More outrage at depiction of rape in Game of Thrones television show (spoilers)

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And yet as a pop culture junkie, I'm really sick that the obstacle seems to be rape for a lot of women. Is that it? Is that the best we can come up with? Is that the only adversity we can come up with for our female characters?

That's more of a macro problem than the more micro issues I had with that scene.

Stick to the Friday the 13ths then. They are full of females whose obstacles are exactly the same as the men's. Or Izombie. Her obstacle is she's a zombie. Or any other show without rape. But if you choose to watch GoT, you should expect lots of rape and other depraved things.
 
I don't have an issue with this because rape shouldn't be portrayed in the show (though I definitely think it could have been more tastefully handled), I mostly just think it was terrible character development, and they just used rape as a tool to get that precious 'shock value' the show seems to be obsessed with.

Sansa's arc seemed to be that she was learning to play the game, including manipulating men. Now she not only gets raped by her new husband, but he humiliates her in front of the man she thinks killed half her family. A large chunk of my problems with the scene would be gone if Sansa had asserted that Theon had to leave, and she had managed to preserve some small scrap of her dignity. As it is they just undid all of her character development since Season 2, soley for the purpose of furthering Theon's arc.

And putting that aside, the idea Littlefinger would do this to Cat's daughter is so ridiculous. And it's ridiculous that the Boltons would rebel against the crown. But hey, doesn't matter if characters act in a way that makes sense as long as we can get a shocking rape scene in.
 
Problem is, GRRM has explicitly used it over and over again, and it's a really big theme to GRRM's writing (that rape is often tamed down / under-utilized in this genre). I can't blame GoT for using it. I mean, the book more or less just makes a minor female character to be raped solely for the development of Theon. At least this version probably develops Sansa and Theon.
How is Sansa 'levelling up' due to a spot if rape preferable to having her become a stronger person sans rape? It's cheap and lazy.
 
Is it ?

While I don't agree with him on the general thesis, he choose the right way to handle it.
Avoid media that contains rape.

It's not like he asked for media bannings or have I missed a line ?

Your point is certainly shining through in some different posts, with people trying to alter the authors storyline.

Rape is very ugly, more sinister than murder tbh. It should never be depicted in movies or television. Who knows how many rapists or people with those types of fantasies get off with those kinds of scenes.

I don't watch/never thought about watching GOT and now I definitely won't. Rape is too extreme..

Sounds to me exactly like the mentality that leads to 'objectionable content' censorship.
 
That's not what I said though, I said I'm not sure why people are assuming this will be used as a catalyst for Theon's character to change like I've seen people allude to in this thread. All I said is I look forward to seeing where they go with her character from here.

And my response is that I'm a little sick of the big thing that has to be a catalyst for a woman is her rape.

Even when dealing with the emotional fallout (which most don't), it's a tired device.
 
Sansa's arc seemed to be that she was learning to play the game, including manipulating men. Now she not only gets raped by her new husband, but he humiliates her in front of the man she thinks killed half her family. A large chunk of my problems with the scene would be gone if Sansa had asserted that Theon had to leave, and she had managed to preserve some small scrap of her dignity. As it is they just undid all of her character development since Season 2, soley for the purpose of furthering Theon's arc.

How on earth do you think she could of managed that?

Yes she's grown, but I don't see how character growth has suddenly given her pull in the universe.
 
Wow, that seems incredibly out of character. He must be written extremely differently in the books.

He's the exact same character, and she still has the exact same problem - he just wants to plow her from behind, she brings the variety and romance to their bedroom after a while.

But yes, he's more gentle the first time, there's quite a bit of foreplay they don't show in the TV show.
 
This thread :

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http://nypost.com/2015/05/09/snoop-dogg-thinks-game-of-thrones-is-based-on-real-history/

what a click bait title.
 
I think her willingness to go through with the marriage to Ramsay was a sign that she has already become stronger.
Did she not already go through with a marriage to the son of the man who killed her mother and brother, the uncle of the man who killed her father?

