I've read Pitchfork (almost) every day for at least a decade. But its "scoring system" is a fucking joke sometimes. This should be BNM.Pitchfork - 8.0; first National album since Alligator not to get bnm
Glowing review, but, in terms of scores, which are presumably not determined by the individual reviewer, Pitchfork continues to seem like they're really looking for a new direction in 2017.
As expected, I love this album.
I've read Pitchfork (almost) every day for at least a decade. But its "scoring system" is a fucking joke sometimes. This should be BNM.
...yet it somehow makes the arbitrarily defined "8.0" range.
More generally, I actually hate the idea of scoring any sort of subjective medium -- books, music, films, tv, games, etc. -- it's just a misleading, vague, imprecise way of assessing art.
Anyway, fucking awesome. Can't wait to see them live in a month!
Numeric scores are outdated for subjective medium.
Pitchfork should adopt double toasted style of ratings -
Better than sex, full price, matinee, rental, some ol bullshit, fuck you!
It's not that at all. It's a very chill album with mainly just one "rocker" song.
Anything better than Pink Rabbits in this record?
No. But that's also a very tall order.Anything better than Pink Rabbits in this record?
To Live in Salt was one of my favorite albums of 2017.
The what, when?!
Anything better than Pink Rabbits in this record?
Anything better than Pink Rabbits in this record?
I can imagine. I introduced my girlfriend to The National after we met and she absolutely adores that song, as do I. It's probably our favourite song. Good to see more love for it.I saw them in Brooklyn a couple years ago and there was a teenage girl next to me who was sobbing hard through that whole song.
I saw them in Brooklyn a couple years ago and there was a teenage girl next to me who was sobbing hard through that whole song.
Pink Rabbits is probably a top 5 National song
Best for me is Bloodbuzz Ohio
What's your full top 5 list?
way too ward to say tbh
1. Bloodbuzz Ohio
2. Slow Show
Pink Rabbits, Cardinal Song, Geese of Beverly Road, Ada, Mistaken for Strangers, Humiliation, and probably others are all in the mix after that
Excellent taste there. Slow Show is definitely my favourite track on Boxer and Geese of Beverly Road is probably my favourite Alligator song. For High Violet I think it's Afraid of Everyone or maybe Sorrow, though Blood Buzz is also and excellent song.way too ward to say tbh
1. Bloodbuzz Ohio
2. Slow Show
Pink Rabbits, Cardinal Song, Geese of Beverly Road, Ada, Mistaken for Strangers, Humiliation, and probably others are all in the mix after that
I can't stand that they keep getting labeled as boring band, but I probably shouldn't care, I much prefer my music to be beautiful and meaningful than exciting. In fact, that's exciting to me.The most boring band that I will never, ever quit. I like the new one more than Trouble. I will play it a bunch! I'm old.
One of my favorites of theirs that I don't see pop up a lot is Daughters of the Soho Riots. I don't really like Alligator, but that and Secret Meeting are far and away that album's standouts for me.
So far I definitely agree that Trouble Will Find Me is better. Guilty Party remains the stand out track for me, with Turtleneck being the one track that just isn't for me.So good, my Vinyl came yesterday so I was able to give a listen.
It's real good. I like Trouble Will Find Me better, but oh man, I could probably listen to the 1-2 punch of Guilty Party & Carin At The Liquor store a million times.
I really, really like Alligator (although maybe that's a bit of nostalgia talking), so I disagree that there's only a few standouts on it, but Mr. November also has to be a standout, surely? That hook is electric. One of the best closing tracks of any album ever, I'd wager.
I agree that Daughters of the Soho Riots is pretty underrated.
So far I definitely agree that Trouble Will Find Me is better. Guilty Party remains the stand out track for me, with Turtleneck being the one track that just isn't for me.
Turtleneck definitely seems to be the most polarizing track on the album. I absolutely hate it. It seems to be going for the same shouting and frantic feel of Abel and the end of Slipping Husband but it completely misses the mark in my opinion.
Missing the mark of being the same as old songs or misses the mark of being a good song on its own free of context?
Don't worry. You'll grow to love it.
Both. It seems like it's trying to take the screaming and rawness of some of their past songs and make something new out of it. But to me it doesn't seem like they got it right with this song.