Spotify actually helps me get even more money to the artists I like, I suppose. I have a subscription to Spotify, but still end up buying pretty much everything that I love. I own pretty much all of my top 20 and a few more albums from just this year. I buy more albums than anyone I've ever met in life. Even though I buy everything, I end up doing probably 90% of my listening on Spotify anyway, mostly because of the ease of scrobbling (I have to listen on the go in my car a LOT). So they get the money from me buying the albums, money from every time I stream anything on the album I've already bought, and then concerts and merch. My big favorite artists I tend to buy their big deluxe editions that I know they get a good chunk of money from. Unfortunately I don't tend to go to a lot of concerts, but that's mostly because I live in an area almost no one I listen to seems to want to tour. Fucking Wisconsin...
Music is a strange thing, though, and a strange industry. The only time I've ever met anyone that spends money on music, it seems, is on the internet. Maybe it's my area, but no one buys cds.... ever. Music is a thing they experience on the radio or wherever they happen to be. It's something passing. It's something in the background. If they really want to hear a song they'll go to YouTube and hear it once, but listening to a song isn't something people I met really do.
That's part of the problem, and part of why people only want to spend on spotify. It's a passive for them. They use spotify because they don't really actually care too much. They want to have something on in the background while they do other shit. If it spotify didn't exist I don't think they'd pirate. Most of the people I know in real life wouldn't, anyway. The Pirates I see are actually the people that buy a good amount more. They care enough to actually pirate. The free spotify users don't.
Music is treated so differently culturally than everything else. I think about this often, but with my friends we have movie nights and we talk about movies and people will watch movies out of their comfort zone. Even though I'm not a big movie person I take part in this. There's no music equivalent to this. People don't really talk about music. People are very personal and less open about it but at the same time very casual about it. I think if you want people to care and to pay money for music, the culture needs to change around it. People are fine buying movies and books, for example, so they should be fine buying a cd.
I wonder if radio ruined things faaaaaar before spotify ever came to town. It made music free and passive before all this ever happened. It's something you hear in the background of other shit now.
More on the point of Taylor Swift, I don't really care what she does with her music, mostly because I don't listen to it, but also because an artist should get to decide that sort of thing. If it's not what she thinks it's worth, then that's on her. That sucks for some people, sure, but it's like when an artist puts out a super deluxe edition or a rare cd that's kind of expensive. That sucks, too, but that's what they get to do. What sucks even more about this argument, though, is that I get the picture the record companies are a large part of the problem and no one's really talking about that. It's artist vs spotify, when in reality it's artist vs record company vs spotify.
The freer music becomes, the less of a grip Taylor Swift's brand of commercial trash will have on the masses. Good riddance.
I don't know about this assertion. I feel like the free music via radio and spotify really caters a lot of times to the passive listener, which will then up the listener base for those acts that are more 'mainstream.' They'll pick up more fans this way. I feel like if there was legitimately no way to get free music (or at least very hard, much the same way as movies or something), there would definitely still be those sort of image based pop stars, but things would be evened out. People would want to buy soooome more crafted music.
I mean that the "free" experience pushes the mainstream to recognize these sorts of artists and then it's just a matter of numbers. If even a small percentage buy it, that's a lot of people. I'm including radio in this assumption, too, though.