-
Hey, guest user. Hope you're enjoying NeoGAF! Have you considered registering for an account? Come join us and add your take to the daily discourse.
Winter Anime 2017 |OT| John Wick cleaning up KyoAni's mess
- Thread starter TUSR
- Start date
- Status
You know, I'm surprised DTL managed to stay tag-less until now.
His name is literally a neogaf tag/meme at this point. :dtl.
Valdfellgar
Banned
I know what you mean, I'm on the fence, I sort of like it. My wife though? It's bait for her, pure bait.
I actually kinda liked Seiren, especially how weird the girls could be. Though my wife was like you, pretty darn bored.
Oh is it? I couldn't find it listed as Ecchi, but I guess that would make sense with some of the angles.
Card Captor Sakura is on Crunchyroll.
Valdfellgar
Banned
Monster Girls is probably my favorite new show of the season so far. It really surprised me with how engaging, innocent, yet fun it was. If it can keep that up for the season I'll be super pleased with it. Heck even my Wife felt it was a solid opening compared to a lot of the other bland stuff we've tried.
victreeb3l
Member
Mob Psycho 100 1-6
The first episode sucked but the last few episodes have been great.
The art style sucks, sometimes theres little to zero animation and the fight scenes aren't really all that special (oh look energy ball thing explodes yay whatever) but the humor is working on me. Show started to have some substance as well as it explores both Mob and his brothers motivations and goals.
But geez everyone looks so ugly in this show.
The first episode sucked but the last few episodes have been great.
The art style sucks, sometimes theres little to zero animation and the fight scenes aren't really all that special (oh look energy ball thing explodes yay whatever) but the humor is working on me. Show started to have some substance as well as it explores both Mob and his brothers motivations and goals.
But geez everyone looks so ugly in this show.
I'll be fighting spoilers with spoilers.
Yeah, Junko's pretty fun as an antagonist, and it was only DR3 that kind of made her look bad because of how mind-dullingly bad the Tragedy was.
As for Nagito, he's also okay, but the "oh, looks like I got lucky" thing is an awful ability for him to have since it's always about how he'll get his desired outcome in the end (even though it can lead to convoluted things that get handwaved by "yeah, he just got lucky", which is funny at times). Oh, and that reminds me that giving him only a minor role in DR Hope Side was downright preposterous, because his motivation was watching hope and despair clash against each other and, despite us getting exactly that for the finale, his appearance was as brief as the rest of the 77th class' (since Hinata wasn't actually part of it, anyway).
As for Nagito, he's also okay, but the "oh, looks like I got lucky" thing is an awful ability for him to have since it's always about how he'll get his desired outcome in the end (even though it can lead to convoluted things that get handwaved by "yeah, he just got lucky", which is funny at times). Oh, and that reminds me that giving him only a minor role in DR Hope Side was downright preposterous, because his motivation was watching hope and despair clash against each other and, despite us getting exactly that for the finale, his appearance was as brief as the rest of the 77th class' (since Hinata wasn't actually part of it, anyway).
This is a DTL-tier post.
8 X 11 Printer Paper
Member
So I wasn't the only one thinking that almost seemed identical to how DTL saw the show.
GoldCrusader
Member
Its not that uncommon of a comment around the internet about Mob. The artstyle did seems to turn off quite a few people.
ThatChairMan
Member
SMT4: Apocalypse
Neutral route sure was a lot about friendships and bonds. I should have just picked Law like I did with SMT4.
Neutral route sure was a lot about friendships and bonds. I should have just picked Law like I did with SMT4.
hosannainexcelsis
Member
Are you trying to make me rip my hair out?
Dedication Through Light
Member
Beyblade Burst Episode 1
I hope the day comes when Shu will make some of the same type of faces as Valt does, until then, though, Shu will remain the coolest character thus far. Pretty epic and skilled, though sometimes these animes like them make suffer pretty huge/embarassing loses to crush them...Other characters of interest was the one guy in the skull and headband, great design.
For Valt, also, he sounds exactly like Todoroki Kakeru in Chosouke Henkei Gyrozetter, even his whining, moaning, and depressingly excited moments too.
Monster summoning, well sign me up for more, watching tops spinning didnt seem that exciting of a concept on paper but in action and with this going on, they definitely know what I want in my animes. I wonder what Valts or even Shu's will look like.
