A mix between Historical Fiction and Fantasy with a great story. More people should read this.
Oh, that.
It was kind of nice... yet also meh. I can't pinpoint the exact issues but it didn't feel very memorable for sure.
A mix between Historical Fiction and Fantasy with a great story. More people should read this.
Raw cotton was America’s most valuable export. It was grown and picked by black slaves. So Mr Baptist, an historian at Cornell University, is not being especially contentious when he says that America owed much of its early growth to the foreign exchange, cheaper raw materials and expanding markets provided by a slave-produced commodity. But he overstates his case when he dismisses “the traditional explanations” for America’s success: its individualistic culture, Puritanism, the lure of open land and high wages, Yankee ingenuity and government policies.
Take, for example, the astonishing increases he cites in both cotton productivity and cotton production. In 1860 a typical slave picked at least three times as much cotton a day as in 1800. In the 1850s cotton production in the southern states doubled to 4m bales and satisfied two-thirds of world consumption. By 1860 the four wealthiest states in the United States, ranked in terms of wealth per white person, were all southern: South Carolina, Mississippi, Louisiana and Georgia.
Mr Baptist cites the testimony of a few slaves to support his view that these rises in productivity were achieved by pickers being driven to work ever harder by a system of “calibrated pain”. The complication here was noted by Hugh Thomas in 1997 in his definitive history, “The Slave Trade”; an historian cannot know whether these few spokesmen adequately speak for all.
Another unexamined factor may also have contributed to rises in productivity. Slaves were valuable property, and much harder and, thanks to the decline in supply from Africa, costlier to replace than, say, the Irish peasants that the iron-masters imported into south Wales in the 19th century. Slave owners surely had a vested interest in keeping their “hands” ever fitter and stronger to pick more cotton. Some of the rise in productivity could have come from better treatment. Unlike Mr Thomas, Mr Baptist has not written an objective history of slavery. Almost all the blacks in his book are victims, almost all the whites villains. This is not history; it is advocacy.
Still listening to The Half has Never Been Told. I think it is brilliant so far. It also got me curious to see what reviews has said about the book, and I found this doozy.
http://www.economist.com/news/books/21615864-how-slaves-built-american-capitalism-blood-cotton
Uhh... Those sound like platitudes rather than a counter argument, and the reviewer does not seem to think about or discuss how all of those 'things' interacted with slavery and cotton production.
Well, what else could increased efficiency and production per slave be a result of? Magic? Christ...
Oh god, oh my god.... WTF did I jut read?
Obviously, The Economist soon offered an apology since the uproar over this pathetic review was apparently pretty big.
I think you see where I’m going. Had the Economist actually engaged the book’s arguments, the reviewer would have had to confront the scary fact that the unrestrained domination of market forces can sometimes amplify existing forms of oppression into something more horrific. No wonder the Economist abandoned its long-standing intellectual commitments in favor of sloppy old paternalism on Sept. 4, because if it hadn’t, Mr./Ms. Anonymous might have had to admit that market fundamentalism doesn’t always provide the best solution for every economic or social problem.
justjohn: It's pretty interesting, though I think it's overly breezy and displays too much handwaving when it comes to the issue of race. If you're looking for a feel-good book about America's rise to economic pre-eminence with a healthy dose of free market capitalist ideology, I suppose you'll like it. It's not really my cup of tea, ideologically speaking, but whatever.
Yeah, it was a serious embarrassment. We even had a topic on GAF about it, which is how I learned about the book! And then we had another topic about its observations. And the author wrote responses to the review here and here, which are fantastic. I think he nails the ideological concerns underpinning the initial review in the first one especially.
And Eric Foner wrote a wonderful review for The New York Times.
That guardian piece just destroys The Economist. Good Stuff.
