Anyway, as far as condescension goes: I don't think so. It makes use of the omniscient narrator (very Victorian), and this narrator regularly addresses the reader directly, comments on what is happening, and so forth. But the narrator speaks to the audience as if the audience is intelligent, and a lot of the commentary is deconstructive or wry commentary about genre conventions that won't make sense unless you make the connections yourself..
You hit the nail on the head. That's all I needed to know. Thank you.
Mm, yes. Just remember, the 'audience' is generally presumed to be a child (though it also addresses comments to adults at times, in a sort of knowing aside); it just assumes that the child happens to be smart and doesn't need to be talked down to. But it's still possible that you might feel condescended to if you're sensitive to that, because you're an adult and the presumed target audience isn't.
I cant wait for the filmGone girl. It's marvellous.
Bought the whole series (Vol 1-6) at a recent Comixology sale.I put all of these on hold at the library, and within a week I had 2 through 6 in my hands. I am still, two weeks later, waiting on volume 1. Ugh.
Ohh. I need to check that out. I loved her fairyland books because of how wonderfully bizarre they were. Would love to see how that works in a more "adult" setting.
If this description (she wrote the article and did the embedded video) sounds interesting, you should love it.
Catherynne M. Valente said:Isnt this a book about a bunch of immortal monsters living in India in 1140 or so, planting cannon-orchards and sheep-trees and messing around with magic stones? Yes, yes it is.
Sold
I am a very bad historian. But I am a very good miserable old man. I sit at the end of the world, close enough to see my shriveled old legs hang over the bony ridge of it. I came so far for gold and light and a story the size of the sky. But I have managed to gather only a basket of ash and a kind of empty sorrow, that the world is not how I wished it to be.
We hoped to find so much in the East, hoped to find a palace of amethyst, a fountain of umblemished water, a gate of ivory. Brushing the frost from our bread, we dreamed, as all monks had since the wonderful Letter appeared, of a king in the East called Prester John, who bore a golden cross on his breast. We whispered and gossiped about him like old women. We told each other that he was strong as a hundred men, that he drank from the Fountain of Youth, that his sceptre held as jewels the petrified eyes of St. Thomas.
In clusters and alone, books of all shapes hung among the pointed leaves, their covers obscenely bright and shining, swollen as peaches, gold and green and cerulean, their pages thick as though with juice, their silver ribbonmarks fluttering in the spiced wind.
I reminded myself: when a book lies unopened it might contain anything in the world, anything imaginable. It therefore, in that pregnant moment before opening, contains everything. Every possibility, both perfect and putrid. Surely such mysteries are the most enticing things You grant us in this mortal mere -- the fruit in the garden, too, was like this. Unknown, and therefore infinite. Eve and her mate swallowed eternity, every possible thing, and made the world between them.
Your Eve was wise John. She knew Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness
Read the Fencer trilogy by KJ Parker this week. Really fine work, absurd, wry, funny stuff.
Is that the first of Parker's work you've read? I've a couple of friends who *love* Parker, but I haven't read anything outside of a few short stories/novellas.
Well, both Alice books fit your description pretty well, so if you haven't, get on those.
I've gotten so many recommendations for Parker, but never been able to get into them. I tried Devices and Desires, and it just... ehhhh. I got maybe halfway through the first one. I dunno.
Totally unrelated, but I'd also like to take this opportunity to thank you, besada, for indirectly introducing me to Soul Coughing. I googled one of your older tags and got blown away by Ruby Vroom.
I'm still rather unclear as to what happened in the last chapter, if anyone wants to shed some light on this for me I'd really appreciate it.
I think that I read something by this author as a kid, but I honestly can't remember the name of it, so I'm going in blind here. Just happened to be sitting in the "featured" rack at the library, so I picked it up.
besada said:I am pleased beyond measure. They are a band (sadly defunct) that never got the attention they deserved.
I think that I read something by this author as a kid, but I honestly can't remember the name of it, so I'm going in blind here. Just happened to be sitting in the "featured" rack at the library, so I picked it up.
Kay is one of my rainy day authors. Whenever I'm in desperate need of a good book, I turn to Kay.
Lock In, by John Scalzi
Lock In, by John Scalzi
It's interesting so far. Seems like it's basically "historical fiction" with the setting being historical China in just about everything but name. I'd guess that making it "almost" historical China he gets to draw on a rich history and setting, but he gets to tweak all the moving bits and characters in a way that other historical fiction novels cannot. Seems like a pretty smart idea to me.
Hey, NOS4A2 readers: did you know there's a comic? Wraith: Welcome to Christmasland is a comic book miniseries written by Joe Hill, illustrated by C. P. Wilson III and published by IDW Publishing. It is a prequel to Hill's 2013 novel NOS4A2 and is partially derived from material cut from the novel.[1
Try Ruckley's Godless World series, starting with Winterbirth. Added bonus is that it's vikings.Maybe this is a good place to ask. I'm looking for a new fantasy series. Something close to Abercrombie and Martin's books in tone. Any suggestions?
