Gary Whitta
Member
I don't know, I'll ask...DreamMachine said:What does the inner circle of the movie world think of him? I figure you have first hand knowledge
I don't know, I'll ask...DreamMachine said:What does the inner circle of the movie world think of him? I figure you have first hand knowledge
Never. Not a single time I can recall. I don't hate all his writing, but it's embarassingly predictable. At least with A.O. Scott or other critics I'm excited to hear their opinion because I could never guess.Zzoram said:Has Armond ever written a FIRST review, or does he always wait until the consensus is in so he can disagree with it?
juicy. dish!Buckethead said:Hmm I wonder who else saw this statement before the edit.
just your standard run of the mill popcorn movie for the masses. it was ok i guess but nowhere near as good as the wooly sweater by glen hauserbachen. vampires suck was much more successful at conveying the feeling of loneliness and its social commentary was much more biting.Gary Whitta said:Armond :lol :lol :lol :lol :lol :lol :lol
You're mistaken. Armond watches a movie 12 times before reviewing it. He then spends time analyzing what he saw in context of Formalist Film Theory as a direct reflection of what François Truffaut described as "redeeming of cinema". After the philosophical underpinnings of the protagonists are contextualized, Sir Armond proceeds to dissect their motivations to base factors. The factors should be the embodiment of the Protagonist's unfulfilled desires, which form the base of any movie according to Lacanian film theory, of which Sir Armond is an ardent supporter of. If Sire Armond for any reason sees a discontinuity through his detailed analysis, he will be compelled to be more critical of the movie. Sir Armond then smokes pipe and finally writes his review.Expendable. said:Never. Not a single time I can recall. I don't hate all his writing, but it's embarassingly predictable. At least with A.O. Scott or other critics I'm excited to hear their opinion because I could never guess.
i didn't, but i assume something racist? if so, smh. i want people sporting lost avatars to be classier.Buckethead said:Hmm I wonder who else saw this statement before the edit.
Expendable. said:Never. Not a single time I can recall. I don't hate all his writing, but it's embarassingly predictable. At least with A.O. Scott or other critics I'm excited to hear their opinion because I could never guess.
Spoo said:So, if Armond White gave it a bad review, does this mean Ebert will give it 4 stars? Since Ebert is a troll and all?
PS: Seriously, White's reviews are about on par with a philosophy major from a bad university. Horrid stuff.
90% of those 3000 comments are from one spammer, though...Inferno313 said:3000+ comments to 2000+.
Armond's being overthrown, guys. :lol
NYR said:90% of those 3000 comments are from one spammer, though...
Doesn't make you big Fincher fan then. A big fan is someone who give the product/element/entity created by someone a chance and judges the product/element/entity after experiencing it.Mr. Sam said:I'm a big Fincher fan but my hype meter is at zero for this one.
Jason's Ultimatum said:Is there a lot of sex in this movie? Not that I'm a prude, but I really find it distracting to the point where it becomes unnecessary when it comes to a lot of movies.
Expendable. said:none.
shagg_187 said:Doesn't make you big Fincher fan then. A big fan is someone who give the product/element/entity created by someone a chance and judges the product/element/entity after experiencing it.
Shall I quote "this is neogaf.gif" for you?Mr. Sam said:OK, thanks.
I like David Fincher as a director, think several of his movies are modern classics, think that the way he uses CGI is, frankly, the best and most effective way to use CGI (see Zodiac, Benjamin Button) and - even if I don't like certain films of his - find elements that I feel should be imitated in nearly all his works, but I'm not a fan of his because I'm not hyped for The Social Network.
You shouldn't read everyones posts as if they are raging though.SnakeswithLasers said:Watching GAF complain about critics--especially for games and movies you haven't even experienced for yourselves yet--is one of the most satisfying parts of the internet for me, even though it makes me want to shake some sense into my monitor for displaying such babble.
Why is it important to you? Why should everyone love this movie?Souldriver said:You shouldn't read everyones posts as if they are raging though.
My experience: clicking this thread several times over the past few days, going to rottentomatoes to find out the rating, seeing that it stays at 100%, doing to same today and seeing it's down to 97%, thinking "huh, White must've written his review", finding out I'm right.
