Nearly 160 hours in, MGSV still feels SO GOOD to play (controls, feedback, game feel)

The level design is excellent in this game. Each installation feels unique, with multiple ways in and out, routes around/over/under enemies, makeshift cover with hiding places, lights to shoot out, distractions to create, etc.

Some favorites that come to mind (and the names allude me, being in a foreign tongue):

A terraced hillside village with layered and overlapping housing, with wraparound decks and hilly alleyways, rife with sniper perches and lighting to shoot out; a camp in a wetland connected by boardwalks lined with tiki torches, with rolling hills and dense forest on the perimeter and outposts throughout; a collapsed palace with interconnected rooms and floors bridged by rubble; an intricate cave system and the camp at its exterior, with two distinct paths around the perimeter; a quarry with descending layers and backdoor exits; the oilfield with its interior/exterior pathways and multi-level backend; a Fallingwater-esque mansion at the crossroads of a rugged mountain path to the north, and a three-pronged river valley with outposts, lush jungles, and hidden waterfall path to the south; and of course OKB Zero with its many approaches.

These are just the first that spring to mind. I thoroughly enjoyed all of them. Many of the installations feel similarly complex to Arsenal Gear in MGS4, which was arguably the best-designed level in that game.

And when you go for the optional mission tasks, it's neat how much variety they pack into them. I really came to appreciate the open world in the many instances where you had to stalk targets from one installation to the next, find chokepoints to sabotage or stall enemy movements, or deduce the optimal path to stop an execution or rescue an escapee. Scripted moments play out differently depending on when and where certain characters meet each other, and eavesdropping on them without arousing suspicion can turn a seemingly routine mission into a detective yarn with its share of sleuthing. I love how complex and nonlinear many of the missions can be. High potential for replay here. :-)
 
Input response, control fidelity and animation are second to none, nothing I've played comes close.

Which makes it even more of a shame that the rest of the game is so lacking.
 
Yep, agree with OP 100%. Phantom Pain has honestly spoiled me, if I had to use one word to describe the controls they're seamless. I think Big Boss is one of the best animated third person characters in a game, and even though the animation is great and BB can do so many things like dive to cover, roll on his stomach and back, aim sideways while on the ground, etc.. the game still doesn't sacrifice responsiveness.

I love vaulting over things, it's so smooth and just one button press away. I love pressing the action button and watching the animation play out. CQC is also very fun to use. It really is one of the best playing TPS games out there, period. Playing the Uncharted 2 demo after this felt like step back. Not to shit on the Uncharted games because I love them too but as far as controls MGSV has it beat, no question. Drake felt so floaty to control.

If more TPS games had controls like these things would be so much better. Can't even think of going back to say, Assassin's Creed. Those games the controls felt weighty in a way I just don't really like. Even turning up camera sensitivity it felt floaty in AC games.

Just imagining a game like Sniper Elite with your character controlling like Big Boss does, damn....
 
Sometimes I just like to boot up MGO3, hop in the Walker Gear at the start, and walk downriver. Walk slowly, and appreciate the locomotion of the machine. The controller rumble with each step. The way its feet align with the terrain. The way its body lurches with a tangible heftiness. Turn gently in an arc, then turn tightly, and note how it leans and balances itself. It's graceful, it's precise, it's powerful. It has personality and presence. Just a joy to control.
 
Agreed with OP, responsive controllers and weight shifting in perfect harmony.

Another thing:

Mother----fucking----enemy------hit-----reaction

MGS has been doing this in since MGS 1, and has been a personal standard setter since then. Rockstar finally started implementing this with their engine starting from GTA 4, but the hits in MGS just feel nice.
 
I'm still early(mission 10) but so far my impressions match Neiteio's ones, it's so polished. I'll see by myself if story is do disappointing etc, but with this gameplay i won't even care(just like PW, i had fun with that game despite it was a bad MGS).

GAF's opinions make me think MGSV is like the DMC4 of the MGS series.
 
Agreed with OP, responsive controllers and weight shifting in perfect harmony.

Another thing:

Mother----fucking----enemy------hit-----reaction

MGS has been doing this in since MGS 1, and has been a personal standard setter since then. Rockstar finally started implementing this with their engine starting from GTA 4, but the hits in MGS just feel nice.
I find it especially satisfying to throw an enemy body onto another enemy and knock him out this way. It really feels like you're throwing 200 pounds onto another person. The crash and way they collapse in a heap... It's so good.
 
I find it especially satisfying to throw an enemy body onto another enemy and knock him out this way. It really feels like you're throwing 200 pounds onto another person. The crash and way they collapse in a heap... It's so good.

