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Winter 2012 Anime Thread 2.22: You Can (Not) Outpost Cajunator

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NewFresh

Member
It's also about DAT HEADTILT.
You cannot simply overlook that. It is a thing of wonder.
Other studios have done similar things but Shaft GAVE IT LIFE.

Ahem...

headtilt_zps876c97a5.jpg


I must be the most hated person on this animegaf then.

So hated that you have circled around to being loved.
 

Reknoc

Member
My experience with SHAFT has been pretty mixed. I enjoyed what I've watched of Madoka, but I really cant stand to watch Sayonara Zetsubou Sensei.
 

Go_Ly_Dow

Member
Madoka - Good

Bakemonogatari - Very good

Nisemonogatari - I cant explain what I feel, but I guess it's entertaining

Denpa - Kill it with fire
 

Noirulus

Member
-The majority of the cast is just annoying (seriously, the worst harem in recent memory)
-MC is dull
-They all have strangely drawn lips
-Ending sucks
-Not enough Erio development
-
the OP sucks

I didn't mind the cast but the show just got mind-numbingly boring halfway through and until the end. I seriously cannot believe they ended it off with a
fucking baseball game.
The dumb rocket-whatever arc was terrible too.

It could've been so much better than it was. At least Meme was a cool character and Erio was super moe.
 

Brazil

Living in the shadow of Amaz
Guilty Crown 21

sE0DV.jpg


Shu was finally right about something.

And he finally decided to act as a freaking protagonist.

The finale's probably going to disappoint. I'm feeling it won't be bad nor good enough to satisfy me.
 

madp

The Light of El Cantare
Whoa now, Daily Lives is good but it's no Gintama.

I tend to exclude long-running series from these sort of generalizations, but since I haven't seen Gintama I still can't comment on it personally.

Brave 10 10:


Here's cajun's weekly dose of Isanami. Now you still don't have to watch the show!

Sooooo,
protect Isanami
plot this week, just like every week. Was disappointed that the
cute flat-chested Iga girl
was actually a
dude who hulks out when the seals on his body are removed. DAMMIT.

Snake bitch has a sister, and she's similarly hideous.
Also, I can't believe that
the show still hasn't hinted at any kind of motive for Ana's betrayal that would redeem her character.
It's not like I expect anything in this terrible show to respect the viewer, but
Ana just turning out to be HURP DURP EVIL
is just extra-shitty.
 

jman2050

Member
I will never accept these lies and slander against Denpa.

Seriously though, it's an acquired taste, certainly not for everyone. Even I can acknowledge that.
 

Makoto

Member
Finished the live action Usagi Drop.

One the biggest problem's with the movie is that for a very long while there is no conflict.
Daikichi and Rin get along from the get-go. While this worked for the anime, it only worked because of the chemistry between the two leads. There is really little chemistry between their live-action counterparts. Who is Rin as a character? 50 minutes in and I still have no idea. Rin in the anime, at times, oozed maturity. The way she held her bag for example or how she would volunteer to read to the other kids in the nursery. She emitted this aura of being older than she really was. This live action Rin does very little to give herself character.
It felt like the story of Daikichi rather than the story of Daikichi and Rin. If I wanted to get really specific then I would say the biggest mistake was downplaying the interaction between Daikichi and Rin at the funeral. That would have gone a longer way in selling me on their connection rather than 40 minutes of unconflicted bonding.

This movie also lacks the heartwarming soundtrack the anime had. In fact, it lacks a soundtrack in general. It's as if the movie is not trying to have a tone.

The problem isn't that filmmakers tried to condense so much source material into 2-hours. Make no mistake, it would have been possible to do. It's that they didn't do it efficiently. (edit) It tried to be a story of Daikichi's struggle as an emerging parent. As a result every other character gets downplayed and it doesn't as at all provide the emotion punch that the anime delivered. I'd go as far as to say that Big Daddy (the movie with Adam Sandler) is a better movie than Usagi Drop. Needless to say though, I wouldn't recommend the live action Usagi Drop.
 

qcf x2

Member
Samurai Champloo 14: The show has been solid so far, but that was some seriously impressive directing/writing. Prodigious.

I'm almost done w/ the series. Not sure what to watch next. Since everything new sucks I may just rewatch Mahoromatic* or something.

*
Yeah, I loved it. So what?
 

Dresden

Member
Guilty Crown 21

sE0DV.jpg


Shu was finally right about something.

And he finally decided to act as a freaking protagonist.