I hope the day comes when Shu will make some of the same type of faces as Valt does, until then, though, Shu will remain the coolest character thus far. Pretty epic and skilled, though sometimes these animes like them make suffer pretty huge/embarassing loses to crush them...Other characters of interest was the one guy in the skull and headband, great design.
For Valt, also, he sounds exactly like Todoroki Kakeru in Chosouke Henkei Gyrozetter, even his whining, moaning, and depressingly excited moments too.
Monster summoning, well sign me up for more, watching tops spinning didnt seem that exciting of a concept on paper but in action and with this going on, they definitely know what I want in my animes. I wonder what Valts or even Shu's will look like.
Cornbread78
Member
Not enough votes yet though. Someone shoukd pop into all the community threads and tell them to vote, lol
Dedication Through Light
Member
Ill probably vote in the last week.
Most votes come in during the final few days.
names2hard4you
Member
I don't think everyone on here is even done voting yet. Most folks are probably waiting until the very last day to do it. Some may even be catching up on stuff
GoldCrusader
Member
Seraph of the End rewatch
Man rewatching this with now having further knowledge about the universe of Seraph itself through the manga and the light novel makes for such a difference experience. It makes the things that seemed little so much cooler to notice. Also wow Crowley just trolled everybody so hard...god damn.
Man rewatching this with now having further knowledge about the universe of Seraph itself through the manga and the light novel makes for such a difference experience. It makes the things that seemed little so much cooler to notice. Also wow Crowley just trolled everybody so hard...god damn.
BreezyLimbo
Banned
So uh this is a weird question but
Looking for a title of an anime clip that I saw
It's a sequence of a killzone-like soldier staring at what appears to be a schoolgirl who's clutching a backpack. He raises his gun at her when she pulls a thread of it, and when more soldiers appear she blows herself up.
It looked interesting....any idea what it would be?
Looking for a title of an anime clip that I saw
It's a sequence of a killzone-like soldier staring at what appears to be a schoolgirl who's clutching a backpack. He raises his gun at her when she pulls a thread of it, and when more soldiers appear she blows herself up.
It looked interesting....any idea what it would be?
Jin-Roh
Okay, where were we?
Toradora 18 -rewatch-
After last episode's armour-piercing questions we open with normalacy apparently restored, Ryuuji and Taiga helping out with the party. A glimpse of Yuri-sensei's more serious side, and though there's a slight jab at her expense it's a nice look at her as a dependable adult instead of a side gag character. Note the change in perception of both Taiga and Ryuuji, both who Yuri-sensei actually straight up feared at the beginning of the series.
Minorin drops by to say hi to Taiga and pointedly avoid/escape from conversation with Ryuuji. They proceed to the gym, some minor Ami/Taiga playfighting, the side characters drag Kitamura and Taiga out, and it's time for another Meaningful Conversation with Ami!
Ryuuji complains basically that he's feeling dissatisfied with the whole situation, though he doesn't put it like that. Ami's voice, surprisingly enough, is really gentle throughout this scene.
Ami thinks for a while (5 whole seconds!), and realisation dawns (as does the sun. Pretty blunt!)
In the web of relationships between the five main characters Ami is an outsider, an observer, so it makes sense that she can see the shape of the whole and judge it. She rocks childishly in the centre of frame as she spells out her logic - that Taiga, Ryuuji and Minorin are merely 'playing house' - then passes on her advice as she lies down and turns away from Ryuuji.
Of course, Ami isn't being completely selfless here.
Ryuuji, being Ryuuji and still despondent over Taiga, doesn't hear her confession. Ami accepts the truth that she's already lost ("If you didn't hear me, it doesn't matter") and leaves, but not before hitting us with the theme of this arc (and perhaps of Toradora as a whole):
She steps out, back into the light, leaving Ryuuji to contemplate her words.
Cut to end of exams, Minorin avoids Taiga and Ryuuji. They try to press her a little, but she runs away again. This time Taiga notes it. Kihara tries to grab Ryuuji, but he flees too, dragging along Taiga, who didn't want Ryuuji to help with her post office chores.
He finds a pile of presents at home that Taiga is planning to send home to her parents. After her dad's betrayal two arcs ago, he's backflipped on his position, basically asking Taiga why she's doing this. She slumps over a chair.
She leaves to get the cart and Ryuuji spots an odd-looking present.