I swear when MGS 2 came out, it had better hit-reaction than most shooters (first or third-person) in the market. It was insane.
 
Best gameplay in the series and some of the best in the industry.

The game is repetitive as fuck but the gameplay is so good and full of options that it doesn't feel repetitive at all. Pity about the story not being completed
 
IMO the game has lots of rough edges. I did manage to play about 90 hours of it but the last 20 were full of aggravation and frustration.

There's too much context specific inconsistency. Like sometimes you can climb over a wall/cliff but sometimes you can't and sometimes you end up sliding off a small incline and have to go around simply because the game has decided you can't traverse it for no good reason.

Hit detection on armor clad enemies can sometimes be off, like you're aiming them in a non-armored area but hear the ping of your tranq shot hitting their helmet anyway. That said I'm glad that you can at least shoot them in the face most of the time.

After Ground Zeroes I haven't really found a single area in TPP that is as well designed.
 
That's the Japan game-dev magic you are talking about. The one thing most of them nail down perfectly.
I get the same positive feeling from just controlling my avatar in games like Bayonetta, Smash Bros, Vanquish, every Mario.

It seems to be one of their priorities. 60 Fps also contribute a lot to this effect.

Lol at the Witcher 3 drive-by post. W3 controls are only a small improvement to what we are used from Western open world RPGs and MMOs. Western devs prioritize other things for sure. Naughty Dog is the one Western Dev that finally gets this right. Moving Joel around>>>>>>>>>>>>>>Geralt
 
Playing the uncharted collection after this is like a joke.

Drake feels like a floaty cartoon character compared to the weighty/solid feel of snake's movements in MGSV.
 
I find the game very disappointing on a lot of levels, but the gameplay and the feel of the controls are just utterly sublime. Shooting, switching weapons, sprinting and bellysliding and everything in between, it just feels so brilliant under the thumbs. It's Platinum-esque, which is just about the highest praise I can give. And mapping the Scope to its own button, nice clicky radial menus, the incredibly useful Call menu for controlling Buddies or ordering around dudes. Pulling up a gun and switching from over-the-shoulder to iron sights, changing zoom levels in the scope, switching to the underbarrel, taking the suppressor on and off; excellent controls and an equally excellent button layout.

About the only complaint I can come up with is the traversal system, which works perfectly when you're clambering around man-made structures, but out in the wilderness it's all too easy to get into that infinite loop of climbing up and sliding down a two foot ledge. It feels like it's something just needed a little more time in the oven to fix, though.

I play games like GTA and Assassin's Creed and I wonder how so many developers can spend so much time making these huge, high-budget games that just feel like shit to play. 12 teams and 1000 people working on the game for four years, and it's still a nightmare to steer your sluggish, unresponsive character through a doorway. I mean, you can get used to it and still have fun with the game once you adjust, but why not just have the game feel awesome all the time? Why would anyone want to push the analogue stick all the way forward and have the character move at walking speed, for example? Who likes that shit? I get that you want to show off your exhaustively mo-capped walking animation but, motherfucker, I'm trying to play a video game here. I've got places to be.
 
About the only complaint I can come up with is the traversal system, which works perfectly when you're clambering around man-made structures, but out in the wilderness it's all too easy to get into that infinite loop of climbing up and sliding down a two foot ledge. It feels like it's something just needed a little more time in the oven to fix, though.

Yes indeed, it feels buggy. But it's the one major technical issue I encountered in my 200 hours playtime, besides:
- one time being ignored by enemies who ran past me in a building
- shooting the water pistol at the head of a knocked-out enemies beams them back into standing position

On the other hand:
- only minor slowdowns
- no freezes
....
 
Are we talking about controls? MGS4.
Wow, I couldn't disagree more. I thought MGS4 controlled like an absolute dog, clumsy and restrictive with stiff, robotic animations. It felt utterly amateurish to me.

MGS:GZ does control far better though, I assume MGS5 is about the same.
 
So serious question, some of you have said you've put in 160-250 hours into MGSV already. How does that even work? The game has been out for bit over a month, that is 5-10 hours a day EVERY SINGLE DAY. How does that work, are you guys on holiday? I'm not judging btw, more like jelly!
 
Online is great because of the gameplay, balance issues be damned.

I'm still looking for a good keybinding layout on PC though. The only problem I have wit the controls on gamepad is the speed of aiming, which is only due to the nature of joysticks, not the game itself. The default keybindings in GZ was horrible, so I never even bothered with TPP, but if anyone has suggestions, I'm open to them.
 
