Grados mostly makes on ears (supra aural headphones... Is that what you're talking about?My Sennheiser Adidas failed and I'm in need for some travel-friendly over-ears (thinK Grados) or preferably in-ear headphones in the sub-$200 range (preferably lower end). I've got a pair of HD555s that I use when I *need* decent sound at home, and have a nice hi-fi setup, so I'm not looking for THE BEST HEADPHONE EVER, but I need something that's comparable to the Sennheisers. Mostly used without any amplification (iPhone, 3DS, Switch, etc). Any recommendations?
Grados mostly makes on ears (supra aural headphones... Is that what you're talking about?
No. I mean something like their SR line that isn't anywhere near as gargantuan as an AT or Sennheiser or whatever phone that rests over ears.
I don't think I have an ear to distinguish decent two hundred dollar DACs from the thousand dollar ones so I'll never to worry about going down that rabbit hole.
Welp, tried my new B&O H7 last night. It does a "humming" sound while in BT. It can only be heard when playing something at low volume since the BT connection stops when nothing plays, but it's there, and very much irritating on such a pricey model.
I've tried on two devices, same issue. It's a very "electric" sound, so my guess is that there is an isolation default on the BT chip ...
Yeah it definitely shouldn't be doing that. Sounds like a defect, which I know is irritating on a brand new product.
Welp, tried my new B&O H7 last night. It does a "humming" sound while in BT. It can only be heard when playing something at low volume since the BT connection stops when nothing plays, but it's there, and very much irritating on such a pricey model.
I've tried on two devices, same issue. It's a very "electric" sound, so my guess is that there is an isolation default on the BT chip ...
yeah I have an H7 as well and it isn't a defect, this is how it is, can be very irritating for sure.
I've looked at some other forums and many people claim that theirs don't do this sound at all.
Guess I'll see if I can have it replaced.
I also finally received my fa-011's today from Russia. I am listening to them right now and they are pure hilarity. They are probably about as far from neutral as you could possibly be but man are they fun. Kicking, thumping, rumbling bass and some very sweet, rolled off mids and highs seem to be the name of the game. But they have their own tone. They don't sound much like anything else that I have tried and that is a very good thing. I like unique and boy are these unique.
A strange thing happened in the last week or so. I've been liking my Modi Multibit so much that I decided to really dive down the rabbit hole in terms of what a really great DAC could do for my setup.
I've been salivating over a Schiit Gungnir Multibit but had two problems with it. 1) the price, at $1250 was more than I wanted to pay and 2) the look. I know it sounds shallow but giant slabs of silver colored aluminum don't exactly match anything else in my room.
Sound is always the #1 priority but the price and the look have to fall into line also, especially as the price increases. A silver modi multibit is fine at $250. A silver Gumby at $1250 is not as fine.
Anyway, through my reading and searching I found a private seller on Audiogon selling a PS Audio PerfectWave MkII (Black) for a very good price. I took a look at my budget for the next month or so and made him a good offer and he accepted! (Funnily enough, a week ago I didn't even know who PS Audio were or what a PerfectWave was. Back in 2013 when the MkII launched it was close to a $4k DAC while good used ones generally go for around $1500 these days. I ended up paying somewhat less than the price of a new Gumby!)
I honestly don't know what to expect. The Mimby redefined sound quality for me and I am hoping that the PerfectWave will do the same thing as well as provide an even greater and more detailed canvas for the ZMF Eikon that I have on order. Either way, exciting times in personal audio land are ahead.
On the off chance that you wind up needing an outlet for your Mimby, I'd definitely be interested.
Really look forward to hearing about the Eikons when those arrive.
Jabronium I will keep you in mind when it comes time to let the Mimby go. It sort of depends on how things go with the PerfectWave.
I am guessing I am going to be April for my Eikon. I'm number 70 in line right now according to the Google doc. that Zach keeps updated and I started out in the low 100's. There's about 20 folks ahead of me that are still waiting on sanding, like me. Zach has his hands full and is keeping busy, that is for sure.