We montage over the post office (ah, I remember this tedium well...) as Taiga explains to Ryuuji that she used to go to a Catholic Girl's school, but was blocked from progressing to High School for her bad behaviour; she also used to volunteer helping less fortunate kids, and is sending presents to them as Santa. Ryuuji doesn't understand, and Taiga elaborates: she wants them to know that someone, somewhere, is watching out for them.
Taiga admits she knows she's doing this partially for herself, because she wants to believe that someone is watching over her. This is a fantastic use of something that initially comes up as a comedy trope - the idea of a high-schooler or 'someone who should know better' who still believes in Santa - by the way, by connecting it back around to Taiga's emotional journey and past. Ryuuji asks if she really does believe in Santa, and she speaks around the question, saying that Christmas is a time when on the surface everyone looks festive and happy and joyous.
Taiga tells Ryuuji she's met Santa, recollecting a Christmas from when she was young; we cut to dark blues and cool colours (heavy contrast with the current scene) as strings swell again. There's a particular shot of a crystal star on top of the tree... She admits it was probably a dream as we cut back to reality, but the overall message is clear: she wants to believe.
Ryuuji says he wouldn't say it was foolish, and Taiga says it's okay, because she isn't relying on ('clinging to') anybody real. Pan up to sky.
To recap: Ami has a conversation with Ryuuji about a serious topic, but acts like a child; Taiga has a conversation with Ryuuji about a childish topic, but acts the most adult we've ever seen her. Hmmm.
Back to school as we set up the party. More jokes on Yuri-sensei and adult concerns like... financing for retirement (as far as you can get from Toradora's teenage melodrama). Taiga offers Ami a genuine compliment, even if she still calls her an idiot in the same breath, but Ami accepts it with a smile. Ryuuji watches Taiga having fun and reflects that she has reached happiness here, acceptance with the class, friends and a new family. "It'd only be right for everyone to be happy," he thinks to himself.
Taiga offers the ornament from home (when she was last happiest?) to put on top of the tree, linking it symbolically with her own happiness. Kitamura climbs up and puts it on, and the class sees how the tree looks all lit up. They bask in its rays for a second as the music builds to its climax.
Everything's going fine! And if everything's going fine in the middle of an arc, you know it's just so they can pull the rug out from under you.
Minorin opens the door, her cheerful, embarrassed voice cutting through the audio silence before she realises the enormity of what she's done.
There's no doubt that Minorin is sorry. Taiga doesn't even seem that phased, honestly; she is more disturbed by Minorin's desperate, hand-shaking actions to try and apologise. A quiet, sad music box tune begins as she tries to explain her feelings.
Taiga tries to put Ryuuji forward to help her, but Minori tells her she needs to do this herself. Ryuuji's having none of it.
She protests, but Ryuuji tells her that he's not doing this for her, he's doing it for himself - in other words, he's lying to try and spare her feelings, but helping anyway. Or does she read him as being truthful, and saying he's only working for Taiga's sake? I think the former more likely than the latter.
Ryuuji pieces most of the star together and holds it aloft.
Taiga hugs Minori, letting her know she's forgiven her, but Minori clearly hasn't forgiven herself.
Ryuuji runs out to invite her to the party, finally taking direct action, but we don't see Minorin's face for the rest of the scene as she tells Ryuuji she won't come and not to bother waiting for her, and strolls away, back to the camera. Ryuuji yells that he will wait anyway as the energetic first beats of Orange start up and we pan up into ending credits.
---
This episode works mainly in metaphor and mystery, the fragile crystal star being the most obvious but also the recurring child/adult theme and the big question for this arc: what's going through Minorin's head? Why is she avoiding Ryuuji? Ryuuji also fails to grapple with the question Kihara presented him at the end of the last episode; in fact, we don't really get inside his head at all this episode. Taiga, for her part, is a lot happier and more comfortable all up than normal even around her crush Kitamura - in fact the whole arc revolves around trying to hook Ryuuji up with Minorin and there's almost zero focus by the main characters on trying to get Kitamura and Taiga together. There's a reason for that. It all comes to a head in the next episode.
I should've watched this on Christmas.
Toradora 18 -rewatch-
After last episode's armour-piercing questions we open with normalacy apparently restored, Ryuuji and Taiga helping out with the party. A glimpse of Yuri-sensei's more serious side, and though there's a slight jab at her expense it's a nice look at her as a dependable adult instead of a side gag character. Note the change in perception of both Taiga and Ryuuji, both who Yuri-sensei actually straight up feared at the beginning of the series.