At what point does this moronic retread of a storyline exemplify her being stronger?
 
Stick to the Friday the 13ths then. They are full of females whose obstacles are exactly the same as the men's. Or Izombie. Her obstacle is she's a zombie. Or any other show without rape. But if you choose to watch GoT, you should expect lots of rape and other depraved things.

TO QUOTE ME:

I know, it'a almost like we expect more out of art instead of just senseless sadism with not discernible purpose!!

It's like a show I worked on where every week, we basically butchered a bunch of women. There was a tangential reason to the "plot", I suppose, maybe kind of, but the network, studio, or other writers fought back about why this was necessary, the response was always, "well, it's a brutal show." Brutality in art needs to have a point. Brutality can be senseless, and that can be a point in itself, but when your show already has a thorny history with rape, you need to be super extra special conscious that every single decision you make serves a narrative purpose and must be then given the necessary weight and time to process said narrative movements.

Depicting rape can serve a purpose. Of all shows, Sons of Anarchy did it so well in season 2, spending an entire season deconstructing that character's emotional arc and pain that ended up being the spine of the season. It's one of the reasons why that season is probably the best that Sons has ever done. I don't see them doing the same here, if just because this show already has so much to cover, that it won't actually have time to deconstruct Sansa as a survivor.

Alright, I'm out. I wanted to have a good discussion (which a lot of you had!), but "lol don't watch" is where I draw the line.
 
People need to watch Irreversible with Monica Belucci getting raped in a 9 minute long single shot, before they get their panties twisted over this episode. My God. There was literally no way to depict it more tamely in GoT.
 
This has had a lot of repercussion specially because people have been following the show for five years, back when the actress was 13 years old. People have grown with her and her character, that plus the complete change in her story arc and people are going to be obviously upset.
 
And my response is that I'm a little sick of the big thing that has to be a catalyst for a woman is her rape.

Even when dealing with the emotional fallout (which most don't), it's a tired device.

How do you know it's a catalyst or device if the next episode hasn't aired and this doesn't happen in the books?

The bedding that proceeds a wedding has been a reoccurring issue throughout the series. They could just go about whatever business or other plan and never mention or call back to this again
 
People need to watch Irreversible with Monica Belucci getting raped in a 9minute long single shot, before they get their panties twisted over this episode. My God. There was literally no way to depict it more tamely in GoT.

You've just used an example which reinforces the point people are trying to make against the scene.

Irreversible spent the entire film dealing with the fallout of rape.
 
I do t really get this "women get raped as a catalyst trope" thing.

Maybe I just don't watch a ton of TV, but I don't see rape scenes often enough for me to consider this a common trope.
 
How do you know it's a catalyst or device if the next episode hasn't aired and this doesn't happen in the books?

The bedding that proceeds a wedding has been a reoccurring issue throughout the series. They could just go about whatever business or other plan and never mention or call back to this again

http://www.neogaf.com/forum/showpost.php?p=164473479&postcount=864

I don't see them doing the same here, if just because this show already has so much to cover, that it won't actually have time to deconstruct Sansa as a survivor.
 
And how GoT deals with this scene's aftermath we know because...?

We're making assumptions based on the way they've dealt with the subject in the past where it was either forgotten or used as scene dressing. I would love to be surprised by them handling it well.
 
You know what was a horrible rape scene? The one in Boys Don't Cry. I didn't even find this one that affecting honestly. I just assume the worst is going to happen to every character a part from the ones I hate.
 
I still don't know how you can say depicting this rape has no purpose.

http://www.neogaf.com/forum/showpost.php?p=164465838&postcount=736

That's where I am. What did it accomplish, exactly? It makes Sansa hate Ramsay super extra more?

