And yet as a pop culture junkie, I'm really sick that the obstacle seems to be rape for a lot of women. Is that it? Is that the best we can come up with? Is that the only adversity we can come up with for our female characters?
That's more of a macro problem than the more micro issues I had with that scene.
How is Sansa 'levelling up' due to a spot if rape preferable to having her become a stronger person sans rape? It's cheap and lazy.Problem is, GRRM has explicitly used it over and over again, and it's a really big theme to GRRM's writing (that rape is often tamed down / under-utilized in this genre). I can't blame GoT for using it. I mean, the book more or less just makes a minor female character to be raped solely for the development of Theon. At least this version probably develops Sansa and Theon.
Is it ?
While I don't agree with him on the general thesis, he choose the right way to handle it.
Avoid media that contains rape.
It's not like he asked for media bannings or have I missed a line ?
Your point is certainly shining through in some different posts, with people trying to alter the authors storyline.
Rape is very ugly, more sinister than murder tbh. It should never be depicted in movies or television. Who knows how many rapists or people with those types of fantasies get off with those kinds of scenes.
I don't watch/never thought about watching GOT and now I definitely won't. Rape is too extreme..
That's not what I said though, I said I'm not sure why people are assuming this will be used as a catalyst for Theon's character to change like I've seen people allude to in this thread. All I said is I look forward to seeing where they go with her character from here.
Sansa's arc seemed to be that she was learning to play the game, including manipulating men. Now she not only gets raped by her new husband, but he humiliates her in front of the man she thinks killed half her family. A large chunk of my problems with the scene would be gone if Sansa had asserted that Theon had to leave, and she had managed to preserve some small scrap of her dignity. As it is they just undid all of her character development since Season 2, soley for the purpose of furthering Theon's arc.
Wow, that seems incredibly out of character. He must be written extremely differently in the books.
Did she not already go through with a marriage to the son of the man who killed her mother and brother, the uncle of the man who killed her father?I think her willingness to go through with the marriage to Ramsay was a sign that she has already become stronger.
Stick to the Friday the 13ths then. They are full of females whose obstacles are exactly the same as the men's. Or Izombie. Her obstacle is she's a zombie. Or any other show without rape. But if you choose to watch GoT, you should expect lots of rape and other depraved things.
I know, it'a almost like we expect more out of art instead of just senseless sadism with not discernible purpose!!
It's like a show I worked on where every week, we basically butchered a bunch of women. There was a tangential reason to the "plot", I suppose, maybe kind of, but the network, studio, or other writers fought back about why this was necessary, the response was always, "well, it's a brutal show." Brutality in art needs to have a point. Brutality can be senseless, and that can be a point in itself, but when your show already has a thorny history with rape, you need to be super extra special conscious that every single decision you make serves a narrative purpose and must be then given the necessary weight and time to process said narrative movements.
Depicting rape can serve a purpose. Of all shows, Sons of Anarchy did it so well in season 2, spending an entire season deconstructing that character's emotional arc and pain that ended up being the spine of the season. It's one of the reasons why that season is probably the best that Sons has ever done. I don't see them doing the same here, if just because this show already has so much to cover, that it won't actually have time to deconstruct Sansa as a survivor.
And my response is that I'm a little sick of the big thing that has to be a catalyst for a woman is her rape.
Even when dealing with the emotional fallout (which most don't), it's a tired device.
People need to watch Irreversible with Monica Belucci getting raped in a 9minute long single shot, before they get their panties twisted over this episode. My God. There was literally no way to depict it more tamely in GoT.
How do you know it's a catalyst or device if the next episode hasn't aired and this doesn't happen in the books?
The bedding that proceeds a wedding has been a reoccurring issue throughout the series. They could just go about whatever business or other plan and never mention or call back to this again
I don't see them doing the same here, if just because this show already has so much to cover, that it won't actually have time to deconstruct Sansa as a survivor.
And how GoT deals with this scene's aftermath we know because...?Irreversible spent the entire film dealing with the fallout of rape.
TO QUOTE ME:
Alright, I'm out. I wanted to have a good discussion (which a lot of you had!), but "lol don't watch" is where I draw the line.
And how GoT deals with this scene's aftermath we know because...?
I still don't know how you can say depicting this rape has no purpose.
That's where I am. What did it accomplish, exactly? It makes Sansa hate Ramsay super extra more?
I don't think Sansa stays in Winterfell for much longer, given the way her narrative seems to be set up, so why even do it? If Sansa is rescued by Brienne before the Battle of Winterfell (or during), what was the point? Just to have Sansa be raped because "bad things happen"? And are we ever going to engage with Sansa after she was raped? That certainly didn't happen with Dany or Cersei.
And I have no faith because of how much ground the show has to cover and how they handled Dany and Cersei's rapes earlier in the series. There isn't really a lot of goodwill left on the subject, but again, I'm going to see how the rest of the season plays out.
This has had a lot of repercussion specially because people have been following the show for five years, back when the actress was 13 years old. People have grown with her and her character, that plus the complete change in her story arc and people are going to be obviously upset.
Sounds to me exactly like the mentality that leads to 'objectionable content' censorship.
I do t really get this "women get raped as a catalyst trope" thing.
Maybe I just don't watch a ton of TV, but I don't see rape scenes often enough for me to consider this a common trope.
Carin, the Straw Feminist of Patch Adams was molested as a child, hence why she distrusts men. Once she learns to trust them again, she lets herself get too close to a crazed patient who murders her. Being a biography film, this would typically go into Real Life except that Carin never existed and was created for the purposes of the film.