Minorin drops by to say hi to Taiga and pointedly avoid/escape from conversation with Ryuuji. They proceed to the gym, some minor Ami/Taiga playfighting, the side characters drag Kitamura and Taiga out, and it's time for another Meaningful Conversation with Ami!
With low light levels, the off-kilter camera, and Ami sitting on a dias, it's almost like Ryuuji has come to some dark priestess for advice.
Ryuuji complains basically that he's feeling dissatisfied with the whole situation, though he doesn't put it like that. Ami's voice, surprisingly enough, is really gentle throughout this scene.
Pretty hypocritical, Ryuuji. We see this scene from something approaching Ami's POV, from just over his shoulder. On the animation-saving side, it's a still frame for almost 4 seconds!
Ami thinks for a while (5 whole seconds!), and realisation dawns (as does the sun. Pretty blunt!)
Ami is out of focus in the first shot, but as she pieces it together, she takes centre stage - but we don't get to see her expressions - only her words.
In the web of relationships between the five main characters Ami is an outsider, an observer, so it makes sense that she can see the shape of the whole and judge it. She rocks childishly in the centre of frame as she spells out her logic - that Taiga, Ryuuji and Minorin are merely 'playing house' - then passes on her advice as she lies down and turns away from Ryuuji.
Ami acting like a kid while proclaiming that Ryuuji should grow up encapsulates her contradictory motivations.
Of course, Ami isn't being completely selfless here.
Foetal position, eyes closed, like she's tired of it all.
Very nearly biting her thumb, too. Remember that Ami is the one constantly praised for being adult, except by Ryuuji, who once called her surprisingly childish.
Ryuuji, being Ryuuji and still despondent over Taiga, doesn't hear her confession. Ami accepts the truth that she's already lost ("If you didn't hear me, it doesn't matter") and leaves, but not before hitting us with the theme of this arc (and perhaps of Toradora as a whole):
Close-up for emphasis, slight smile on Ami's face, she may be in shadow but the overall palette of the scene is still very warm. Ami may not understand herself, but she understands the other characters very well.
She steps out, back into the light, leaving Ryuuji to contemplate her words.
Cut to end of exams, Minorin avoids Taiga and Ryuuji. They try to press her a little, but she runs away again. This time Taiga notes it. Kihara tries to grab Ryuuji, but he flees too, dragging along Taiga, who didn't want Ryuuji to help with her post office chores.
He finds a pile of presents at home that Taiga is planning to send home to her parents. After her dad's betrayal two arcs ago, he's backflipped on his position, basically asking Taiga why she's doing this. She slumps over a chair.
Taiga fills the frame, but as she avoids the problem, we cut to a distance shot that emphasises the emptiness and strangeness of her apartment. The angles are all jacked here by the way, but it serves to make her apartment look massive, so it doesn't hurt that much.
She leaves to get the cart and Ryuuji spots an odd-looking present.
We montage over the post office (ah, I remember this tedium well...) as Taiga explains to Ryuuji that she used to go to a Catholic Girl's school, but was blocked from progressing to High School for her bad behaviour; she also used to volunteer helping less fortunate kids, and is sending presents to them as Santa. Ryuuji doesn't understand, and Taiga elaborates: she wants them to know that someone, somewhere, is watching out for them.
The conversation takes place as v/o; we pointedly don't see them actually talking this out. They walk along the sunlit street, but the colours are washed out and faded. Ryuuji is completely out of shot in these frames, and when he is in shot, he's merely following behind.
Taiga admits she knows she's doing this partially for herself, because she wants to believe that someone is watching over her. This is a fantastic use of something that initially comes up as a comedy trope - the idea of a high-schooler or 'someone who should know better' who still believes in Santa - by the way, by connecting it back around to Taiga's emotional journey and past. Ryuuji asks if she really does believe in Santa, and she speaks around the question, saying that Christmas is a time when on the surface everyone looks festive and happy and joyous.
Their solemn, wistful conversation set against the 'childishness' of play. Ryuuji is still following, even though they're supposedly speaking to one another now.
Taiga tells Ryuuji she's met Santa, recollecting a Christmas from when she was young; we cut to dark blues and cool colours (heavy contrast with the current scene) as strings swell again. There's a particular shot of a crystal star on top of the tree... She admits it was probably a dream as we cut back to reality, but the overall message is clear: she wants to believe.
