In discussion with HarperCollins, we chose to document Tolkiens art for The Lord of the Rings in its entirety, as we had earlier his art for The Hobbit, to the extent that it survives and is known to us or to its curators. It was always clear that The Art of The Lord of the Rings would be a longer book than The Art of The Hobbit, though when we began we couldnt guess how long it would be, and as we worked, more images came to light than were on our initial list. Our new book will be 240 pages long, compared with 144 pages for The Art of The Hobbit, and will contain 182 pieces of artwork (plus 11 details), all of it in colour, versus 104 pieces (with 2 sets of details) for our earlier book. In appearance, the new volume will be similar in design to The Art of The Hobbit, in a large square format, but this time with no gatefolds as they didnt seem warranted. HarperCollins are working on a handsome binding and slipcase design, shown here in mockup.
Of the art in the new book, 101 images are previously unpublished, and of the other 81 pictures, 42 will be published in colour for the first time. These range in size from a tiny coil-like drawing within a manuscript, just two lines of script high, which depicts the overlapping walls of Caras Galadhon, to the First Map of Middle-earth, an elaborate working copy made with several sheets glued together and measuring 455 × 499 mm. The resolution of the scans we received from Marquette and from the Bodleian Library, Oxford the two primary collections of Tolkiens art is uniformly high. And since we tend to show artwork in context, our reproductions will present new examples of Tolkiens handwriting, of the Elvish languages, and of variant inscriptions in Tengwar and Cirth.