ResurrectedContrarian
Suffers with mild autism
It's certainly the best thing from the entire Kurtzman era of Trek, with zero competition... but I'm by no means happy with it or willing to accept this as canon.Seasons 1 & 2 of Picard are fucking garbage. Season 3 so far has been great. You can either cling to your understandable hate of the first two seasons, or let it go and enjoy what it shaping up to be a much, much better one - probably the best since Ds9 ended. The holodeck bar is based on the one Guinan opened after TNG, as far as I’m concerned. I never watched season 2, so I don’t have a problem with it.
Things I like:
- Riker feels like himself most of the time, as it's great to see him take charge as captain, feels natural;
- Worf feels mostly like himself, about as well as we could hope in this darker universe;
- the LCARS interfaces of the panels look great, as do the shots of ships in space; all around the special effects design is good
- music is also great
- relatively little trendy chasing after mind-numbingly obvious current-day political fads this time, refreshing after previous seasons
Thing I despise:
- childish use of profanity, with Picard uttering lines he would never speak as the actual character. You can call this minor, but it's extremely offputting. Some of the writers are obviously from the generation that thinks having the F-bomb dropped is just a natural cool thing Picard might do when relaxing and older, but no, it irreconcilably clashes with the original character in every possible way, and it repulses me that such puerile writers are in charge of this character now
- childish use of violence, as if they watched too much GOT or something. It's not nearly as bad as previous seasons, but Worf decapitating the Ferengi was almost the exact same shot and timing as the Elnor decapitation in season 1, so someone on the staff just can't let this nonsense go; and they still glorify violence as being badass in a way that TNG never did, like the camera and general style trying to convince us that Seven and Crusher are empowered women since we see them pulverize multiple people with disrupters
- idiotic forced character drama which doesn't understand the original characters at all. Crusher's whole drama of "I had to keep our son secret since you have a target on your back" was bizarre, irrational, and completely ruins the character. They wanted to bring in a Wrath of Khan story here but failed by assigning it to characters where it doesn't fit. Or take Picard's bizarrely out of character "we must fight, Will!" moment when he insisted on an idiotic tactical move against a more powerful foe; they obviously wrote that out of desire for a conflict between the two fo them, but gave Picard motivations that are completely out of character for him in every possible way.
- really the entire subplot of Picard's son is a mess, I find it implausible and cheap, and even the young actor is giving us nothing of interest here;
- overall, the desire to bring us a TOS-movie production with TNG characters is a mistake, as is their entire orientation towards cheap drama and character conflict which TNG very distinctly avoided
- there are still many hallmarks of Kurtzman-Trek and seasons 1&2 here. Examples include the need for fated mysteries (seek the "red lady" etc) and the whole Raffi underworld subplot, when clearly she has no business being on this season
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