The finale's probably going to disappoint. I'm feeling it won't be bad nor good enough to satisfy me.

Does he acknowledge that all this time he's been chasing the wrong girl?
 

Thoraxes

Member
Guilty Crown 21

sE0DV.jpg


Shu was finally right about something.

And he finally decided to act as a freaking protagonist.

The finale's probably going to disappoint. I'm feeling it won't be bad nor good enough to satisfy me.

She's so pure it hurts (lol Shoe) :lol
 
I tend to exclude long-running series from these sort of generalizations, but since I haven't seen Gintama I still can't comment on it personally.

Brave 10 10:
Was disappointed that the
cute flat-chested Iga girl
was actually a
dude who hulks out when the seals on his body are removed. DAMMIT.
.

I must have zone out and missed that fact, episode was kind of forgettable overall based on the previous ones.
 

sonicmj1

Member
Trapeze 11- END

Yihvs.png

Nakamura has learned from Yuasa well.

I found this episode relatively weak. Using
Yuta's father
as a protagonist was a great idea, and it added another dimension to the show's depiction of mental illness. But he doesn't have much of an arc, and he just winds up seeming like a terrible person, up until his sudden and mostly unprompted ending revelation. I guess things suffered a bit from having to be compressed to include some show-ending material.

I really don't get what the point of the whole "canary" metaphor was here.
People with psychological disorders are like canaries showing the problems in the lives of others? It's an odd view, and to me, it sort of downplays how a disorder affects the individual.
Kind of made the whole thing fall flat.

A show like this isn't very dependent on a high-quality final episode, though. I liked Trapeze a lot. Nakamura is a capable director, and I think that the episodic format coheres into a very solid total work about the different problems that individuals of all kinds face in society. And looking back, it's pretty surprising how well the live-action elements fit with the animation style.

There are some weird mysteries in the series that I never was quite able to figure out
(most particularly the "three forms" of Irabu)
, but I don't really mind. I'm happy I watched it.

That's basically the end of my season, though I'm going to keep following Level E. It was a good experiment, and I'd be interested in doing it again during another slow season.
 

Uchip

Banned
Trapeze 11- END



I found this episode relatively weak. Using
Yuta's father
as a protagonist was a great idea, and it added another dimension to the show's depiction of mental illness. But he doesn't have much of an arc, and he just winds up seeming like a terrible person, up until his sudden and mostly unprompted ending revelation. I guess things suffered a bit from having to be compressed to include some show-ending material.

I really don't get what the point of the whole "canary" metaphor was here.
People with psychological disorders are like canaries showing the problems in the lives of others? It's an odd view, and to me, it sort of downplays how a disorder affects the individual.
Kind of made the whole thing fall flat.

A show like this isn't very dependent on a high-quality final episode, though. I liked Trapeze a lot. Nakamura is a capable director, and I think that the episodic format coheres into a very solid total work about the different problems that individuals of all kinds face in society. And looking back, it's pretty surprising how well the live-action elements fit with the animation style.

There are some weird mysteries in the series that I never was quite able to figure out
(most particularly the "three forms" of Irabu)
, but I don't really mind. I'm happy I watched it.

That's basically the end of my season, though I'm going to keep following Level E. It was a good experiment, and I'd be interested in doing it again during another slow season.

Thats the main problem I had with Trapeze
The actual disorders were downplayed and simpified and often the "cures" made very little sense
 

frostbyte

Member
It couldn't possibly have anything to do with how you express that opinion.

I'm slightly more liberal with my choice of words online. Sorry if I offended anyone though.

Well SHAFT fans tend to be hostile when you try to tell them that everything they think is unique has been done decade(s)+ before and better by other people. Maybe he's just fed up is all.


Yeah that guy too. At least Shinbo stole from Anno before Rebuild happened.

Yep, you hit the nail right on the head. I'm just tired of everyone calling Shibboleth the one true creative force industry while dismissing others like Ikuhara.

But it can mean interest.

It was interesting at first, sure. But Shinbo ends up forcing his 'eccentricities' down your throat. I fail to see how flashing whole paragraphs of text contributes to the anime except for giving the viewer a seizure.

That's not to say all SHAFT techniques are bad or the company is bad to the core. It's just they're overhyped and overpraised.

I do like those head tilts, SHAFT really gave thoae a different definition :p

and on the topic of Shaft OPs, i feel Arakawa Under the Bridge S2 OP was their best, although it's not particularly SHAFT like as others.
 
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