Haven't posted in one of these for a while - I've read recently;
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Dodger by Terry Pratchett - loved this one, a classic Pratchett story even if it is free of the Discworld, with an excellent ensemble of characters. If I had one complaint it's that, while I found the novel to be a good page turner, in the final stages the novel seems to very calmly amble to it's conclusion.
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A Blink of the Screen by Terry Pratchett - a collection of Pratchett's short story work, I wasn't overly enthralled with this. There are few memorable stories, and the Discworld content is disappointingly slim, yet does include an excellent Granny Weatherwax short story that I thoroughly enjoyed.
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King of Thorns by Mark Lawrence - the second book in Lawrence's 'Broken Empire' series, I found this novel to be a great improvement on his début work. While the first book concerned itself with introducing us to the main character of the series, the story felt rough around the edges and overly dark. This time around Lawrence does a much better job, crafting an intriguing story that jumps back and forth through events and builds good anticipation to a sequel, while still managing to feel a complete story in itself.
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Moon Over Soho &
Whispers Underground by Ben Aaranovitch - the second and third entries to Aaranovitch's 'Rivers of London' series. I very much enjoyed the tone of the original, but steered clear of the second after it received middling early reviews. The reception of the third title convinced me to jump back in, and I'm not disappointed I did. Moon Over Soho, the difficult second novel, does feel somewhat rushed and that it's more concerned with setting up events for the third book than telling a great story. Whispers Underground is a return to form, and one that I found hard to put down. Aaranovitch brings a great tone to his world, and really brings his vision of London to life, even if at times the prose falls short of describing the action.
Also, I just finished;
The Continuous Katherine Mortenhoe by D.G. Compton - an excellent, if somewhat forgotten, 70's science fiction novel set in a future where technology has made death by anything other than natural causes extremely rare, and deals with the encroachment of the media into a dying women's final hours. We are led through the story by the titular Katherine Mortenhoe, the woman dying of a terminal disease, Vincent, the TV executive bargaining for the rights to broadcast her death, and Roddie, or 'the man with the TV eyes', the cameraman who chronicles the events, and through those events Compton's disdain for the increasingly pervading touch of the media is forced home, drawing obvious parallels to our own lives that are still pertinent today. The prose is largely excellent, and the story well paced with some nicely drawn characters, but while the themes of the novel are all too evident at the beginning, Compton does an great job of making them seem incidental to the experience of the continuous Katherine Mortenhoe and those that have known her, and come to know her.