It's good that the Robert Jackson used India as the basis of Saypuri. But cultural strangeness aren't just really there because so far the saypuris act like american.Can you elaborate on what you mean?
Well someone will inherit his estate and will have a lot of money thrown at him/her.GRRM has said he doesn't want anyone to finish the series if he can't.
It's good that the Robert Jackson used India as the basis of Saypuri. But cultural strangeness aren't just really there because so far the saypuris act like american..Especially Shara's first shown conversation with her aunt and Shara relationship with Vohannes in the past
Maybe I elaborate poorly in my poirly but that's what I don't particularly like so far.
If I remember right, my preference in descending order was 3 > 9 > most of the others > 1. So hopefully 9 will be a nice perk for you as well.That aside, it's still Malazan, with all its associated ups and downs. At this point I can accept that I'm never going to fall in love with the series but I'm so deep in that I'm sure as hell gonna see it through.
600 pages in The Way of Kings by Brandon Sanderson and this book is kicking my ass. Amazing world that I hope makes for 20 books. I want a book that is dedicated to the lore and history alone.
600 pages in The Way of Kings by Brandon Sanderson and this book is kicking my ass. Amazing world that I hope makes for 20 books. I want a book that is dedicated to the lore and history alone.
Last night Mildred, my neighbor on the floor below, masturbated with an oboe. The oboe wheeze and squealed in her vagina.
- Robin Hobb (she could write the political bits pretty well, but might not be capable of dark enough)
Just wait for the last 250 pages. Shit gets real
:/Robin Hobb is wonderful, but her strength is characterization and dialogue. She has written some of the most memorable characters ever in fantasy for me.
:/
Just go start on A Game of Thrones please.
Wow this sounds really interesting. Never heard of The Saga of the Seven Suns before. Despite the lukewarm review I'm definitely adding this to the wishlist. Thanks for sharing your thoughts on it.
Aiii's review
Wrong? No. Disagree? Yes. Assassin's Apprentice is the only book that I regret buying in the last 2~3 years.Is this wrong to say? Loved the characters she created in the Farseer trilogy. (Kettricken in particular) Fool's Errand is also a really great romp. Not a fan of Hobb?
Wrong? No. Disagree? Yes. Assassin's Apprentice is the only book that I regret buying in the last 2~3 years.
Toll the Hounds (Malazan Book of the Fallen #8) by Steven Erikson.
I guess with a series this huge and this dense there is bound to be some section of the story that you just never quite wrap your head around the first time through, and I think the Tiste Andii bits are that section for me. Every time it launches into another esoteric and fragmentary look at Andii history I just have to throw my hands up and admit that I have no clue what in the holy hell is going on.
The protagonist for starters, he's irrational, mopey, not charismatic at all, and didn't really do all that much. To me the only unique thing about the settings is the naming custom, but it's cheesy. I hated the fact that a sizable chunk of the story was dedicated to petty in-fighting (I really can't understand that previous post about the author doing political stuff well), in the face of a seemingly invincible threat. And then there's no resolution to the enemies the book spent the first half building up, sure, it's a planned trilogy(maybe), but I have no interest in going further.Aw man, really? What didn't you like about it?
Half-way through the forth part of Marcel Proust's In Search of Lost Time. I'm surprised that these books are getting thinner as they go. So used to the fantasy-trope of adding 200 pages per book.
They're all more or less the same size, aren't they?
The protagonist for starters, he's irrational, mopey, not charismatic at all, and didn't really do all that much. To me the only unique thing about the settings is the naming custom, but it's cheesy. I hated the fact that a sizable chunk of the story was dedicated to petty in-fighting (I really can't understand that previous post about the author doing political stuff well), in the face of a seemingly invincible threat. And then there's no resolution to the enemies the book spent the first half building up, sure, it's a planned trilogy(maybe), but I have no interest in going further.
The 4th one is 597 pages in the edition I'm reading. Had to do some googling but here are the lengths of the books in the translation I'm reading:
They get shorter. The third one is huge and if I remember properly only 2 chapters.
- 496
- 587
- 665
- 597
- 446
- 301
- 403
It kills me that when people say 'Proust', they are usually referring to Swann's Way. For my money, the last two 'books' are where the payoff is and make Swann's Way pale in comparison.
I've gotten some interesting comments when reading this. Everything from "only read the first book" to "only read the last book" and so far I must say I enjoy the various themes each book presents. It also feels good that I'm past the half-way point, that it's easy sailing from here on out.
Yeah, my post was worded badly. There's nothing wrong with long story arcs, but with me being bored by the book, the book ended on "people did some unimportant things and the big bad is still out there" certainly didn't help.I understand disliking it for some of those reasons, but the fact that there was no resolution to the enemies strikes me as an odd reason. As you say, it's a trilogy. Why would you resolve the seemingly invincible threat in the first book?