Kay is one of my rainy day authors. Whenever I'm in desperate need of a good book, I turn to Kay.
It's interesting so far. Seems like it's basically "historical fiction" with the setting being historical China in just about everything but name. I'd guess that making it "almost" historical China he gets to draw on a rich history and setting, but he gets to tweak all the moving bits and characters in a way that other historical fiction novels cannot. Seems like a pretty smart idea to me.
Kay is amazing. Huge fan.He's described his writing to me as historical fiction with a "quarter turn to the fantastic." Pretty accurate description, really.
Memoirs of an Imaginary Friend is a complete miss for me and I'm struggling to finish it. The point of view from an imaginary friend who can experience and do things outside of a person's imagination strikes me as a bad choice given that the imaginary friend frequently disagrees with its creator or goes places the human has never visited. What? The topic of a boy struggling with autism is very near and dear to my heart as a parent of a four year old on the spectrum, but the story is only tangentially about the boy. He may be the "focus," but more often then not the author takes us on random outings to gas stations and hospitals where the imaginary friend repeats himself over and over and makes bad judgment calls. Unless there's a massive improvement in the final 50 pages, this is a miss.
Try Ruckley's Godless World series, starting with Winterbirth. Added bonus is that it's vikings.
Ahh... Thanks !Hawthorne Abendsen suggests that what's written in The Grashopper Lies Heavy is objective truth, which is meant to make the characters realize that they might be living in a false reality. Furthermore, the same goes for the reader who's to tell the world we know is real and the world of that novel within novel is not?
*high five*
I'm gonna pretend it was my recommendation that set you over the edge.
I've gotten so many recommendations for Parker, but never been able to get into them. I tried Devices and Desires, and it just... ehhhh. I got maybe halfway through the first one. I dunno.
Maybe this is a good place to ask. I'm looking for a new fantasy series. Something close to Abercrombie and Martin's books in tone. Any suggestions?
Finished up The Quantum Thief by Hannu Rajaniemi after a marathon reading session tonight. The story lost me at times, but man if I didn't love every second of it.
Now onto some fantasy with The Mirror Empire by Kameron Hurley.
Great choice! I've got The Mirror Empire ready to go on my Kindle as soon as I finish my current read. Early reviews have been very, very good.
Let us know what you think.
Black Company by Cook.
Malazon by Erikson.
Wheel of Time by Jordan.
Kingkiller Chronicles by Rothfuss (not finished).
Stormlight Archive by Sanderson (not finished)
Great choice! I've got The Mirror Empire ready to go on my Kindle as soon as I finish my current read. Early reviews have been very, very good.
Read both Wheel of Time and Stormlight archive. I haven't been able to get into Malazon. I've started Gardens of the Moon like 4 times. I always lose interest about 100 pages in.
Haven't heard of Black Company. I'll check that out. Thanks
Read the Mistborn trilogy.
So many problems. It's at times very brisk and engaging, especially in the first book, but the overall quality of the writing is atrocious, and declines sharply as it progresses. Maybe 75% of the word count in the second and third books is reiteration of already explained concepts and events. Every time someone uses a power, it is explained all over again. Every time a character has a thought molded by an event at some time prior in the trilogy, the event is described all over again. I have rarely seen such blatant disregard for the reader's ability to retain information.
Beyond that, the author's mormonism rears its ugly head more and more as the trilogy progresses, culminating in full on proxy mormon creation myth with accompanying preaching. Before that point the author's background was just lightly entertaining with the prose's complete absence of profanity and grade school cheek-kissing and sleeping-in-separate-beds romances between adults.
I'm shocked by how popular Brandon Sanderson seems to be, and the near-universal praise of these books on Amazon.
Read the Mistborn trilogy.
So many problems. It's at times very brisk and engaging, especially in the first book, but the overall quality of the writing is atrocious, and declines sharply as it progresses. Maybe 75% of the word count in the second and third books is reiteration of already explained concepts and events. Every time someone uses a power, it is explained all over again. Every time a character has a thought molded by an event at some time prior in the trilogy, the event is described all over again. I have rarely seen such blatant disregard for the reader's ability to retain information.
Beyond that, the author's mormonism rears its ugly head more and more as the trilogy progresses, culminating in full on proxy mormon creation myth with accompanying preaching. Before that point the author's background was just lightly entertaining with the prose's complete absence of profanity and grade school cheek-kissing and sleeping-in-separate-beds romances between adults.
I'm shocked by how popular Brandon Sanderson seems to be, and the near-universal praise of these books on Amazon.