Grizzlyjin
Supersonic, idiotic, disconnecting, not respecting, who would really ever wanna go and top that
Guess Philip and Elizabeth didn't realize how scathing Pastor Tim's diary entry was. Damn.
This week, Thomas speaks with Stephen Schiff, who wrote Episode 510, "Darkroom," about the importance of subtext on the show. Later, she chats with Keri Russell and Matthew Rhys about the episode's shocking third-act development, and prop master Daniel Fischer shares some of the show's behind-the-scenes secrets.
He's not a bastard because of what he wrote about Phillip and Elizabeth. He's a bastard for being duplicitous to Paige. Paige put her faith in him. Sought guidance from him. And he can't even be slightly honest with her. He gives her some spiel about being on the right path when he views her as a lost cause. He's adding to the lies. It's effectively a betrayal.What a fantastic episode - that wedding had me tearing up and then they followed it with a major punch to the gut. Masterful.
Also, there is officially one full season left of The Americans, y'all. 13 more episodes...
...no he isn't. Everything he wrote in that diary is true.
No, their secret isn't out in the open.
The show isn't really about the FBI agent investigating his KGB neighbors. He suspects them initially but then drops it for the most part and focuses on other things.
It doesn't sound like it would work, creatively, but it does.
Is it?!Yeah, the part that really hits about Tim's diary is that he is way more cognizant of what effect this has had on Paige than her parents do. Ties in fairly neatly with theJ's writing Henry off the show so they don't have to suffer jokes about it anymoreHenry has turned into a Republican plot line. Philip and Elizabeth really do not know their children as well as they like to think they do.
Edit: Shit, now that I think about it, the scene at the end is essentially the EST speech from earlier.
I don't think it's a stretch to interpret the EST speech about enlightenment as a metaphor for what is (or at least should be) actual enlightenment (both of which take place in dark rooms).Is it?!
Counterpoint: Pastor Tim is a good person. I don't really see what he said in the church as lying, per se. While he confesses his deepest fears for Paige in his private diary, I think it's possible those supportive thoughts were also genuine in the same way "relationships" become real for Phil and Liz. Another part of him could believe in her that way.Pastor Tim is a bastard. Paige actually handled having read that far better than most would. And he just lies to her face.
He's not a bastard because of what he wrote about Phillip and Elizabeth. He's a bastard for being duplicitous to Paige. Paige put her faith in him. Sought guidance from him. And he can't even be slightly honest with her. He gives her some spiel about being on the right path when he views her as a lost cause. He's adding to the lies. It's effectively a betrayal.
The roles are switching.
Never really thought of it that way. Nice catch. I need to rewatch this one.I don't think it's a stretch to interpret the EST speech about enlightenment as a metaphor for what is (or at least should be) actual enlightenment (both of which take place in dark rooms).
He's not a bastard because of what he wrote about Phillip and Elizabeth. He's a bastard for being duplicitous to Paige. Paige put her faith in him. Sought guidance from him. And he can't even be slightly honest with her. He gives her some spiel about being on the right path when he views her as a lost cause. He's adding to the lies. It's effectively a betrayal.
The roles are switching.
It's pretty damning when Phil saysThe ones he really lays it on thick are Philip and Elizabeth, because they are treating their daughter terribly.
The fuck? He's right, Paige is irrevocably traumatized by what happened to her and her parents are too brainwashed to realise that she needs help. That he doesn't know the full story is what makes it more telling how badly she is coping with everything.
Not sure I agree with this reading that Pastor Tim is going to be sent to a farm upstate to play with other pastors.Pastor Tim, you idiot. Why would you do any of that? Why would you write brutally honest things like that in your diary and then leave Paige alone in your house? Why would you disguise her identity only by referring to her as P.J.? She is the daughter of spies. You know this. You know it. Of course she was going to snoop around and find your little diary. What did you expect? What was your endgame here, my man? Why even commit it to paper? Were you afraid youd forget about the psychologically-ravaged teenage child of secret KGB officers who you let babysit your infant? Wheres the upside in any of this? Just think those thoughts and then move along. No paper trail. Its like youve never seen a movie. Jesus.
And heres the other thing: That plan, the one Philip and Elizabeth floated to Paige about sending Pastor Tim away? Yeah did you see their faces in that darkroom as the pictures were developing? Those were not send him away peacefully faces. Those were protective mama and papa bear faces. Those were How dare he say that about our daughter? faces. Those were murder faces.