A strange thing happened in the last week or so. I've been liking my Modi Multibit so much that I decided to really dive down the rabbit hole in terms of what a really great DAC could do for my setup.
I've been salivating over a Schiit Gungnir Multibit but had two problems with it. 1) the price, at $1250 was more than I wanted to pay and 2) the look. I know it sounds shallow but giant slabs of silver colored aluminum don't exactly match anything else in my room.
Sound is always the #1 priority but the price and the look have to fall into line also, especially as the price increases. A silver modi multibit is fine at $250. A silver Gumby at $1250 is not as fine.
Anyway, through my reading and searching I found a private seller on Audiogon selling a PS Audio PerfectWave MkII (Black) for a very good price. I took a look at my budget for the next month or so and made him a good offer and he accepted! (Funnily enough, a week ago I didn't even know who PS Audio were or what a PerfectWave was. Back in 2013 when the MkII launched it was close to a $4k DAC while good used ones generally go for around $1500 these days. I ended up paying somewhat less than the price of a new Gumby!)
I honestly don't know what to expect. The Mimby redefined sound quality for me and I am hoping that the PerfectWave will do the same thing as well as provide an even greater and more detailed canvas for the ZMF Eikon that I have on order. Either way, exciting times in personal audio land are ahead.
oh? I hear it pop in and out if there is no audio for like 5 seconds. I assumed that was the case as I read other people experiencing the same thing. If you can get a replacement, then go for it.
Thank you kindly. Very interested to hear impressions about a DAC of the PerfectWave's caliber. Hell, I'm excited for you about the Eikons lol. What wood did you go with?
I use the perfectwave dac mk2, it's a great dac.
Oh cool. Do you have it connected to your PC and if so, what interface are you using? I picked up an ESI Juli@ pci-e version so that I could use the rca spdif output. Reading SBAF has given me USB nervosa even though I hear the perfectwave does a good job with USB.
Received the E-Mu Teaks....extremely impressive.
Thank you, sir. I would be thrilled about the Eikon's even without the PerfectWave but I want to make sure I am feeding them the absolute best quality signal possible and that's what led to the DAC purchase. I went with the Padauk Eikon for purely aesthetic reasons. Padauk is such a cool looking wood.
I got the Teaks...honestly purely for audio reasons, all reviews pointed to the Teak cups being most liquid sounding. Really wanted to go for the Ebony though, just love how Ebony looks.Nice! What cups did you get?
I got the Teaks...honestly purely for audio reasons, all reviews pointed to the Teak cups being most liquid sounding. Really wanted to go for the Ebony though, just love how Ebony looks.
The driver material is magic, very highly resolving...there are a few things on some tracks I hadn't noticed before even with my high end speakers. The soundstage is also very nice and big.
Yeah, I love mine. I usually keep the ebony on just for looks. What amp are you running them through?
I have always been a USB DAC guy, as long as the input is asynchronous, it's the best quality and easiest to manage for me. I built a mini solid state media PC which holds all my digital music, and that's hooked up to the Perfectwave.
I stopped listening to audiophiles after I made my own extremely expensive RCA interconnect cables using Eichmann Bullet plugs and silver/teflon wires, which made no discernible difference to the sound. You got the Lampizator DAC guys go on and on about how their DAC is the best and the most perfect DAC ever and so forth. For me the $2000 - $3000 pricepoint is where it's at. I can definitely differentiate between equipment, but there's also a hard limit.
If you asked my opinion I would have told you to buy the Mytek Brooklyn and called it a day, and not bother with so many different gear for a headphone setup. I just listened to it recently, it is a fantastic piece and has everything one can possibly need.
https://mytekdigital.com/hifi/products/brooklyn/
But enjoy the PWD2, they make very good gear, though I'm gonna upgrade to something else after buying a new pair of speakers.
Nice! What cups did you get?
I've definitely got ZMF's on my end game wishlist but it's going to be a while. What'd you think of the Lyr 2, still using it? I'm considering going to a Jot or Lyr 2 at some point over the summer.