I don't think Sansa stays in Winterfell for much longer, given the way her narrative seems to be set up, so why even do it? If Sansa is rescued by Brienne before the Battle of Winterfell (or during), what was the point? Just to have Sansa be raped because "bad things happen"? And are we ever going to engage with Sansa after she was raped? That certainly didn't happen with Dany or Cersei.

http://www.neogaf.com/forum/showpost.php?p=164469621&postcount=800

And I have no faith because of how much ground the show has to cover and how they handled Dany and Cersei's rapes earlier in the series. There isn't really a lot of goodwill left on the subject, but again, I'm going to see how the rest of the season plays out.
 
This has had a lot of repercussion specially because people have been following the show for five years, back when the actress was 13 years old. People have grown with her and her character, that plus the complete change in her story arc and people are going to be obviously upset.

I think a lot of the furor has far more to do with our familiarity with the character than any structural or thematic concerns, which is kinda messed up if you think about it, because there is a great deal of brutal rape in the books which have never ever been subjected to this level of outrage.

And I would suspect that this is not because it's not awful but because it's not happening to characters we don't care about or know, a sort of callousness towards the proverbial cannon fodder in the books.
 
I do t really get this "women get raped as a catalyst trope" thing.

Maybe I just don't watch a ton of TV, but I don't see rape scenes often enough for me to consider this a common trope.

http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeAsBackstory


More focused on backstory but it's a trope.

This is my favorite one btw

Carin, the Straw Feminist of Patch Adams was molested as a child, hence why she distrusts men. Once she learns to trust them again, she lets herself get too close to a crazed patient who murders her. Being a biography film, this would typically go into Real Life except that Carin never existed and was created for the purposes of the film.

Patch is devastated and guilt-ridden by Carin's death. He reconsiders his outlook, and questions the goodness of humanity. Standing on a cliff, he contemplates suicide and questions God about what happened. He then sees a butterfly which reminds him of Carin's telling him earlier how she always wished she was a caterpillar that could someday transform itself and fly away. The butterfly lands on his medical bag and afterward on his shirt before flying away. This appears to Patch to be Carin reincarnated and it revives his spirits, and he decides to continue his work in her honor.
 
And how GoT deals with this scene's aftermath we know because...?

We're making assumptions based on the way they've dealt with the subject in the past where it was either forgotten or used as scene dressing. I would love to be surprised by them handling it well.
Yup. And the fact the format of the show, with its massive cast and scale, isn't really ideal to address the character implications of such a scene.
 
We're making assumptions based on the way they've dealt with the subject in the past where it was either forgotten or used as scene dressing. I would love to be surprised by them handling it well.
Okay, but plenty of things were used as "scene dressing" in that sense. I mean, it's a fucking violent world and really bad things happen to almost anybody. If you use the idea of "properly" handling this rape scene as a benchmark, was there anything horrible happening to anyone in the whole series that was dealt with "properly" in that sense? If not, why even expect rape being the exception?
 
People are making a big deal about this? Everytime someone in the series has a wedding sex is implied to come afterwards the only disgusting thing about it is Ramsey being a dick making Reek watch.
 
This has had a lot of repercussion specially because people have been following the show for five years, back when the actress was 13 years old. People have grown with her and her character, that plus the complete change in her story arc and people are going to be obviously upset.

That's my idea on the matter. It was fucked up.

The show this season is a mess, irregardless of the changes, it seems weaker than prior.
 
And if Theon rescues her because he was forced to watch her get raped?

Let me amend:

What did it accomplish FOR SANSA, exactly? It makes Sansa hate Ramsay super extra more?

What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.

And if we're only depicting a rape in order to develop a male character, come the fuck on.
 
Honestly the worse thing about the scene is that it seems like it will be used to further Theon's character more than Sansa's.

This. A thousand times this.

Also worth mentioning is that I am quite exhausted with the characters continued victim-hood.

And rape as plot development is icky. More than most crimes, rape holds a 'special' place in the collective psyche.

Exploiting that position as these writers continue to do is VERY lazy.
 
Let me amend:



What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.

And if we're only depicting a rape in order to develop a male character, come the fuck on.

You haven't seen the last 4 episodes? Get the fuck outta here with this baseless contextless nonsense then...
 
