Hope this arc goes down as smoothly as the one that's wrapping up.
Other than trolling, I don't understand the CR business model for anime on Steam.
Steam used to sell downloads of movies, but went to streaming instead. So you're basically buying a streaming movie that's DRMed with Steam...I really don't get the idea of paying a fixed price for temporary access to a stream for a show. Now selling subs within Steam, I'd get that. Or selling episodes you could download ala iTunes or Google Play.
I really don't get the idea of paying a fixed price for temporary access to a stream for a show. Now selling subs within Steam, I'd get that. Or selling episodes you could download ala iTunes or Google Play.
I wonder if Valve has promised that videos will still be in your account after the publisher loses the rights, like with games that have been delisted.Don't think the streams you buy expire so might be nice to get a particular show you like there without fear of it being kicked off CR someday. Alternatively, you might want to have access to the show without having to keep your CR membership going.
I'm talking about, you know, authorities. The one teacher you get in the "prequel" (or One Shot, based on the manga) is pretty terrible. But then again I've read that schools don't really have guidance counselors or mental health professionals, so yeah. It's more a larger comment about a society where suicide is rampant enough where there's an actual "suicide forest" and no one seems to know what to do about it.
In an ideal world, both kids would have gotten actual intervention instead of pity for Nishimiya and being turned into a pariah for Ishida.
Well, that's my problem - with K-On, Yoshida/Yamada clearly knew to throw out the manga and just do whatever they wanted to do. They could have done the same and cut several characters. At best, you could keep Ishida's "BFF" to show him making a friend, and Ueno to show a spectre of his past haunting him. Characters like Sasahara add nothing to the film and are there because they were in the manga.
The part where she goes apologizing to everyone didn't work for me in the film because it felt like they were just plot devices to enable Nishimiya's growth and healing.I would disagree that Sahara added nothing to the film; as few scenes as she had, she provided a good perspective on someone who was trying to be kind and reach out to others but wasn't able to stand up against the onslaught of her peers in the way she wanted. The scene where Shoko tells her that even if she hadn't yet been able to change, "You can change from now on," is one of my favorite in the entire film, and a way of driving home the central theme of the constant striving for personal change even when it seems impossible.
His arc fits in with the rest of the other characters in terms of the social isolation they all feel and adds a different perspective, particularly since he's the outsider who can see the dynamics of the group. You get a tiny bit of that with the bridge scene, but if you deleted him it probably wouldn't have changed the film all that much.Kawai's boyfriend is the only side character who didn't seem to have any major individual purpose in the film, owing mainly to his absence from the childhood portion of the story, but that's not a big deal from my perspective. I think it's OK if there are some characters in a film who don't have their own character arcs.
My Hero Academia S2 13
Has a character ever known himself as well as Bakugo? I think not.
And why all the women in this series are so tiny?
Baku is a simple man. If he sees something, he explodes it.
The part where she goes apologizing to everyone didn't work for me in the film because it felt like they were just plot devices to enable Nishimiya's growth and healing.
I don't think you even really get a full understanding of why Ueno cares about Ishida, to the point of being allowed to basically stand by his bedside and guard his room from outsiders. Heck, the first time Ishida's mom meets Ueno, she's beating the shit out of Nishimiya and her mom, so why would she let her stay with Ishida every day?
His arc fits in with the rest of the other characters in terms of the social isolation they all feel and adds a different perspective, particularly since he's the outsider who can see the dynamics of the group. You get a tiny bit of that with the bridge scene, but if you deleted him it probably wouldn't have changed the film all that much.
There was also that bit where Ueno forces Ishida to meet with the other kid that they used to hang out with in elementary school that is also underdeveloped and serves to only further Ishida's character. Which may be fine, but knowing that he has an arc too doesn't help.
I think you could probably contract the cast to Ishida and Nishimiya's families and you'd have a much stronger film.
Wait if the next cour starts on the 8th, is there not a new ep next week?
Hope this arc goes down as smoothly as the one that's wrapping up.
Speaking of anime, I finally watched something so my streak of watching something every season is still alive.
Yeah it's Koe no Katachi, but whatever. lol
First and foremost, and this has nothing to do with the film itself, but teachers must be horrible people if they fail their charges in such tremendous fashion. I think I'm more sensitive to it now than when I first read the manga a couple of years ago, because there was just another teen suicide in Canada a few days ago due in large part to online bullying. (What's worse is that this is the THIRD teen suicide in the school district for the year, so teachers in the entire city are failing to properly support their students).
The manga is about the children coming to terms with their own isolation, but the adults are just terrible and I almost wonder if their complete absence from the text is in and of itself a condemnation of a social system that chooses to ignore those who "make trouble". Hell, you basically have two characters who consistently skip school and no one seems to care.
SARABA CHIKYUU
As for Blue Gender, even watching the JP/EN OP is enough to convince me
Only mecha fans make the best recommendations....
Another episode of Meteora repeating what we know and stretching it over most of the episode. At least Alice got somewhat developed after all her stupid choices, and their final plans for a big battle are set.