Ryuuji is open to her, but Taiga still isn't looking at him here. A very adult pose from the impetous, impulsive Taiga.
Ryuuji says he wouldn't say it was foolish, and Taiga says it's okay, because she isn't relying on ('clinging to') anybody real. Pan up to sky.
To recap: Ami has a conversation with Ryuuji about a serious topic, but acts like a child; Taiga has a conversation with Ryuuji about a childish topic, but acts the most adult we've ever seen her. Hmmm.
Back to school as we set up the party. More jokes on Yuri-sensei and adult concerns like... financing for retirement (as far as you can get from Toradora's teenage melodrama). Taiga offers Ami a genuine compliment, even if she still calls her an idiot in the same breath, but Ami accepts it with a smile. Ryuuji watches Taiga having fun and reflects that she has reached happiness here, acceptance with the class, friends and a new family. "It'd only be right for everyone to be happy," he thinks to himself.
The star doesn't even have outlines or look like it belongs in this artstyle, that's how otherworldy true happiness is here.
Taiga offers the ornament from home (when she was last happiest?) to put on top of the tree, linking it symbolically with her own happiness. Kitamura climbs up and puts it on, and the class sees how the tree looks all lit up. They bask in its rays for a second as the music builds to its climax.
Ami even turns to Taiga for a second to confirm that she's happy, just like Ryuuji does.
Crunchyroll chose this moment to embed its watermark.
Everything's going fine! And if everything's going fine in the middle of an arc, you know it's just so they can pull the rug out from under you.
All the audio shuts down so that you hear the sound of the window breaking, pre-empting the viewer for the sound of shattering crystal.
A similar shot to earlier but the change of expressions and lack of music is jarring.
The star falls and the background fades into Taiga's shocked face, before...
Confirmation of what the viewer fears will happen.
Minorin opens the door, her cheerful, embarrassed voice cutting through the audio silence before she realises the enormity of what she's done.
To Minorin, the message is clear: she has shattered Taiga's happiness.
There's no doubt that Minorin is sorry. Taiga doesn't even seem that phased, honestly; she is more disturbed by Minorin's desperate, hand-shaking actions to try and apologise. A quiet, sad music box tune begins as she tries to explain her feelings.
Again, we don't see her eyes.
Taiga tries to put Ryuuji forward to help her, but Minori tells her she needs to do this herself. Ryuuji's having none of it.
Minorin says she sees it as not letting her take responsibility, but it's also about some degree of self-flagellation. The first time we see her eyes in this scene.
She protests, but Ryuuji tells her that he's not doing this for her, he's doing it for himself - in other words, he's lying to try and spare her feelings, but helping anyway. Or does she read him as being truthful, and saying he's only working for Taiga's sake? I think the former more likely than the latter.
Her reaction immediately after he tries to spare her feelings. I read the expression as "I don't deserve this... I don't deserve this kindness you're showing me". Immediately after she ducks her head out of frame and hides her eyes from him again.
Just repeating his name.
Ryuuji pieces most of the star together and holds it aloft.
Obvious metaphor talk, but do either of them realise it?
Taiga hugs Minori, letting her know she's forgiven her, but Minori clearly hasn't forgiven herself.
What a shot! The pillar cuts off half the frame and boxes Minorin in, the trees are skeletal, the shadows harsh.
Ryuuji runs out to invite her to the party, finally taking direct action, but we don't see Minorin's face for the rest of the scene as she tells Ryuuji she won't come and not to bother waiting for her, and strolls away, back to the camera. Ryuuji yells that he will wait anyway as the energetic first beats of Orange start up and we pan up into ending credits.
The open sky here seems isolating and desolate instead of freeing
---
This episode works mainly in metaphor and mystery, the fragile crystal star being the most obvious but also the recurring child/adult theme and the big question for this arc: what's going through Minorin's head? Why is she avoiding Ryuuji? Ryuuji also fails to grapple with the question Kihara presented him at the end of the last episode; in fact, we don't really get inside his head at all this episode. Taiga, for her part, is a lot happier and more comfortable all up than normal even around her crush Kitamura - in fact the whole arc revolves around trying to hook Ryuuji up with Minorin and there's almost zero focus by the main characters on trying to get Kitamura and Taiga together. There's a reason for that. It all comes to a head in the next episode.
I should've watched this on Christmas.
BreezyLimbo
Banned
Thanks!
