Neffarias_Bredd
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I wanna be spiderman
I wanna be spiderman
But there was such a huge jump from Connors wanting to heal himself to Connors wanting to heal the humanity itself (and the) that makes for just a ridiculous, cartoonish story. It's impossible to take seriously.transformation to lizard-men apparently being the answer to that
I still don't understand howwould make them better or "cure" them? Yes, in Connor's case the transformation helped him since he could regrow his arm. But what about an average human being? How would the transformation help them?transforming people into lizards
I wanna be spiderman
I don't understand the fascination people have with this design. Yep, it's a giant lizard. Nothing particualrly special and contains mo elements that stand out. It's by no means any better or worse than the design in the film.
Agreed.Anyone who doesnt think Elfman's soundtrack is iconic is out of their minds. That IS the Spiderman theme beyond the cartoon intro. It's instantly recognizable and it completely fits with the character. If anything it gives him more of an "epic" aura than what Spiderman actually has, but it's super fitting for a movie.
Whenever I hear those strings going crazy as the theme builds up I think of webs tangling. It just works.
The new score is HORRIFIC and there's nothing memorable or fitting about it. I caught myself not even paying attention to it numerous times, and realizing how a different, more prominent score would have made the movie MUCH better. Easily the biggest flaw. By far.
Anyone who doesnt think Elfman's soundtrack is iconic is out of their minds. That IS the Spiderman theme beyond the cartoon intro. It's instantly recognizable and it completely fits with the character. If anything it gives him more of an "epic" aura than what Spiderman actually has, but it's super fitting for a movie.
Whenever I hear those strings going crazy as the theme builds up I think of webs tangling. It just works.
The new score is HORRIFIC and there's nothing memorable or fitting about it. I caught myself not even paying attention to it numerous times, and realizing how a different, more prominent score would have made the movie MUCH better. Easily the biggest flaw. By far.
some of those are pretty nitpicky, animaniacs-esque nerd trivia. You even said you watched the movie several times.Ok off the top of my head (i'll stick with SM2 since i've seen that the most), i'll start with the fusion reactor since it has so many dumb holes.
-the very first live test of this new scientific breakthrough is held in a skyscraper in the middle of down town fucking new york. Makes no sense how a) such a thing would even be allowed and b) a scientist would be dumb enough to do an experiment in anything but a controlled environment.
-clear emphasis on a need to wear goggles or els it would impair his vision, yet there are people standing right behind him with no protection, and then at the end he, peter, and mj are all right in front of a giant version with no issues.
-illogical magnetics where certain metal jewelry pops off and others don't. Not to mention at the end, the metal walls and ceiling are pulled in but the metal floor is in tact. Which is needed so Ock can 'drown' it, or else it would've drowned itself and the whole thing would've been pointless.
-throwing a cab right in the face of your only lead on contacting spider-man. they made emphasis on Ock wanting to send a message to SM through peter, specifically a location. this would've been impossible if pete had died, which should've been likely when you throw a cab right in his face.
-Ock isn't a super human yet he takes punches in the face and body from a guy who can pulverize fucking concrete with one blow. He should've been dead when he gets thrown 50 feet out of the bank and hits a car. Hell, i think the most damage to him was done when Aunt May hit him in the face with her umbrella and he screams in pain, yet all the punching of SM does nothing.
-Speaking which, May not seeing the floor right under her damn feet when dangling by her umbrella on that statues hand.
-this is more of a blooper but when May is at the house packing up and leaving, they hug (after her speech) and from shot to shot, peters head is over a different shoulder of hers each time.
-a BUNCH of costume errors. I've seen the movie so many times it's hard not to notice them anymore. Like all the tears in his suit when he's stopping the train, then totally disappearing later. Or him taking off his mask due to the electric charge/smoke on the right side of his mask inside the eye piece lens, then later on when he is delivered to Harry the mask is pristine. back to the rips in his suit though, at the end scene with Otto, the rips keep changing literally from cut to cut, mid conversation even
-another blooper but it's easy to spot upon second viewing. the kid peter saves in the burning building, when she helps him up you can see her clearly wear huge knee pads under her pj's.
-The end scene where him and MJ web away, apparently swinging on air since there's nothing around them in the middle of that dock
-entire losing his powers plot made no sense. It's supposed to be because of his severe depression that he loses his powers, but if that's the case, they should come back when he's happy, but they stay gone even when he's finally happy, which means he can basically turn them on and off.
-when Ock comes to harry he does this disappearing act where one second he's in one place and the next he's literally 50 feet away. No cuts or anything either, just straight up teleportation.
-another obvious plot hole, how did Harry know where Ock was holding MJ/where his hideout was? Otto never says anything and there's no indicator that harry should know anything about this.
Anyway, thanks for letting me go on this tangent but you asked for it. There's a ton of stuff like this in all the SM movies, from big plot holes to obvious bloopers... so I find it laughable that some are dogging on tiny stuff in ASM like how was he in the car before the burglar or the crane man, and so on, when compared to the other movies this movie is practically clean of cheese.
So interesting how this movie has revitalized love for the Raimi versions...
Horner's score horrific?! Hyperbole much, I've been listening to it for days prior to seeing it and it just stucks in my head, and it fits perfectly in the movie IMO, the main theme is so epic.
I'd understand if hearing it only in the context of the movie is underwhelming because this is the kind of score that truly grew on me, but saying it's shit is ridiculous.
Lizard would have improved so much by giving him the snout and not talking... I kinda expected to see him with the ridiculous face at first, but then he'd devolve even more and get the snout and become the classic Lizard.