The Empire of Necessity tries to establish the dependent relationship of slavery to the capitalist revolution of the eighteenth and nineteenth centuries in all of the Americas, north and south, and presumes to use Herman Melville as embodying the moral complexities of that relationship. In other words, there’s a lot going on in the book. But the reviewer seemed only excited to find a few instances confirming that the trans-Atlantic slave system was not universally, 100 percent, absolutely, totally, categorically, “a matter of white villains and black victims.” “As is commonly supposed.” “Blacks,” he or she was happy to report, “profited from the Atlantic slave trade.”
The reviewer then complained about the book’s gloominess: “Unfortunately, the horrors in Mr Grandin’s history are unrelenting. His is a book without heroes. The brave battlers against the gruesome slave business hardly get a look in, although it was they who eventually prevailed.” One might think that “brave battlers” would be a good description of the group of West Africans who led the slave-ship revolt that is the book’s set piece. Having endured horrific captivity and transport, forced not just across the Atlantic but the whole American continent into the Pacific, the deception they managed to pull off under extremely hostile conditions was, I’d say, heroic.
Slavery might not be black or white, but bravery and morality apparently are: whites possess those qualities, a possession that merits historical consideration; blacks don’t, at least according to The Economist. The Empire of Necessity didn’t “credit” William Wilberforce, the white reformist MP, or white abolitionist evangelicals and Quakers, for ending slavery. Nor, the reviewer points out, did I make mention of the British Royal Navy freeing “at least 150,000 west Africans from slave ships during the 19th century.” The book isn’t about abolition, or, for that matter, the British Royal Navy. No matter. “The British historians,” wrote the great historian of slavery, Eric Williams, “wrote as if Britain had introduced Negro slavery solely for the satisfaction of abolishing it.” So too, apparently, anonymous Economist reviewers.
[...]
So a pattern is detected, one reaching back much further than the review of my book. In the 1860s,The Economist stood nearly alone among liberal opinion in Britain in supporting the Confederacy against the Union, all in the name of access to cheap Southern “Blood Cotton” (ironically, the title of the Baptist review) and fear of higher tariffs if the North triumphed. “The Economist was unusual,” writes an historian of English public opinion at the time; “Other journals still regarded slavery as a greater evil than restrictive trade practices.”
Since the Baptist review appeared, only to be quickly withdrawn, other historians, such as Mark Healey, have dug up reviews with similar problems. The Economist seems committed to making sure that white people aren’t taken for total villains and darker-skinned folks held accountable for their share of world’s inequities. It also seems dedicated to make sure the economic system created by slavery is denied its parentage, and on insisting that the miseries that continue to be produced by neoliberal capitalism can only be cured by more neoliberal capitalism. A few years ago, for instance, the magazine upbraided the Laurent Dubois, in his book on the history of Haiti, for, you guessed it, dismissing cultural explanations for the country’s poverty and focusing instead on structural issues. Haitians need to be held responsible for “their society’s underdevelopment,” and the best way to end their misery is to stop clinging to substance production and accommodate themselves to “specialised wage labour for a global market.”
You might also like this piece in The Nation by the author of The Empire of Necessity: Slavery, Freedom, and Deception in the New World, which notes something interesting:
Something something leopard something something spots not changing
I've moved on to the Ware Tetrology by Rudy Rucker. It's as amazing and weird as I remember. I'll do a full review when I finish all four, but Rucker -- a mathematician -- is the wild man of science fiction.
Wait didn't that stuff happen in The Name of the Wind?
I have no doubt that he has read most of everything I have. He has, however, a tendency to footnote those things that support his argument and avoid those that do not. Since he ignores others who have views on the subject, Wilentz is, as usual, being selective without defending his choice.
Prose is for nerds.
Mumei, the writing style for Habation of the Blessed isnt clicking well for me. I can recognize grest writing, and this is it, but the work isnt resonating with mr. What's wrong with me?!
I'll take simple proses, i.e. Sanderson, any day of the week. I'm a simple person when I read those books.
Oh. Well, that's disappointing to hear! But what do you mean by "those books"?