Cornbread78
Member
That makes sense. I'll probably have to change my own list, lol. Ther's still three weeks, so hopefully they start rolling in.
I really want to change my Game of the year list as well, but I can't find my post
PdotMichael
Banned
Love Live S1 - 06
So this is the power of the Nico-Nico-Nii~. Soon I'm hitting the half point of the series and love it, what the hell just happened with me?
gambatte ne! Umi-chan!
So this is the power of the Nico-Nico-Nii~. Soon I'm hitting the half point of the series and love it, what the hell just happened with me?
gambatte ne! Umi-chan!
Cornbread78
Member
How thr fuck do you find this shit so fast? I did about 50 searches in that thread and couldn't find it, lol
Use Google and limit results to the gaf domain
Alternatively just search by poster in the thread
Click thread postcount, ctrf+f cornbread, click postcount #.
Search posts by you in Gaming including the words "game" and "year" would probably do it.
First, click on the magnifying glass at the upper right corner of the top of the thread you want to search. In the expanded box, click "Advanced Search", like so:
Once you've done that, you'll be in the Advanced Search page for the thread. The easiest way to find posts you've already written is to enter your own username in the "User Name" field like I did here, searching through the Autumn Anime OT:
Once you've done that, it should be easy for you to find the post you're looking for:
victreeb3l
Member
Its an ugly looking show dudes. Its a good show but the art style sucks.
Admiral Woofington
Member
are you sure you're not confusing animation with 'I dislike the artstyle'?
Because the show was gorgeous and normally looked great animation wise.
KuwabaraTheMan
Banned
Yeah, I'm still watching stuff that I missed out on (which was almost everything, since I watched very little new anime last year prior to Fall).
The very top of my list is set, but I'm not sure about the rest yet.
names2hard4you
Member
I've already made one change since posting it. Contemplating making another one, but for now that thought is still marinating for a bit. Maybe I'll look at it again before the deadline and see whether or not I should make the change.
hosannainexcelsis
Member
Admiral Woofington
Member
is your ideal artstyle cute moe girls per chance?
The artstyle isn't made to make the character attractive, but it's far from an ugly looking show.
hosannainexcelsis
Member
Pokemon Sun and Moon 6
The excuses Team Rocket seizes on to deliver their catchphrases are getting more and more absurd.
The excuses Team Rocket seizes on to deliver their catchphrases are getting more and more absurd.
victreeb3l
Member
Not really. I mean I hate the art style but there were many instances early on where it was maybe a few frames repeating (or just still) or it looked like the drawings looked rushed. Lots of panning character shots too. Its apparent in scenes were characters are screaming or doing something ridiculous. The first episode is a big offender. The battle scenes were much better.
Maybe it gets more consistent later on but the early episodes were pretty gross to get through visually.
I dont think I have an ideal art style. I like Kyo Ani but I also like HQ, Rakugo and FMA's art style as well. *shrug*
MetroidPrimeRib
Banned
I'm not sure how to respond without being rude or condescending but like...you're wrong
Like its probably the most consistently good looking show last year
victreeb3l
Member
Did you think it looked great and consistent outside of the fight scenes? I'm not trying to be smug or an ass either but I'm not seeing what everyone else is.
I've watched episodes 1-6 so far. I dont know if things improve later on but my impressions are from those episodes.
GoldCrusader
Member
Someone critizing the artstyle of Mob here was bound to happen eventually, but I did not expect such a defence squad lol.
Joe Molotov
Member
I haven't watched Interviews With Monster Girls yet, but I assume it's the best show of the season.
nintendoman58
Member
Mob Psycho 100's animation is by far some of the best I've seen in the medium.
There was so much freaking motion in episode 5 I felt like I was going to get blown off my seat from all the action.
There was so much freaking motion in episode 5 I felt like I was going to get blown off my seat from all the action.
I definitely thought so. There's a reason Sakugabooru's blog gave Mob Psycho weekly posts to highlight its animation. The show's consistently strong animation was highlighted from week 1.
Sakugabooru said:
I get not liking the show's art style (I mean, I strongly disagree, but at least I can imagine it), but Mob Psycho 100 is without a doubt the strongest animation showcase this year. I'm not sure what show you could put against it.
victreeb3l
Member
Cool thanks, I'll take a look.
Episode 5 was pretty great.
PshycoNinja
Member
I remember being so hyped for Glasslip back when it aired all because of that damn great OP. And all it led to was me being very meh on it.
- Status