When you're less established you basically have to write like that. I think Sanderson would have done it differently if he could have. No publisher will buy a series most of the time so a first book has to stand alone. It might seem like having each book do that seems like a good idea but it seems to me it usually means you spend a whole book dealing with what may ultimately be a trivial issue in the grand scheme of things you want to pursue. I think that works best if you want the series to be a bildungsroman or episodic. Doesn't work that well for what a lot of people seem to want to pursue and i think a lot of times the first book ends up being pretty weak relative to the rest of the series because of that.Yeah, my post was worded badly. There's nothing wrong with long story arcs, but with me being bored by the book, the book ended on "people did some unimportant things and the big bad is still out there" certainly didn't help.
It would be better for Farseer trilogy if the first book could be read as a standalone. Take Mistborn for example, Kelsier's crew spent most of the team dealing with their immediate objectives, with the "higher powers at work" only started to be hinted at the later half of the book, then only at the end, the book revealed there's more to the situation than it seemed. It tried make the readers looking for more, and it worked in my case.
Toll the Hounds (Malazan Book of the Fallen #8) by Steven Erikson.
I guess with a series this huge and this dense there is bound to be some section of the story that you just never quite wrap your head around the first time through, and I think the Tiste Andii bits are that section for me. Every time it launches into another esoteric and fragmentary look at Andii history I just have to throw my hands up and admit that I have no clue what in the holy hell is going on.
That aside, it's still Malazan, with all its associated ups and downs. At this point I can accept that I'm never going to fall in love with the series but I'm so deep in that I'm sure as hell gonna see it through.
I blitzed through the first 3 books of the Lightbringer series by Brent Weeks. I think I read a book every 1.5 days even with work.
Really liked how the main character (but is he really?) is this fat guy with crippling self esteem issues, but the way it's handled doesn't make me hate him as he's not made out to be completely pathetic.
Yeah, my post was worded badly. There's nothing wrong with long story arcs, but with me being bored by the book, the book ended on "people did some unimportant things and the big bad is still out there" certainly didn't help.
It would be better for Farseer trilogy if the first book could be read as a standalone. Take Mistborn for example, Kelsier's crew spent most of the team dealing with their immediate objectives, with the "higher powers at work" only started to be hinted at the later half of the book, then only at the end, the book revealed there's more to the situation than it seemed. It tried make the readers looking for more, and it worked in my case.
"It's not just boring, it's boring and incomplete."I love Hobb. I understand how many people don't, but I find this critique even odder than the previous one
This series has been both awesome and a chore to read. He just has too many characters and too much random shit going on. I really wish it was more focused. I'm on book 9, will finish one of these days. I have to be in a certain mindset when I read these books. I think the series would have been better served had it been about 4 books shorter.
Fantasy authors at a certain threshold of popularity stop being edited, if they were even edited in the first place.
Even if you don't like it, check out The Importance of Being Earnest and the older movie. Not that Dorian Gray is bad.Finished The October Country, by Ray Bradbury earlier today.
Started reading the first two chapters of The Picture of Dorian Gray, by Oscar Wilde.
Even if you don't like it, check out The Importance of Being Earnest and the older movie. Not that Dorian Gray is bad.
Part of this is a weakness of fantasy in general; I don't see a whole lot of rigorous editing going on. Readers expect big books, so there's little incentive for an editor to chop heavily away at something. There is absolutely no way the Malazan books were heavily scrutinized - Erikson's output was simply too great and rapid to have him pour over revisions to the text, and he himself has said he doesn't do them. What's on the page is on the page. Do all fantasy writers get away with that? No, of course not. But I don't think they're necessary getting the screws put to them, either, and it ain't because their writing is uniformly fantastic.
The protagonist for starters, he's irrational, mopey, not charismatic at all, and didn't really do all that much. To me the only unique thing about the settings is the naming custom, but it's cheesy. I hated the fact that a sizable chunk of the story was dedicated to petty in-fighting (I really can't understand that previous post about the author doing political stuff well), in the face of a seemingly invincible threat. And then there's no resolution to the enemies the book spent the first half building up, sure, it's a planned trilogy(maybe), but I have no interest in going further.
Also it's really weird to me that someone said she probably couldn't go dark enough for ASOIAF. Seriously?
"It's not just boring, it's boring and incomplete."
The renderings were realistic, but photo-realistic; he had never replaced Alis camera with a better one, and he tried to make each painting capture that gently fuzzed quality the camera gave everything, as if someone had patted away the top layer of clarity and left behind something kinder than the eye alone would see.