The whole situation is complicated by Tims wife and evidence she may or may not know and/or have secured in a protected location in the event something happens to him, but Ive got to believe theyll find a way around that. Pastor Tim goofed and now he has to die. Thats how this works.
The fuck? He's right, Paige is irrevocably traumatized by what happened to her and her parents are too brainwashed to realise that she needs help. That he doesn't know the full story is what makes it more telling how badly she is coping with everything.
I don't know, that's where I've always thought this was going to go. Maybe the whole thing is botched by the center (or it's intentional) but his death will set Paige off and spur a lot of the remaining conflict of the series. Or solidify her life as a spy. Gonna be fun.- Warming Glow's always entertaining feature: ‘The Americans' Anxiety Report: Oh, Pastor Tim, You Just Messed Up BadNot sure I agree with this reading that Pastor Tim is going to be sent to a farm upstate to play with other pastors.
Yep. Gotta be coming. Gotta be where it's all leading. With some Stan on the trail for good measure, I hope.Speaking of who doesn't know who someone else really is, I wonder if we'll see Paige eventually finding out who her parents really are: murderers, predators, and literal homewreckers. Right now she only knows about the lying and selfless devotees to a failing, duplicitous country. The dam has to break at some point. Probably in the final season after they brainwash her some more?
I will just say that I very strongly disagree that finding out your parents work for a foreign government is worse than being sexually abused.
I just can't imagine Philip and Elizabeth doing it unless they're backed into a corner by him. (Having the Center do it without Philip and Liz's consent makes more sense.) It sounded like they were all on board with the relocation project given their discussion with Claudia earlier. I know the diary has pushed them further, but I think Philip would have a tough time buying into that plan at this point and Paige would inevitably figure it out.I don't know, that's where I've always thought this was going to go. Maybe the whole thing is botched by the center (or it's intentional) but his death will set Paige off and spur a lot of the remaining conflict of the series. Or solidify her life as a spy. Gonna be fun.
I didn't take as direct a response to that inevitability from this episode as that writer did, though, so maybe that's what you meant. I can see Phil realizing he's right and Liz doubling-down on the "got to go" front.
Unfortunately for Pastor Tim that sexual abuse line is definitely gonna drive Liz into murder-death mode, Pastor Tim's survival rate for this season took a bit hit.
As it should. The whole Pastor Tim plotline is one that has never sat well with me. There is no way the Centre would have let him live after he threatened to expose the Jennings. They are a 20 year investment for the KGB. Does anyone really think they would risk that and spare Pastor Tim just so that Paige's feelings don't get hurt? The decision wouldn't even be in the parents' hands.
Considering they wanted to develop her? Yes. If they killed Pastor Time, they would have no shot at recruiting her.
As he should, he and his wife are evil.I know that Phillip definitely feels like a monster.
The show's cause would definitely be helped if they had depicted Paige as talented enough to be worth all this effort from the Center.
Show, don't tell.
Isn't the point that she's not? Her value is that she's actually American through birth and lived in the country her entire life, not any aptitude toward covert ops or especially coping with being a spy.
Isn't the point that she's not? Her value is that she's actually American through birth and lived in the country her entire life, not any aptitude toward covert ops or especially coping with being a spy.
So the point here is that the Center is wasting resources and just made a bad assessment on Paige? I haven't gotten that sense and there hasn't been a payoff for that that I've seen.
What "resources" are really being spent on Paige though? Isn't it just Phillip and Elizabeth's time so far?
Dyatkovo
A surprise assignment from the Centre divides Philip and Elizabeth, forcing them into a moment of profound crisis. Stan gives Henry a tour of the FBI -- but will he see too much?
For a show like FXs drama THE AMERICANS, the sounds and music woven into each scene must convey more than any words written in the episode as the characters frequently communicate with a single look or with unspoken agreement. Thus, those wordless scenes rely upon a gifted and skilled composer to craft a sound that still evokes and supplements the underlying emotion. Composer Nathan Barr excels in this craftsmanship and deserves credit for seamlessly tying such emotionally charged scenes together and the result is a superb listening experience while the viewing audience watches mesmerized in every episode of THE AMERICANS. In an exclusive interview, Nathan shares what it is like composing for THE AMERICANS, as well as his other current television shows THE SON and SNEAKY PETE.
Hey, I just saw his name in the credits of this awful J. Lo movie.
Nudity!?!
How many are left?