Hyouka 20 (Rewatch)
Hyouka is a very relaxing show. If you allow it, it reels you in and makes you go at its own pace. Like every good slice-of-life does. Of course, it has to keep itself fresh to avoid becoming boring, and I find that ever since the second half started it has greatly succeeded at doing so. This time, it manages to do so by a change of place, and it makes for a really enjoyable episode.
Not only we get to know the shrine, we also get to see a night-based episode, instead of the typical after-school ambiance that's present in most of the show. Winter has come, and this is also conveyed perfectly by the show, making the characters breath visibly and do gestures typical of the winter cold, as well as making it a relevant part of the episode's progression.
Rika Ota directed the episode. It's her second time directing for the studio (her debut was in 11.5), and she did a very good job again. Nothing particularly wowing, but every shot was solid and there were no pacing issues. Some interesting layouts here and there too that spice up the more mundane segments.
What's more interesting to me this time is that Chise Kamoi directed the animation. It's her first time doing so in Hyouka, and her third time in general. She has a unique style that stands out in the studio, with her wobbly lines and the soft way she does clothes, folds and hair. The expressions of the characters were pretty interesting, and the drawings pleasant to look at. She's very talented, and I always look forward to episodes done by her, shame she didn't do AD for Tamako. More than that, the animation in this episode was a treat, with many good cuts. Kigami and Horiguchi did KA for the episode, though at the bottom of the list. The samurai scenes from the drama are probably from Kigami, and while I'm not too sure on Horiguchi, the scenes with Satoshi arriving at the temple and running to the shed seem like her. Really nice to watch.
One thing I liked about this episode was how they handled the lighting. The color palette for a crowded, illuminated place at night was spot on, but the very dark shed with little holes that permitted the passage of light was really good.
The lighting for those scenes felt very organic and unobtrusive and contributed to the ambiance in that closed space. Same goes for the final scene when they open the door and do a close-up of Satoshi's face.
All in all, a very enjoyable episode that further strengthens the characters and sets up some stuff for the latest two.