Thank you, I appreciate that. I've just got the PWD2 hooked up tonight and have been listening to it now for about an hour. I am hearing things in my music that I've never heard before. It's a bit spooky. Soundstage is wiiiiiide and everything is super clear. My first impressions are that I am hearing less bass than I am used to but that may just be because the Mimby was somewhat warm?
With this level of gear you have to get used to a flatter, transparent signature. Think about if it's less bass, or more accurate bass, or perhaps your previous DAC had a peak around 50 HZ. I don't know, but those are the questions you want to ask. You want gear to be flat, cause you are buying the headphones to fit your taste in a way.
All the headphones of course sound very different, and people prefer different things, I always preferred a more musical, engaging signature than extreme flatness and accuracy.
Essentially if the DAC is warm, and the headphone amp is also warm, it can become too much of a good thing.
The Lyr 2 with the right tubes is fantastic. I bought a lightly used pair of 1975 Reflektor "HG" Silver Shields from a member on Head-Fi and they are amazing. They make everything sound better and more musical. The Lyr 2 with stock tubes is just ok. It has a lot of power and is very quiet but for best sound quality you want good tubes.
The LISST is also a pretty good option for it. Not as good as the 75 Reflektor tubes but certainly an upgrade from the stock tubes. LISST makes the Lyr 2 a 100% solid state amp and gives it a noticeable increase in slam.
Yes, I think this is much more transparent and it is going to take some getting used to. It's essentially putting a microscope on the music itself, for better or for worse. I pulled up a couple of tracks that have strong lower bass and the bass itself was very clean, clear and accurate, so there's no problem there.
I actually found a local Lyr 2 for sale last night, so I'll be picking that up next weekend when I'm back home. Looking forward to it.
A good track to test bass is "Flight of the Cosmic Hippo" by Bela Fleck. And for holographic imaging, check out "Key to the Highway" by BB King and Eric Clapton.
My favourite bass test track
https://www.youtube.com/watch?v=qI6PKMfkgYk
If this ain't slammin' I don't want it.
EMU teaks won't be here till tuesday. Damn long weekends.
Man I hate those to each his ownPicked up a pair of Sennheiser CX3.00 to tide me over until I can try out some higher end IEM before buying, and man I still like these. I've only tried the CX300 ii before and always thought they were fun. I'd compare these to the Shure SE215 easily.
But the tip is just slightly too large and uncomfortable while the next size down is too small. What are my best options to fix this?
A good track to test bass is "Flight of the Cosmic Hippo" by Bela Fleck. And for holographic imaging, check out "Key to the Highway" by BB King and Eric Clapton.
My favourite bass test track
https://www.youtube.com/watch?v=qI6PKMfkgYk
If this ain't slammin' I don't want it.
EMU teaks won't be here till tuesday. Damn long weekends.
Dat bass
Please do yourself and find a higher quality version of you're gonna check it out, but here's my bass test track:
Bass Outlaws - 3 Kinds of Bass
For an actual song, my first go to is usually:
Recondite - Jaded
Man I hate those to each his own
Even at their price range overall clarity is abysmal, they still have terrible microphonics which I can deal with if the IEMs sound good, and though they have a good amount of bass anything that calls for sub levels is really muddy to me.Just curious, what do you hate? Maybe I just can't notice bad sound quality. As long as it fills up my head with solid sound and bass when I'm high, I'm happy. I want to get those wooden ones you suggested but I really need to try them out first before I drop that kind of money on IEMs
Even at their price range overall clarity is abysmal, they still have terrible microphonics which I can deal with if the IEMs sound good, and though they have a good amount of bass anything that calls for sub levels is really muddy to me.
Was talking about the cx300 ii, guess there's a new model?... Okay my fault never heard thoseYou're talking about the 3.00 right? Because these at least sound more clear than the CX300 before it, at least to me. Microphonics are bad though, but I've never had a pair with good microphonics so I'm just used to it at this point
130 bucks to fix my old cans... thinking about getting a pair of DT 770 250ohms... solid plan?