I've been reading the superhero web serial
Worm.
Really enjoying it, although I'm reading in chunks and then taking breaks with other stuff, because it gets to be a little much. Things go from bad to worse pretty frequently in this world. Just finished the Slaughterhouse Nine storyline, which gets pretty damn dark. You can tell the author used to write horror.
There's a lot to like about the story. All the characters, both villain and hero (and anti-hero or anti-villain) have their own goals, their own ideas, their own plans. The story moves forward in a way that feels organic and natural, with characters taking the actions that make sense to them and everything going from there.
I love the huge variety of superpowers. It's not just flying bricks and superspeed (though some of those characters are in there). Even just early on in the first storyline, you've got a guy who progressively transforms as he fights into an incredibly tough dragonlike creature, so you have to beat him quickly; a girl whose power is essentially Sherlock Holmes-level intuition; a girl who can turn nearby dogs into monstrous murderbeasts; a guy who generates clouds of darkness in an area around him. And everyone--well, the smart characters, at least--uses their powers in ways that are creative and clever. Even seemingly minor powers like the ability to trigger reflex movements in other people are used to great effect.
Oh, and our heroine's superpower? The ability to control insects, extending in a several block radius around her. So far, in response to the constantly escalating threats, she hasn't really gotten more powerful or gained any new abilities. She's just thought up more and more clever applications for her single power, enabling her to rise to the challenge. I love this kind of clever usage of a limited toolset. Enough so that I'm trying to do something similar in the story I'm working on now.
There are a few downsides to the story. One, it's
really fucking long. Nearly two million words in total. Thus the occasional breaks for other stuff. Two (sort of a corollary to one), it's not tightly written. It was written as a serial, so the guy didn't exactly go back and do a lot of editing. Everything feels a bit overwritten and stretched out (the Slaughterhouse Nine storyline just kept going and going). Three, the guy didn't start out as a great writer. A lot of the early stuff isn't up to his later standard, and he makes some poor choices in both storytelling and prose early on, though nothing irrevocable. To me the story really hits its stride around Arc 8, Extermination, which is a sizable chunk of story to get through.
I should also mention that one thing I really appreciate is that the author makes use of "wham!" moments far more than cliffhangers. Meaning, he'll end a chapter with a new surprising bit of information that makes the reader excited (or scared) to find out what happens next, rather than a cheesy withholding of information. (One of my favorites: the moment when a character says "hey, no swearing!" and you are
totally shocked.)
I haven't finished it yet--I'm somewhere around halfway through by arcs, not so far by wordcount. But from what I've seen so far, if the author follows through and lives up to what he's promised in these early chapters, it'll be worth the read.