Tokyo Marble Chocolate- fin
So at duckroll's suggestion, I decided to watch this two part OVA to get a sense of Shiotani's directing style in prep for PP. I went in expecting some sort of experimental and cheap OVA(judging by the character art in the music video) and instead I found a really nice-looking,well-directed, and emotion driven story. The main story is about a couple, Chizuru and Yudai, and essentially the communication break-down between the two. What's interesting is that the OVA takes essentially one story and breaks it down into two episodes, each detailing a particular perspective (a shitty example of this would be the opening episode of Tasogare Otome x Amnesia). What made this fascinating to watch was small peculiar details in each episode that you think is weird however when shown as a whole, it makes perfect sense. An example is when you see the main male lead move in a particularly weird way in the first episode and in the second episode(from his POV) you see why he did that. Small little quirks like that add to the replayability and are kinda fun to catch your first playthrough.
There's a particular visual component I want to mention before I get to the 'camera' angles and whatnot. That aspect is the color scheme. I'm not sure who to praise on this, either the art director(Shinchiro Kobayashi) or the director (Shiotani), however it was done in a very elegant manner. Red representing the female and blue for the male. As such each color is repeated throughout the episode both in the colors the leads are wearing as well as in the background. One notable exception is above with the man in the car, as that was in the second episode, however it still works as the man above is interested in Chizuru. The reason these colors work so well is because it represents the personalities of both Chizuru and Yudai. Chizuru is more aggressive and passionate, thus it logically makes sense her color would be red. Yudai however is a colder,personality-wise, individual and so is represented by blue. It's a nice little visual spark that helps to separate the two OVAs.
Now this was the part I was most interested in as I'm wondering about the style Shiotani uses visually. He doesn't use pretty much any close-up facial shots compared to say Shaft. The only notable exception being this:
He instead seems to focus a bit further back and on the scenery. He also likes two types of shots in particular from above and below. He seems to like his shots at an angle, you can see this in one of the screenshots above(the one where the camera is at table-level). Some of the shots do seem a bit gratuitous in that they didn't serve a particular purpose other than to show off a bit. This one however is not an example of that:
This is a great POV shot that is supposed to demonstrate the MC's fear of heights. It also reminded me of a similar shot in the 8-minute long Last Dark trailer where the camera is at ground height and something is moving towards the character. Shiotani likes his POV shots. Another really cool trick he used was to show time lapsing, he subtly changed the lighting in a quick three-shot.
I also wanted to quickly point out Kyoji Asano's work as well in this as he did a notable job. Scenes where there was a lot of motion are very well animated and there doesn't seem to be that much jank. It seems both Shiotani and Asano like shots of the male lead running down the street.
Anyway I think looking at the OVA gave me a clear idea of both Shiotani and Asano's styles.