Okay, but plenty of things were used as "scene dressing" in that sense. I mean, it's a fucking violent world and really bad things happen to almost anybody. If you use the idea of "properly" handling this rape scene as a benchmark, was there anything horrible happening to anyone in the whole series that was dealt with "properly" in that sense?

Do you just watch a show to watch bad things happen to characters with no resolution?
 
Which is my point. You can't throw out "it's congruent with the time period" like it's some kind of explanation that we should just accept for something we don't like.
In don't think it means you should accept it, after all can you always just stop watching the show. It's just the explanation why the show is like it is.
 
Okay, but plenty of things were used as "scene dressing" in that sense. I mean, it's a fucking violent world and really bad things happen to almost anybody. If you use the idea of "properly" handling this rape scene as a benchmark, was there anything horrible happening to anyone in the whole series that was dealt with "properly" in that sense?

Sure tons were dealt with properly!

Cersei murdering bastards (including children) told us a lot about Cersei's devotion to protecting her kids and also drove Gendry's plot forward by getting him out of King's Landing.

Ned died as the inevitable result of his character arc, set expectations for the story as a whole, and was the driving force for basically the rest of the series. We've seen basically every character react to and process it. Same thing with the Red Wedding.
 
Did she not already go through with a marriage to the son of the man who killed her mother and brother, the uncle of the man who killed her father?

At what point does this moronic retread of a storyline exemplify her being stronger?

Who's to say her story arc is to be stronger? Sometimes your story arc is getting stabbed in the uterus.

Sansa was raised to be a submissive, baby-bearing wife to a dashing young Lord.

She has no particular skills outside of knitting and singing and being pretty. And now she knows how to lie.

Being stronger does NOT mean becoming a spunky Disney princess (I almost lol'd at the suggestion that she force Ramsay to leave Theon outside. Fucking how?). I've seen posters in the no spoiler thread complain when Dany feeds people to her dragons, crucifies or beheads slavers and murderers, or when she makes the unilateral decision of marrying for peace rather than love. Dany is a powerful person. She makes decisions that get people killed every day. Sansa has no power. Her decision to go along with the wedding to Joff, the wedding to Tyrion, and her decision to reveal herself at Winterfell, are exercising the only power she has had so far; being a suitable bride from a powerful family that demands loyalty from a rather large swath of land. If she didn't have her name, Ramsay would turn her into hamburger within a week. Being his bed slave is exercising power - if Stannis fails, her having his children gives her power over the North.

It's not progressive, but that's life in the middle ages.
 
So...how did people react to the the Khal Drogo and Dany rape scene in season 1?....
This was a lot less explicit in comparison.
Or Craster's Keep where a man kept his daughters to rape and father their children. Or is that all okay because we don't get to hear their cries?
 
Who's to say her story arc is to be stronger? Sometimes your story arc is getting stabbed in the uterus.

Sansa was raised to be a submissive, baby-bearing wife to a dashing young Lord.

She has no particular skills outside of knitting and singing and being pretty. And now she knows how to lie.

Being stronger does NOT mean becoming a spunky Disney princess (I almost lol'd at the suggestion that she force Ramsay to leave Theon outside. Fucking how?). I've seen posters in the no spoiler thread complain when Dany feeds people to her dragons, crucifies or beheads slavers and murderers, or when she makes the unilateral decision of marrying for peace rather than love. Dany is a powerful person. She makes decisions that get people killed every day. Sansa has no power. Her decision to go along with the wedding to Joff, the wedding to Tyrion, and her decision to reveal herself at Winterfell, are exercising the only power she has had so far; being a suitable bride from a powerful family that demands loyalty from a rather large swath of land. If she didn't have her name, Ramsay would turn her into hamburger within a week. Being his bed slave is exercising power - if Stannis fails, her having his children gives her power over the North.

It's not progressive, but that's life in the middle ages.

And at some point, it isn't interesting to watch. Characters will no arc and no agency and not even a sliver of desire for agency make boring and bad TV.
 