Patch is devastated and guilt-ridden by Carin's death. He reconsiders his outlook, and questions the goodness of humanity. Standing on a cliff, he contemplates suicide and questions God about what happened. He then sees a butterfly which reminds him of Carin's telling him earlier how she always wished she was a caterpillar that could someday transform itself and fly away. The butterfly lands on his medical bag and afterward on his shirt before flying away. This appears to Patch to be Carin reincarnated and it revives his spirits, and he decides to continue his work in her honor.
And how GoT deals with this scene's aftermath we know because...?
Yup. And the fact the format of the show, with its massive cast and scale, isn't really ideal to address the character implications of such a scene.We're making assumptions based on the way they've dealt with the subject in the past where it was either forgotten or used as scene dressing. I would love to be surprised by them handling it well.
Okay, but plenty of things were used as "scene dressing" in that sense. I mean, it's a fucking violent world and really bad things happen to almost anybody. If you use the idea of "properly" handling this rape scene as a benchmark, was there anything horrible happening to anyone in the whole series that was dealt with "properly" in that sense? If not, why even expect rape being the exception?We're making assumptions based on the way they've dealt with the subject in the past where it was either forgotten or used as scene dressing. I would love to be surprised by them handling it well.
This has had a lot of repercussion specially because people have been following the show for five years, back when the actress was 13 years old. People have grown with her and her character, that plus the complete change in her story arc and people are going to be obviously upset.
And if Theon rescues her because he was forced to watch her get raped?
What did it accomplish FOR SANSA, exactly? It makes Sansa hate Ramsay super extra more?
Honestly the worse thing about the scene is that it seems like it will be used to further Theon's character more than Sansa's.
This scene (which wasn't actually badly done) is the least of this show's problems.
Let me amend:
What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.
And if we're only depicting a rape in order to develop a male character, come the fuck on.
Okay, but plenty of things were used as "scene dressing" in that sense. I mean, it's a fucking violent world and really bad things happen to almost anybody. If you use the idea of "properly" handling this rape scene as a benchmark, was there anything horrible happening to anyone in the whole series that was dealt with "properly" in that sense?
In don't think it means you should accept it, after all can you always just stop watching the show. It's just the explanation why the show is like it is.Which is my point. You can't throw out "it's congruent with the time period" like it's some kind of explanation that we should just accept for something we don't like.
Okay, but plenty of things were used as "scene dressing" in that sense. I mean, it's a fucking violent world and really bad things happen to almost anybody. If you use the idea of "properly" handling this rape scene as a benchmark, was there anything horrible happening to anyone in the whole series that was dealt with "properly" in that sense?
You haven't seen the last 4 episodes? Get the fuck outta here with this baseless contextless nonsense then...
We're making assumptions based on the way they've dealt with the subject in the past where it was either forgotten or used as scene dressing. I would love to be surprised by them handling it well.
Incredibly tame scene, the outrage is pure nonsense.
Did she not already go through with a marriage to the son of the man who killed her mother and brother, the uncle of the man who killed her father?
At what point does this moronic retread of a storyline exemplify her being stronger?
Who's to say her story arc is to be stronger? Sometimes your story arc is getting stabbed in the uterus.
Sansa was raised to be a submissive, baby-bearing wife to a dashing young Lord.
She has no particular skills outside of knitting and singing and being pretty. And now she knows how to lie.
Being stronger does NOT mean becoming a spunky Disney princess (I almost lol'd at the suggestion that she force Ramsay to leave Theon outside. Fucking how?). I've seen posters in the no spoiler thread complain when Dany feeds people to her dragons, crucifies or beheads slavers and murderers, or when she makes the unilateral decision of marrying for peace rather than love. Dany is a powerful person. She makes decisions that get people killed every day. Sansa has no power. Her decision to go along with the wedding to Joff, the wedding to Tyrion, and her decision to reveal herself at Winterfell, are exercising the only power she has had so far; being a suitable bride from a powerful family that demands loyalty from a rather large swath of land. If she didn't have her name, Ramsay would turn her into hamburger within a week. Being his bed slave is exercising power - if Stannis fails, her having his children gives her power over the North.
It's not progressive, but that's life in the middle ages.
Why not wait until we see the conclusion of the matter before forming full-throated opinions?Let me amend:
What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.
And if we're only depicting a rape in order to develop a male character, come the fuck on.
And you've seen neither the conclusion of this season nor their plan for her in future seasons. So why are you speaking about this episode as if this is a series finale post mortem?And at some point, it isn't interesting to watch. Characters will no arc and no agency and not even a sliver of desire for agency make boring and bad TV.
Let me amend:
What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.
And if we're only depicting a rape in order to develop a male character, come the fuck on.
No one is mad about it's relative tameness or lack thereof.
You haven't seen the last 4 episodes? Get the fuck outta here with this baseless contextless nonsense then...
People are making a big deal about this? Everytime someone in the series has a wedding sex is implied to come afterwards the only disgusting thing about it is Ramsey being a dick making Reek watch.
I think he means the last four of the season, not the previous four that just aired?
It's not really what I said, so no.Do you just watch a show to watch bad things happen to characters with no resolution?
It wasn't Sansa's plan to go to Winterfell and marry Ramsay, it was Littlefinger's (though she agrees with the plan when it's presented to her). As we've been reminded twice now in the show, the Starks still have supporters in the North; Sansa being there to rally their support to her is fewer people to lend their support to Bolton when Stannis inevitably arrives.
Having Sansa in the Vale when the whole battle goes down makes Stannis' job that much harder and legitimizes Bolton's role as warden of the north more; at least Bolton is from a northern family, while Stannis is just an invader.
Sansa being there and married to Ramsay gives her back of degree of control over Winterfell when all's said and done, none of which she would have if she was still single, virgin, and off in the Vale.