Did I say it is important to me? You are assuming things that aren't true. I'm not (emotionally) invested in this movie, nor in movies in general, and rarely partake in movie discussions on gaf. I'm just keeping an eye on the ratings and review of this movie, because this movie seems to surprise a lot of people, me included, with its quality. I see it holds a 100% rating on rottentomatoes for a while, and suddenly it's down. I assume White posted his review, I find out I'm right as I just made a very educated guess.otake said:Why is it important to you? Why should everyone love this movie?
verbum said:This Week In Google on the TWIT network talked about the movie. Leo Laporte and Jeff Jarvis both said they were looking forward to seeing it (for the director's work and the story) but were disappointed afterward. Kind of a "meh" rating.
http://twit.tv/
otake said:Why is it important to you? Why should everyone love this movie?
Mr. Sam said:OK, thanks.
I like David Fincher as a director, think several of his movies are modern classics, think that the way he uses CGI is, frankly, the best and most effective way to use CGI (see Zodiac, Benjamin Button) and - even if I don't like certain films of his - find elements that I feel should be imitated in nearly all his works, but I'm not a fan of his because I'm not hyped for The Social Network.
The Soundworks Collection frequently presents featurettes exploring the sound work done on upcoming features and today's profile on The Social Network discusses at least one aspect of the sound mix that is particularly excellent.
With that long intro, I give you sound re-recording mixer and supervisor sound editor Ren Kylce and sound re-recording mixer Michael Semanick as they talk about the sound design and mixing of The Social Network as well as mixing the Trent Reznor and Atticus Ross into the film.
G.O.O. said:Gosh.
Neogaf : ignoring movies from great directors if the subject doesn't catch our interest. Hyping digital releases of 20 year old remakes.
LM4sure said:I suppose I'm a Fincher fan, so I'm interested in seeing the film, but the subject matter doesn't interest me really. It feels like the movie was made too soon too. Isn't a lot of this drama still playing out?
The reason I brought up the RT score thing is because I had never heard of RT till neogaf, nor did I care. In fact, I don't know anyone that cares. People are usually very calm about liking or disliking movies. I don't understand why a movie has to have a high RT score. If the person liked it, that should be good enough.
I'm not interested in the subject, yet I trust Fincher to turn it into something interesting. The RT scores proves that he must have succeeded somewhere.otake said:Ummmm yeah. Why watch a movie if the subject doesn't interest you? Because of the director? You're asking a lot from people seeking entertainment.
The reason I brought up the RT score thing is because I had never heard of RT till neogaf, nor did I care. In fact, I don't know anyone that cares. People are usually very calm about liking or disliking movies. I don't understand why a movie has to have a high RT score. If the person liked it, that should be good enough.
Littleberu said:you can like something that's terrible
CassSept said:Could this be a sleeper hit of the year?
Though I seriously doubt these comparisons to Citizen Kane. Then again, who am I to judge a movie before seeing it?
Well, I'll hold my opinion until I see it (two more weeks, it's released here on 15th Oct), but basing on the reviews so far I don't think most of people expected it to be THAT good. I know it's Fincher and all, but subject matter didn't sound too exciting.Expendable. said:Sleeper hit? It's from one of the top directors in Hollywood capturing the entire essence of this generation. It's fantastic and will be a top contender come award season and likely do quite well at the box office.
As for Citizen Kane, none of the comparisons I've read have anything to do with quality. Here is a good breakdown.
Expendable. said:Sleeper hit? It's from one of the top directors in Hollywood capturing the entire essence of this generation. It's fantastic and will be a top contender come award season and likely do quite well at the box office.
As for Citizen Kane, none of the comparisons I've read have anything to do with quality. Here is a good breakdown.
Jason's Ultimatum said:Fucking great. Now you pissed me off.
Sarcasm? I know it's going to be a great movie but I've seen the original and I'm in no mood to see a remake, atleast not in theater.Solo said:Im actually more hyped to check out Let Me In - I knew a Fincher outing would be great, but overwhelming praise for a remake (that no one wanted, no less) of a 2-year old sacred cow catches my interest a lot more.