-The majority of the cast is just annoying (seriously, the worst harem in recent memory)
-MC is dull
-They all have strangely drawn lips
-Ending sucks
-Not enough Erio development
-
-The majority of the cast is just annoying (seriously, the worst harem in recent memory)
-MC is dull
-They all have strangely drawn lips
-Ending sucks
-Not enough Erio development
-
I didn't mind the cast but the show just got mind-numbingly boring halfway through and until the end. I seriously cannot believe they ended it off with a
fucking baseball game.
The dumb rocket-whatever arc was terrible too.
It could've been so much better than it was. At least Meme was a cool character and Erio was super moe.
If I were to directly compare the two, I would say that Daily Lives has cleverer writing and stronger voice acting, while Nichijou has way better production values and visual humor.
If I were to directly compare the two, I would say that Daily Lives has cleverer writing and stronger voice acting, while Nichijou has way better production values and visual humor.
One the biggest problem's with the movie is that for a very long while there is no conflict.
Daikichi and Rin get along from the get-go. While this worked for the anime, it only worked because of the chemistry between the two leads. There is really little chemistry between their live-action counterparts. Who is Rin as a character? 50 minutes in and I still have no idea. Rin in the anime, at times, oozed maturity. The way she held her bag for example or how she would volunteer to read to the other kids in the nursery. She emitted this aura of being older than she really was. This live action Rin does very little to give herself character.
It felt like the story of Daikichi rather than the story of Daikichi and Rin. If I wanted to get really specific then I would say the biggest mistake was downplaying the interaction between Daikichi and Rin at the funeral. That would have gone a longer way in selling me on their connection rather than 40 minutes of unconflicted bonding.
This movie also lacks the heartwarming soundtrack the anime had. In fact, it lacks a soundtrack in general. It's as if the movie is not trying to have a tone.
The problem isn't that filmmakers tried to condense so much source material into 2-hours. Make no mistake, it would have been possible to do. It's that they didn't do it efficiently. (edit) It tried to be a story of Daikichi's struggle as an emerging parent. As a result every other character gets downplayed and it doesn't as at all provide the emotion punch that the anime delivered. I'd go as far as to say that Big Daddy (the movie with Adam Sandler) is a better movie than Usagi Drop. Needless to say though, I wouldn't recommend the live action Usagi Drop.
as a protagonist was a great idea, and it added another dimension to the show's depiction of mental illness. But he doesn't have much of an arc, and he just winds up seeming like a terrible person, up until his sudden and mostly unprompted ending revelation. I guess things suffered a bit from having to be compressed to include some show-ending material.
I really don't get what the point of the whole "canary" metaphor was here.
People with psychological disorders are like canaries showing the problems in the lives of others? It's an odd view, and to me, it sort of downplays how a disorder affects the individual.
Kind of made the whole thing fall flat.
A show like this isn't very dependent on a high-quality final episode, though. I liked Trapeze a lot. Nakamura is a capable director, and I think that the episodic format coheres into a very solid total work about the different problems that individuals of all kinds face in society. And looking back, it's pretty surprising how well the live-action elements fit with the animation style.
There are some weird mysteries in the series that I never was quite able to figure out
(most particularly the "three forms" of Irabu)
, but I don't really mind. I'm happy I watched it.
That's basically the end of my season, though I'm going to keep following Level E. It was a good experiment, and I'd be interested in doing it again during another slow season.
as a protagonist was a great idea, and it added another dimension to the show's depiction of mental illness. But he doesn't have much of an arc, and he just winds up seeming like a terrible person, up until his sudden and mostly unprompted ending revelation. I guess things suffered a bit from having to be compressed to include some show-ending material.
I really don't get what the point of the whole "canary" metaphor was here.
People with psychological disorders are like canaries showing the problems in the lives of others? It's an odd view, and to me, it sort of downplays how a disorder affects the individual.
Kind of made the whole thing fall flat.
A show like this isn't very dependent on a high-quality final episode, though. I liked Trapeze a lot. Nakamura is a capable director, and I think that the episodic format coheres into a very solid total work about the different problems that individuals of all kinds face in society. And looking back, it's pretty surprising how well the live-action elements fit with the animation style.
There are some weird mysteries in the series that I never was quite able to figure out
(most particularly the "three forms" of Irabu)
, but I don't really mind. I'm happy I watched it.
That's basically the end of my season, though I'm going to keep following Level E. It was a good experiment, and I'd be interested in doing it again during another slow season.
Well SHAFT fans tend to be hostile when you try to tell them that everything they think is unique has been done decade(s)+ before and better by other people. Maybe he's just fed up is all.
Yeah that guy too. At least Shinbo stole from Anno before Rebuild happened.
Yep, you hit the nail right on the head. I'm just tired of everyone calling Shibboleth the one true creative force industry while dismissing others like Ikuhara.
It was interesting at first, sure. But Shinbo ends up forcing his 'eccentricities' down your throat. I fail to see how flashing whole paragraphs of text contributes to the anime except for giving the viewer a seizure.
That's not to say all SHAFT techniques are bad or the company is bad to the core. It's just they're overhyped and overpraised.
I do like those head tilts, SHAFT really gave thoae a different definition
and on the topic of Shaft OPs, i feel Arakawa Under the Bridge S2 OP was their best, although it's not particularly SHAFT like as others.