I think the conversation between the writer and the woman in charge (don't have names memorized yet) implied that there is a much larger goal of the company and its research than just Westworld or various other amusements. I wouldn't be surprised if it was revealed later that Hosts are, and have been, out in the real world for some time.
I get the feeling the park is a "Beta" or a cover for a more mainstream roll-out of these artificial humans.
More insane than curing all diseases? This seems to be a pretty far future Earth, so an underwater habitat might be normal in this eraSo my underwater guess was right, it looks like. The logistics of that are more insane than the idea of the synthetic Hosts.
Picture-in-pictureGuys, we may have a problem, the debates on Sunday are on at 9pm, same as this.... I really don't know which I'm gonna watch
I think the AI becoming fully sentient thing will *hopefully* be a slow burn while they bring other subplots to the forefront.Just finished watching on GO, pretty decent. Will have to tune in to a few more episodes before I can pass judgement on it though but one question I've got is that if the AI are evolving beyond their code then how long before the playground is no longer a part of the story and it just takes place in the real world? If it becomes a big enough issue then they would shut it down, or, guests would no longer want to take the trip. Essentially leaving the whole Westworld behind.
Watch the one with the robots.Guys, we may have a problem, the debates on Sunday are on at 9pm, same as this.... I really don't know which I'm gonna watch
I'm pretty sure advanced ai and lifelike androids are pretty common in this would. I mean the parks been around for 30 plus years. No way a theme park would have exclusive use of the tech for that long, assuming they invented it in the first place.
Watch the one with the robots.
The sound on Westworld I assume, it'll make more sensePicture-in-picture
LOLWatch the one with the robots.
More insane than curing all diseases? This seems to be a pretty far future Earth, so an underwater habitat might be normal in this era
Picture-in-picture
I'm pretty sure advanced ai and lifelike androids are pretty common in this would. I mean the parks been around for 30 plus years. No way a theme park would have exclusive use of the tech for that long, assuming they invented it in the first place.
Just imagine all power grab possibilities if you were able to produce android you can't apart from its human counterpart and then replicate everything from body language to memories. Suddenly you are able to replace e.g. President with your puppet.
Us for italicsI don't think that Delores is based off of someone close to Ford. I get the idea that he might have based the first robot after someone close to him, but why would he keep them in commission knowing that a park guest could do [italics]anything[/italics] to her. Also, was that an abandoned mall where the "cold storage" was? Is the world outwide of Westworld somewhat dystopian? Is that why people come to the park? Just a few thoughts
I don't think that Delores is based off of someone close to Ford. I get the idea that he might have based the first robot after someone close to him, but why would he keep them in commission knowing that a park guest could do anything to her. Also, was that an abandoned mall where the "cold storage" was? Is the world of Westworld somewhat dystopian? Is that why people come to the park? Just a few thoughts
Comments like that make me wonder how or if this tech is used in the rest of the world. Like I don't imagine they've kept their advancements contained for 30+ years. One would imagine that military versions probably exist to replace soldiers or versions are used for manual/menial labor.Sure, but the writer explicitly says that they could have a cheaper product that creates more satisfied customers if, instead of making the noticeably inhuman hosts more human, they made them even less so. The woman in charge says that she wants to create a worse, more expensive product so long as it can better pass for a human.
So yeah, I have to imagine the endgame is something like this.
Eh....most of those either revolve around neo-Western settings or advanced robots
I don't think that Delores is based off of someone close to Ford. I get the idea that he might have based the first robot after someone close to him, but why would he keep them in commission knowing that a park guest could do anything to her? Also, was that an abandoned mall where the "cold storage" was? Is the world outside of Westworld somewhat dystopian? Is that why people come to the park? Just a few thoughts
So my underwater guess was right, it looks like. The logistics of that are more insane than the idea of the synthetic Hosts.
Comments like that make me wonder how or if this tech is used in the rest of the world. Like I don't imagine they've kept their advancements contained for 30+ years. One would imagine that military versions probably exist to replace soldiers or versions are used for manual/menial labor.
Based on what?
I mean, I might have missed an interview, but if it was underwater I'd expect them to be a *lot* more worried about the flooding on level 83.
I think that's the endgame the head of security referred to - they're planning on executing the Futureworld plot with robots.
Based on what?
I mean, I might have missed an interview, but if it was underwater I'd expect them to be a *lot* more worried about the flooding on level 83.
I think that's the endgame the head of security referred to - they're planning on executing the Futureworld plot with robots.
The full details are above, but the gist is:
-Terraforming means even though it looks like Utah, it's not actually Utah.
-The instructions to guests include mentions of visiting their nearest Port Authority, which indicates you take a ship of some kind, so it either involves space or ocean travel.
