Alrighty, wanted to get a night's sleep before saying my thoughts. First off, this is a completely absorbing film from start to finish but it doesn't have the immediacy and forward motion in filmmaking that the rest of PTA's films have. After the first act, there are many scenes that are ponderous and dive into the relationship of these two men. While that's the primary story and throughline here, Scientology plays a much bigger part than I was led to believe. We see meetings, hear PSH's writings and dive pretty deep into certain beliefs.
I'll also say this is a much more straightforward film than I figured based on all the early reviews. It's about a war veteran who is struggling to find something meaningful in life and links up with someone enticing in nearly every aspect and they form a relationship. There's a few narrative jumps here and there in flashbacks, but other than that what you get is what you see. I'm eager for my second viewing this Friday just to experience the story and performances again, but not because I didn't think I grasped PTA's intentions or vision on a first viewing.
Joaquin Phoenix is incredible every second of the film, playing a twitchy ostrich-like character. PSH is stand-out as expected and Amy Adams has a very, very minor role so don't expect much, but she is good. There's a specific scene between Phoenix and PSH that is outstanding, one of the most gripping I've seen, period. 70mm was glorious and the filmmaking has more of a hazy feel like it was a film from the 70s then something completely pristine, which I liked. I'll go into more as others get a chance to see, and I see it again, but whereas I thought PTA's other films enraptured you with brisk pacing and stunningly crafted sequences, this one is more free-form and reflective so it didn't hit me quite as hard as his others on a first view. Oh, also the film is pretty hilarious which I didn't expect at all. Yeah, don't want to go into more since no one has seen it yet but lots to discuss.