Anyway, I am thoroughly enjoying My Traitor's Heart. I ought to be done with it by now, but I've been working a lot of overtime these past few nights... and rewatching Disney movies... so it hasn't happened yet. But soon! It's riveting, though. I hadn't really known much about South African apartheid beyond vague "oppressive" and "segregated" and "Nelson Mandela in prison for several decades" and so forth. Basically nothing. I found myself tearing up in places reading it.
I had the honor of continuing my misery non-fiction reading with the Congo Wars novel. I really need to read something with simple prose, though I'll continue to power through Habitation of the Blessed (I have a sixteen hour flight in two hours, so I'm hopeful to make a solid dent into it); I'm hoping your other novel clicks with me.
Well, it is a less florid style!
Are you enjoying it at all? I am sort of disappointed if the prose is preventing you from enjoying it. It might seem odd to go back to reading a pitch about the concept after you've already started it, but this is what introduced me to it. Maybe having it reframed it would help, I don't know.
Man, I am way into The Stormlight Archive. Like, ASOIAF amounts of into it. I'm really curious to find out more about the magic system because I'm only halfway through Way of Kings, but I imagine that's something that will get rolled out slowly.
Oh lordy, if you're that into it only halfway through the first book... the second half is quite a ride. That's definitely a series I wish I could experience again for the first time.
I don't hate it. I appreciate its ambitions and the elegance in its writing. But I'm a peasant when it comes to prose (sorry Lolita!). The link makes the story more interesting since I didn't know Prester John was actually a person. I will compete it!
I still argue the final two hundred pages are some of the finest in the fantasy genre.
So I just read Sputnik Sweetheart and South of the Border West of the Sun by Murakami in the last few days and absolutely adore them, would anyone be able to recommend me something similar in feel to those books? For reference I read Norwegian Wood and Colorless Tsukuru Tazaki in December as well as Elephant Vanishes and Blind Willow Sleeeping Woman and loved those too. I did read Hardboiled Wonderland and didn't like it so much so I'm asking around for suggestions before I get to his other books such as Kafka and Wind Up Bird Chronicle.
I also picked up a copy of the Amazing Adventures of Kavalier and Clay on a whim
Well, he wasn't real.
He might have been real! Believe!
I want to believe...
Finished Asimovs Foundation yesterday. It was a let down. To many "talking heads" all the time and nothing seemed to happen :/
Well, it is old "idea scifi", before scifi became more... literate? Uh, something like that.
Old scifi works often just explore concepts, they don't have strong characters or events, or those are very secondary to what the overarching idea behind the work is.
In Foundation's case, it is a story about the the fall of an empire (based on the fall of Rome), and rise of another. It was quite big thing back then.
And no, it hasn't aged that well. I read a couple of the Foundation books some time ago and... yeah.
I'm still sort of interested in the series because I can understand and get the "idea-sci fi thing". Red Mars is somewhat similar in presentation but I guess what made me love that book way more than Foundation is that it had characters you got to follow and know. I've said to myself that if one wants to read sci-fi books one must at least read one from one of the classic authors. Maybe I had too high hopes of Asomiv. I hope I dont get as disappointed later on this spring when I plan to tackle Nivens Ringworld.
Currently reading this coffee table book. I'm impressed at the breadth of games discuss, including relatively obscure gems like Rez and Disgaea, but the copyediting on this is awful. Numerous types, captions that don't relate to the pictures, and some straight up errors (conflating the SuperFX chip for creating Mode 7) but I appreciate that such a book even exist. Video games man.
I can't read this book for too many pages at a time. I've been reading about that one day for over a year now.Still reading Reamde. This is a damn long book.
Oh lordy, if you're that into it only halfway through the first book... the second half is quite a ride. That's definitely a series I wish I could experience again for the first time.
Man, as an agnostic Love Does is going to be hard to read. So much God and Jesus...at least it's short and was free.
Mumei, what did you think of The Safety of Objects?