- It also mentions decompression when leaving the park, which may or may not be literal.
More insane than curing all diseases?
I'm still gunning for a giant space station connected to an orbital elevator angle. It still fits all the conditions!
- How Cinematographer Paul Cameron Created the Look of Westworlds Sci-Fi WesternThe player piano itself is a kind of robot, playing songs on demand at preprogrammed moments, presumably controlled by the humans at command central. (Although, in actuality, by Westworld's showrunner, Jonathan Nolan.) Sometimes, as in the show's premiere episode, the player piano will repeat the show's theme, just as the other robotic hosts repeat scripted dialogue on their narrative loops. "It's like Groundhog Day," Djawadi said. "You get the great shot of the player spinning up, and then the shot of Teddy in the train starting up again, and you get the theme each time he walks into the saloon."
But at other times in the loop, the player piano starts to play a reduction of "Black Hole Sun," or lead into an orchestral version of "Paint It Black," which underscores the unsettling truth about the saloon and the park it's not the Wild West, but a re-creation of it. Even if a guest tries to become immersed in this world, the music will undermine it. "What's so great about using these pieces instead of the score is that they are known melodies, which enhances the idea that this is all scripted," Djawadi said. "'Paint It Black' happens during a really big action scene, and it has all these great ups and downs the shooting, the talking and so I bring it down and then back up a bit, which was a lot of fun to arrange for the orchestra."
- Westworlds Evan Rachel Wood Studied the Singularity to Prepare for Her PartWhat kind of look were going for with the backstage scenes in the control room?
It was a combination of the starkness of 2001 or A Clockwork Orange for the upper floors, and then the bottom floor is Slaughterhouse-Five. We wanted to feel like there was a certain kind of timelessness to the operations center. When you watch this ten years from now, it's still going to feel familiar.
In the show, the operations center is 17 floors: there's manufacturing, there's the diagnostic center, there's the behavioral center. That's actually all done on one set that gets recycled. It's probably 100 by 60 feet, and it's all glass walls. It's a fabulous idea except that, if you can imagine, when you turn on a light, it's like having 500 mirrors. You see every single light, every single reflection. But with help from the production designer, we were able to put this kind of concrete ceiling above the set, and behind it I could have the lights repositioned very quickly, with diffusion that come straight down through the ceiling.
What about camera movement?
We wanted to add an element of mechanical camera moves to everything, to give the shots this robotic feel. We tried to keep it very subtle, but you'll see, even in aerial shots, it might be tracking along and you'll just see this definitive pan left for no reason whatsoever. Or on the ground, if we were doing a Steadicam shot, it would be a very forceful pan left or right, or go up or down in a particular moment. The concept of these camera movements is that they're done in the back room where the characters are watching the 3-D map of the park, and operating cameras to watch the characters in the park.
More via the links.When Westworld showrunners Jonathan Nolan and Lisa Joy recruited you for the show, what did they tell you about it and about your character?
They let me know that she could be compared to a Disney princess at first. She is the quintessential farm girl, the girl next door. So, of course, the people that come to Westworld to wreak havoc just want to take advantage of her and torture her. The heroes want to come to save her, which we'll explore more. There's also beautiful parts about Westworld. But that's just her character build. Underneath that, she's a highly intelligent superhuman. Now that we know she's the oldest host in the park, that also means she has the most history with everyone. Dolores is full of surprises, let's just say that.
And did they give you a reading list or a viewing list to prep?
Not really. Jonah [Nolan] and Lisa are incredibly well-versed in the technology. But I talked to some futurists and I devoured TED talks and I read a lot of Ray Kurzweil. The Singularity Is Near sort of became my Stanislavski-actor handbook.
That might be a first for a screen actor.
It kind of predicts and breaks down what a sentient being might look like in the future and how they would work. I used that a lot.
Was there a specific passage or idea in there that really helped you get into Dolores?
Certain things that you wouldn't think about. The things that they would be able to detect in a human being that we wouldn't, like a bead of sweat or certain body language. They would be programmed to be able to read people incredibly well, which the hosts in Westworld also are that's why they're so good at being tailor-made to a guest and to an experience. That I found really fascinating.
Along those lines, how did you figure out how to act like a robot without coming across as a cliché?
Jonah and I realized that the more subtle the transitions were and the more lifelike the robots were, the more unsettling it was. Rather than us being kind of pop-and-lock-y and over the top and cartoony about it. It's the things that make them human which make it the most scary. Filming those scenes we call it analysis mode when they're in this sort of examination, it's like they're dreaming. We just go into this meditative state. I actually fell asleep during one of those scenes once because I had to be so still and zoned out. Not blinking. It's like actor Olympics. She's my favorite character I've ever played, really.
