genjiZERO said:
I dunno. DAD was a pretty straight-forward detective story. thought I BR did a better job of questioning what is means to be considered "human". Just the thought that Deckard could be an android in the film ads a layer of complexity missing from the book.
I apologize for cracking ahead of time but I can't stand to see this kind of shit. I'm fine when people are just praising the visual style of the film, or the music, all of that is great. Blade Runner had some of the best production design in a film ever, and it rightfully inspired the visual style of a whole genre. But the story of the film is the most shallow, colossal bore I have ever seen in my life when compared to the second coming of Christ that every idiot seems to think it is.
The film had no fucking complexity at all; the story was completely boiled down to "waaah discrimination." It completely removed the importance of empathy, emotion, and how those relate to the humanity of the characters. In the film, the androids are a stripper and a bunch of manipulative but ultimately mindless killers. They show no subtlety in their actions, they only show emotion when the plot suddenly lacks any motivation for their actions.
The movie doesn't add the thought that Deckard could be an android, it removes all depth from that struggle in the book and instead just says outright hey Rick is an android. The book provides enough evidence for either Rick being human or android to be proven or disproven. It is up to the reader to decide whether they think Rick is human or not. The entire book was about those contradictions, how humans could behave like androids, how androids could seem like humans, how these contradictions put Ricks entire existence as a bounty hunter into question. The entire meaning of the book was in how nearly every character exhibited both human and inhuman traits.
Oh and that wonderful scene in the movie that everybody loves with the rain and the doves. The dumbest fucking plot hole in the whole movie. Protip: If humans have light speed travel, then they would probably have the technology to either fix up the backwards ass shithole that was earth or else get the fuck off the planet. If they didn't have light speed travel then Roy wouldn't have had to worry about his fucking lifespan if he didn't waste his whole life traveling to Orion to watch a light show. Sure, fine you could say that earth was left behind when the rest of humanity left and learned to travel 800 light years from the planet, not only would it probably not be a good plan to go to the most backwards planet in civilization to get an upgrade, and even if he did his creator would have been long dead.
I didn't expect the film to have much depth, after all the Ridley Scott didn't even have the reading comprehension to finish the 200 page book his film was fucking based on. I would have at least expected him to be able to make something interesting out of the book though. Its sad because the actual action in the book was more exciting, so if they would have just stripped the book of its depth but left the plot you would have had heads exploding, shootouts, reality completely disintegrating and tons of devious mindgames between Deckard and the Androids. The Mission Street Hall of Justice sequence is an amazing and tense bit of storytelling, and the final battle in the book is just brutal. Ridley Scott showed in Alien (which, unlike Blade Runner, is an amazing film on every level) that he knows how to handle tension, pacing, action, and plot twists wonderfully. All of those things were present in the book and I'm sure would have been awesome when combined with the skill of the art department and the skill that Scott shows when he is actually making a movie that is worth a damn.
To sum up:
PhoenixDark said:
Blade Runner sucks, Dick's novel is amazing.
Also, JP the book is better, but that film is one of the best adaptations around, and still has never and probably will never be surpassed in terms of special effects.