Kado took a shounen battle anime then find/replaced "battle" with "negotiate".
Eromanga Hate watch nakama is foundEromanga-Sensei - #12 (END)
Who needs character development when you can devote half of the final episode to Sagiri and Elf wanting to strip the MC down to look at his junk and make sure she's drawing it right for an eromanga? It's like the previous episode focused on their past, but the final one didn't even bother trying to bring at least some closure to the story.
...But then again, I guess the production team realized that nobody could be watching it for the story, but rather for the cringe-inducing "comedy".
I'd say that the bookstore girl appears to be the only sane-ish character in the whole cast, and it would've been kind of interesting for the group dynamics to have her as a romantic love interest for the MC that was not downright jailbait. That reminds me that I don't actually remember any harem series where a love interest was getting close to the MC for anything but love, and it'd actually be interesting to have some girl chase after him for a shot at fame and fortune or something.
The only thing that actually changed for this final episode were the ending credits, and certainly not in a good way.
I also stand corrected: This series istrashgoing to hell, and so am I.
Eromanga Hate watch nakama is found
That said, one thing they introduced here doesn't make much sense to me.It may be a bit of an stretch to make that her power and no one else's, but I won't complain since there's sign of actual progress and interesting ideas going forward.Why is Altair able to get powers from fan creations that are shared on the Internet? If it's because her creator's dead, wouldn't it stand to reason that any creation who's creator died could receive the same advantage, even though Megane doesn't appear to have gained anything by killing her creator as of yet?
What do I need to watch for Garo? Just the first series?
First series and movie.
Hmm... for a show which spends so much time trying to explain how it works with an aim to incorporate as much meta-commentary as possible, that seems like the most flimsy excuse to allow Altair to have as many powers as possible. It's not a deal breaker, but it feels like they might've wanted to rethink that concept because unlike getting new powers thanks to the social acceptance of the creators' ideas, this method is a far less concrete mechanism, narratively speaking.It was already mentioned in a previous episode that secondary creations are incorporated into the original world, as long as they don't clash too heavily with the "logic" of that world. In that case then they'd split into separate worlds. I guess Altair's world is vague due to her nature of originating from some music video, which allows extra parts to be easily added to it.
Granblue Fantasy 13: Another Sky
F2P Gran makes way for the whaling Djeeta
Soooo much fanservice from the game. Otherwise, it's a pretty ho-hum episode.
Feeling kind of bad for those who are missing out on the easter eggs.
I suppose this is going to be subjective, because I didn't see the others as characters at all. The manga is a faded memory in my mind, so it's not like I remember all the details, but I think there's a clear hierarchy of characters... if this was a BioWare RPG, then Ishida is the main character, Nishimiya is the love interest, and the other characters are the quest givers with a few lines of dialog.All the characters have sufficiently distinct personalities and desires that it's not appropriate to consider them nothing but plot devices.
I thought it was pretty clear why Ueno cares about Ishida - the two of them were the cool kids in the elementary school classroom until Shoko came in and ruined everything.
You don't really get that they are friends in any meaningful way. They literally have one outing together as a group that we see, so other than being tied to the lead characters' pasts, there's nothing that separates them from the other people with Xs on their faces. I just think the lack of depth with the supporting cast is readily apparent, regardless of whether you have knowledge of the source material or not. But again, that's just how I felt when I was watching the latter half of the film.Yeah, this is what I was getting at. I can understand being frustrated that parts of the manga you really liked are absent from the film, but I don't think their omission/contraction materially hurts the film on its own merits.
I'm sure you could make a strong film like that, but it would have to be a very different one from the one that Yamada made. The entire trajectory of the film is from Shoya feeling isolated and worthless at the start to the incredible catharsis of the final scene at the school festival where he drops his defenses, truly looks at all the people around them, and sees both that he is not alone and that the world is truly beautiful. If Shoko and her sister were the only people Shoya interacted with over the course of that film, that catharsis and revelation would not work. You'd need some different kind of dramatic arc in that case.
Socialization is good, but it feels like teachers aren't prepared or properly trained to deal with problems that arise with children. It's all pedagogy and theories about learning, which is fine, but when kids find a girl and start posting vile things about her on her Facebook page, all your pedagogical theory doesn't mean a thing.With the internet today I have to wonder if the current Monday-Friday public system is become more of a burden than a help. I can understand the need for a public place of gathering for children but I have to wonder if children are being too overwhelmed. Home schooling is sounding like something that makes more and more sense today. Obviously not for everyone, but likely a benefit for many.
I can't get over Marc Maron being the neurotic sarcastic Jewish guy he basically presents himself as all the time. lolOne episode into GLOW and its already better than like the last 20 episodes of tiger mask. And i like tiger mask but sorry mate this other shows stealing your thunder.
Edit: Holy fuck second episode and they're doing miscarriage story-lines. Confirmed best wrasslin show. Get fucked ibushi.
Knowing that the absolute dumpster fire known as Ero-manga sensei is ending today, fills my heart with such joy. All is right in the world again.
So they changed the MC to FeMC just because it was a beach episode? Wow.