Comments like that make me wonder how or if this tech is used in the rest of the world. Like I don't imagine they've kept their advancements contained for 30+ years. One would imagine that military versions probably exist to replace soldiers or versions are used for manual/menial labor.
I'll say this (in addition to the fact that I really enjoyed the first episode): the pilot has me thinking about the show more than any pilot I can remember.
I'm still gunning for a giant space station connected to an orbital elevator angle. It still fits all the conditions!
Why was the cold storage sub-level flooded?
The full details are above, but the gist is:
- The instructions to guests include mentions of visiting their nearest Port Authority, .
Also mentioned having to "chart a course" to the park. That's more maritime lingo, but apply to either water or space-basedPort Authority can mean any type of travel or transportation hub, which would include buses, trains, planes, ships, etc.
there are two schools of thought:
1 - he was told the command which shuts them down (which is said a couple of times earlier in the show); or
2 - he was whispered a command that will turn him into a violent machine at a later date
3 - He told them something that makes them question their purpose, in turn causing them to become self aware.
I say this because I want the hosts to go rogue on their own, they don't need instructions otherwise they're still just robots.
I think the AI becoming fully sentient thing will *hopefully* be a slow burn while they bring other subplots to the forefront.
More via the link.In your heads, how fleshed out is the world that Westworld lives in?
Joy: You mean the outside world?
Yeah, this entire universe youve built.
Joy: Well weve spent a lot of time discussing this and so we did try to create a big mythology and some answers. Its kind of like those Russian nesting dolls, where you pull apart one level and theres another level. We did think about the world outside quite a lot and where the series would go and even how it would end. When we first started thinking about it, I think I was still pregnant at the time. It was funny because I would just sit there like round as a house and we would paper all the walls It was like A Beautiful Mind, leading from one thing to the next. It looked like an insane asylum, and maybe it was.
I have to tell you, we only got through probably an eighth of the wallpaper this season. So theres more story to tell and the bigger world outside is something that we will get to. But what were trying to do is constrain it narratively. Weve chosen a really specific lens even to start the pilot, where youre coming at it from the host perspective. The intention of the show is we play with perspective and we also wanted to personify and really make sure you felt a connection with the host. The way in which the larger world leads in, well try to keep faithful to that, as youre on the journey and youre finding things out along with some of the characters.
By the end of Season 1, how many more questions do you think we will have?
Nolan: Oh boy. Im a big believer when youre designing these shows Not when it comes to social relevance to the show necessarily, but in terms of strict plot developments, Im a big believer in pose some questions and then answer a few of them before you move onto the next set of questions. You dont ever want to run out of engaging questions, but I do believe in it. I watch some shows and some shows that I love where the questions were never answered or they just kept spitting out into the ether so our intention is to have answered a few important questions by the end of the first season, posed a few more interesting ones that then drive the second season.
One of the things thats really fun to tap in with television right now is this sort of explosion, the peak TV moment that were in, people are exploring different modes of storytelling here. But one of the exciting things here is being able to commit upfront to a big, big, big story. Our story is a really big one. Its the story of the origin of a new species on this planet, and being able to tell that in chapters and commit to aggressive moves season-by-season that propel that story upwards and outwards and inwards.
Interview via the link.Some television title sequences are abstract, teasing the audience to unravel their clues. That's certainly how designer Patrick Clair approached his much-acclaimed title for True Detective, but when his team at Elastic was asked to take on Westworld, he decided to take a more explicit approach, condensing the show's own design elements into something both simple and symbolic. From the first shot, when it appears that a sun is rising over a ridge only to reveal that it's the light enabling the creation of a robotic rib cage each image can be two things at once, underlining the theme that nothing is quite as it seems. Clair took us through Elastic's Westworld title design from milk baths to robot sex to explain the deeper meanings.
- NY Mag: The Secrets Behind Westworlds Opening Title SequenceInterview via the link.
- NY Mag: The Secrets Behind Westworlds Opening Title SequenceInterview via the link.
Seems like that yes. Flooding is because of a faulty cooling system they said while exiting the elevator. I take it normally there would be some ice or something due to cold, and that has melted leaving water on the floors.Given that they in in a structure with open air over them, I dont think that's what would be causing the flooding. If this was a giant underwater environment any leaking would likely be coming from the "roof" / sky of the biodome
Most likely leaky plumbing within the structure or related to the busted HVAC they mentioned. They just don't really care about what's going on on level 83 because it isn't in use and my guess would be the hosts will never be recommissioned or else they would be worried about the water damaging the hosts.
Yeeeeeah no haha. Definitely a host, not sure why you'd think otherwise.Thandie Newton's a human. I'm calling it.