I didn't feel that was an issue at all, tbh. It seemed obvious that his reptilian mind took over, and couple that with his desire to cure everyone, it felt logical. That's the story in the comics as well, btw, so perhaps that's why it seemed obvious to me (but I don't think so). I always thought it was the whole 'draconian mind' taking over. That wasn't the issue with the Lizard in this movie, imo.Connors went from "I want to use science to fix my arm" to "I want to use science towithout much of an explanation in between. I'm sure there was some cut stuff that would have called back to Peter's father, using science for the betterment of mankind, "if you have the means you have a moral obligation to exercise it" (or whatever the movie's variation of The Line was), etc. But there was such a huge jump from Connors wanting to heal himself to Connors wanting to heal the humanity itself (and theturn everyone into lizards because they're better!") that makes for just a ridiculous, cartoonish story. It's impossible to take seriously.transformation to lizard-men apparently being the answer to that
Didn't you see the bit where he's talking to the camera about everything it would cure, such as eyesight? Basically it would cure every human ailment, along with diseases.I still don't understand howwould make them better or "cure" them? Yes, in Connor's case the transformation helped him since he could regrow his arm. But what about an average human being? How would the transformation help them?transforming people into lizards
Yup, it's hilariously depressing that the 'worst' part of the movie also steals the best score. :lolThe scene actually wasn't as cringe worthy during my second viewing but it's still a horrible scene. And I totally agree with you, the score really only stands out during that scene, it feels almost separate from the rest of the movie it was so good
I won't lie, I had kind of hoped this would happen. But I never in a million years thought it really would happen. I am quite pleased to see the reinvigorated love for Raimi's underrated (oh yes) trilogy cropping up all over the internet!
I didn't feel that was an issue at all, tbh. It seemed obvious that his reptilian mind took over, and couple that with his desire to cure everyone, it felt logical. That's the story in the comics as well, btw, so perhaps that's why it seemed obvious to me (but I don't think so). I always thought it was the whole 'draconian mind' taking over. That wasn't the issue with the Lizard in this movie, imo.
The problem with the whole mutation theory a few people are mentioning in here, is that the changing process in the movie happens multiple times. One of the times he transforms was even cut from the movie (before the random sat ambush). So that whole gradual mutating thing would've have worked.Lizard would have improved so much by giving him the snout and not talking... I kinda expected to see him with the ridiculous face at first, but then he'd devolve even more and get the snout and become the classic Lizard.
Some of them, sure, but someone was asking me to list all the stupid things in SM2 I could think of, so I did.some of those are pretty nitpicky, animaniacs-esque nerd trivia. You even said you watched the movie several times.
Oh and further proving my point, this scene was nowhere to be found in the movie either;
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Oh and further proving my point, this scene was nowhere to be found in the movie either;
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Anyone who doesnt think Elfman's soundtrack is iconic is out of their minds. That IS the Spiderman theme beyond the cartoon intro. It's instantly recognizable and it completely fits with the character. If anything it gives him more of an "epic" aura than what Spiderman actually has, but it's super fitting for a movie.
Oh and further proving my point, this scene was nowhere to be found in the movie either;
![]()
Oh and further proving my point, this scene was nowhere to be found in the movie either;
Yeah obviously it's not as memorable as the Batman or Superman themes. But it's still pretty iconic and NOTICEABLE. I didn't even realize there was a theme in this new film. The entire soundtrack felt non-existent to me.
It bugged the shit out of me that nothing happened with the lizard cops. He pops out of the sewer, he gasses them, they start changing almost IMMEDIATELY...
20 minutes later, they're cured, from the exact same state they were in when we last saw them.
Not really, concept art is done fairly early on. You can't say it was cut if it was never actually filmed, which I don't think his chameleon-like abilities ever were, nor was a bullet shot to his side/stomach.This just furthers the conclusion that a LOT was cut.
The fack.Andrew Garfield is a pretty bad actor.
You have a point with the other crane operators, and I can understand if you find that pretty unbelievable. But I chalk that up to the threat they were facing being more obscure, and Spider-Man being viewed as someone who could stop it. But I don't see Joe Blow Wall Street Banker standing up to a supervillain he just saw rip a train apart.
And I mention the unmasking as opposed to vomit, shit, and piss, because the movie directly discusses the idea that Spider-Man can trust these people with his identity. "It's alright!" Nope, it's not.
It's the face. It's like his body is full blown reptile but head is underdeveloped with mostly human face. Looks shit imo, the voice is even worse.
I don't buy that the other crane guys knew Spidey could stop Lizard, and wanted to help. Shit, unless I missed it, SM isn't even known to NY residents in the movie, other than being called out by Capt Stacy as a threat (or something). So the notion that the crane guys not only viewed Spidey as a (super)hero, able to stop Lizard, but also respected him enough to ignore evacuation orders to move their cranes into place just doesn't jive for me. It all felt completely forced.
But again, I can buy Mr. Crane Master wanting to help Spidey, and asking for help. Just not what followed.
Contrast that with a train full of passengers watching Spidey risk his life to stop their train, passing out afterwards from exhaustion, and they (try to) stand up for him against Doc Oc when Spidey is no longer able to. That's what heroes are supposed to do, inspire the common man. Much more believable.
You really think so? Maybe to the more ardent fans of the films. But if you pulled a casual movie goer off the street, I think they'd recognize John Williams' Superman theme. Or Elfman's Batman theme. But the Spider-Man theme? On a good day they'd probably say "Oh that sounds like that one Tim Burton movie...oh what is it? Willy Wonka?"
There's absolutely nothing iconic or memorable about Elfman's Spider-Man theme.
There's absolutely nothing iconic or memorable about Elfman's Spider-Man theme.
I understand you disliked Raimi's Spiderman films. But this is idiotic hyperbole at its best.