Lots of stuff really. But trying to focus on a few albums right now...
Mogwai - Government Commissions
Fuckin' eh right. For those not in the Mogwai know, this is a BBC collection of live recordings, a lot of which were mixed by the recently deceased John Peel. It even features his voice introducing the band at the very start of the record. It features something from every album they've done, and could almost pass as a greatest hits for the band. If you ever wanted an introduction to Mogwai, this would be as good a place to start as any. It captures the ferocity of their music quite well (the godly 18 and a half minute version of "Like Herod"), as well as their peaceful beauty (the melancholy "Cody," which is the only track that actually features lyrics on the album), and their trademark buildups and orgasmic crescendos ("New Paths to Helicon Pt. 1" and "Stop Coming to My House"). The songs are different enough from the album versions to warrant a purchase. I'm only listening to the MP3s right now but will definitely be picking up the disc in the near future. It's Mogwai; they just aren't capable of making a bad album. Not one that these ears have heard anyway. Government Commissions is the perfect record to tide me over until the band's next proper LP. This shit will make you feel like you're floating, flying, falling, and will have you weeping like a little bitch by the end of it in admiration of Mogwai's genius. (Just download "Stop Coming to My House" please)
Interpol - Antics
Not bad. Not bad at all. At this point I don't think it's as good as their first album, but it's still a good follow-up. The keyboard to start the album is perfect, and it just gets better from there. The playing feels a lot more raw and there's more of a swagger to some of the tunes. It seems like Paul Banks' lyrics have even improved a bit too. He's still pretty obsessed with hands, but there aren't as many lyrical "gems" as there were on Turn on the Bright Lights ("Her stories are boring and stuff" anyone?). He adds some more vocal variety too. In terms of the instrumentation, some of the new guitar riffs work, and some of them belong on a basement tape. Really, it's a mostly solid album with only a couple of missteps. I'll keep playing it in my car.
Outside of those two, I'm all about almost anything from Iron and Wine, and have also been listening to M. Ward, Jim Guthrie, Owls, Doves, and British Sea Power.