Let me amend:



What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.

And if we're only depicting a rape in order to develop a male character, come the fuck on.
Why not wait until we see the conclusion of the matter before forming full-throated opinions?

No reason at present to assume it won't add to her character development. Every time you type or quote someone saying the word, "assume" you need to understand it just makes people more annoyed. Let it play out and offer your critique after the final stanza has played out. Otherwise, you just look like someone who has paused a movie a room full of people are watching in the middle to go on a long diatribe about something that may not even be an issue by the end.

And at some point, it isn't interesting to watch. Characters will no arc and no agency and not even a sliver of desire for agency make boring and bad TV.
And you've seen neither the conclusion of this season nor their plan for her in future seasons. So why are you speaking about this episode as if this is a series finale post mortem?

It's incredibly boring to watch you just sort of imagine the ending them lecture based on what you see in your head.
 
Let me amend:



What does this accomplish for Sansa, narratively? Again, I haven't seen the last 4 episodes, but I'm struggling to think of an answer, given where this season has been and the ways in which the show has dealt with rape in the past, I'm not expecting this to actually contribute to some sort of arc for Sansa because she's already as kicked down as she can be at the moment. And that's just a micro concern, not even a macro concern about the laziness of using rape as a catalyst for change.

And if we're only depicting a rape in order to develop a male character, come the fuck on.

She willingly put herself into a situation where she would be raped by this awful human being. You can ask yourself what it says about her character that she would be willing to do that, knowingly having a choice to even go back to Winterfell. You could ask how these self-destructive acts could shape her character down the line, not too different to how Cersei may have been hardened by her years with Robert Baratheon. One of the show's major themes is the fluidity of power and subjugation. Her forcing herself into this game is going to have an affect on her as a character, we just need to see how it's going to play out.
 
No one is mad about it's relative tameness or lack thereof.

Unless people are mad that it was boring and predictable, there's no reason to be mad. The show has set the rules already, this rape scene is a blip at best compared to what has happened before in the show.
 
You haven't seen the last 4 episodes? Get the fuck outta here with this baseless contextless nonsense then...

I think he means the last four of the season, not the previous four that just aired?

People are making a big deal about this? Everytime someone in the series has a wedding sex is implied to come afterwards the only disgusting thing about it is Ramsey being a dick making Reek watch.

In real life too :P
 
Do you just watch a show to watch bad things happen to characters with no resolution?
It's not really what I said, so no.

I used the term "properly" in quotation marks because of what I assumed was meant by this.

How do you determine what future actions are at least partly due to this? How explicit do these hints have to be?
 
It wasn't Sansa's plan to go to Winterfell and marry Ramsay, it was Littlefinger's (though she agrees with the plan when it's presented to her). As we've been reminded twice now in the show, the Starks still have supporters in the North; Sansa being there to rally their support to her is fewer people to lend their support to Bolton when Stannis inevitably arrives.

Having Sansa in the Vale when the whole battle goes down makes Stannis' job that much harder and legitimizes Bolton's role as warden of the north more; at least Bolton is from a northern family, while Stannis is just an invader.

Bolton is from a northern family who betrayed and murdered the Starks and who is currently going around flaying people. The Northerners would most likely support Stannis anyway even if Sansa was in the Vale.

This is a very weak reason to put up with marrying and being raped by a psychopath.

Scenario 1: Stay at vale. Stannis wins. Boltons die. Sansa is never in any danger.

Scenario 2: Stay at vale. Bolton wins. Then propose marriage and do this current stupid suicide assassination mission.

Scenario 3: Marry Bolton without waiting for Stannis because she wants to be raped. Or rather, the writers do. Because it makes no sense for her to decide to put herself there when Stannis is already on his way to kill the Boltons.

Sansa being there and married to Ramsay gives her back of degree of control over Winterfell when all's said and done, none of which she would have if she was still single, virgin, and off in the Vale.

Stannis would give her control anyway for the same reason he tried to give control to Jon.
 
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