Even this is incorrect because the tone fluxuates quite severely in the first episode which is, bad the very end, Nessa free.