Going back to the Witcher 3 after only a little bit of time with MGSV highlighted how GOOD MGSV's controls are. Probably one of the best playing/feeling games that I've ever played. That's about the only reason I continued to play for as long as I did.
 
Agree 100% with OP.

I was looking forward to Just Cause 3, and then I played MGSV. While it would be incredible for JC3 to have MGSV's guard AI, but I'm expecting it to be just a prettier JC2, and I'm not sure that's good enough anymore.
 
The gameplay is fantastic, of that I agree. While I have problems with MGS5, the gameplay is nearly perfect. The only thing, I feel like the CQC is a bit dumbed down, I don't like it quite as much but otherwise I absolutely love how tight and responsive the controls are. I love all of the animations, the little things like the way your character can roll from the prone position and shoot from his stomach, side, back, and anything in between. There are so many little details, you can see the imprints of Kojima's gameplay touches on the game.
 
I hope the lead programmer for the next GTA takes notice, MGSV nails the 3 person gameplay

I played some GTA V the other day after playing a lot of MGSV and it felt awful. I hate the controls, I hate the cover system, I hate the way the weapons work, I hate how you have to mash A to run...

MGSV has a lot of issues, but mechanically it's bliss.
 
I hope the lead programmer for the next GTA takes notice, MGSV nails the 3 person gameplay

I remember a pre-release interview with Rockstar about how they implemented Max Payne 3's gunplay into GTA5. Given how people talk about the game, I suspect that they may have been somewhat embellished.
 
It's baffling that MGSV's gameplay is refined in so many areas... except when it comes to vertical mobility where you're severely limited. It's especially disappointing when you consider how every other major game featuring stealth in recent years offers quick means of vertical traversal. Deus Ex's high jump, Dishonored's Blink, Splinter Cell and Assassin's Creed's climbing, Batman's grappling gun, Tomb Raider's jump and rope arrow, Far Cry's jump and ledge climbing, etc.

Want to reach high ground in MGSV? Better run around until you find deliberately placed stairs or inclines. How does Big Boss not have climbing gear, at the very least? It's frustrating enough that the dude sometimes struggles to simply mount himself over rocks in this game.
 
I haven't really thought about the controls too much. I mean, they are good, but I guess I just haven't been thinking about that very much.

I play with the KB+M on a PC. :p
 
The level design is excellent in this game. Each installation feels unique, with multiple ways in and out, routes around/over/under enemies, makeshift cover with hiding places, lights to shoot out, distractions to create, etc.

Some favorites that come to mind (and the names allude me, being in a foreign tongue):

A terraced hillside village with layered and overlapping housing, with wraparound decks and hilly alleyways, rife with sniper perches and lighting to shoot out; a camp in a wetland connected by boardwalks lined with tiki torches, with rolling hills and dense forest on the perimeter and outposts throughout; a collapsed palace with interconnected rooms and floors bridged by rubble; an intricate cave system and the camp at its exterior, with two distinct paths around the perimeter; a quarry with descending layers and backdoor exits; the oilfield with its interior/exterior pathways and multi-level backend; a Fallingwater-esque mansion at the crossroads of a rugged mountain path to the north, and a three-pronged river valley with outposts, lush jungles, and hidden waterfall path to the south; and of course OKB Zero with its many approaches.

These are just the first that spring to mind. I thoroughly enjoyed all of them. Many of the installations feel similarly complex to Arsenal Gear in MGS4, which was arguably the best-designed level in that game.

And when you go for the optional mission tasks, it's neat how much variety they pack into them. I really came to appreciate the open world in the many instances where you had to stalk targets from one installation to the next, find chokepoints to sabotage or stall enemy movements, or deduce the optimal path to stop an execution or rescue an escapee. Scripted moments play out differently depending on when and where certain characters meet each other, and eavesdropping on them without arousing suspicion can turn a seemingly routine mission into a detective yarn with its share of sleuthing. I love how complex and nonlinear many of the missions can be. High potential for replay here. :-)

Yep, nailed it.

You mention Arsenal in MGS4 and I agree with you about that being a great area in that game, but it's a prime example for showing why MGS5 is even better. In MGS4 the frogs are scripted completely, they will always appear when you hit certain points. Basically the game cheats, and you can't out-plan the enemies until after you trigger them.

This type of AI cheating is all over MGS4 and MGS2 to a lesser extent. Like the enemies spawning forever CoD style in Act 1 and Act 2. Stealth an area but then, oops- time to infinitely spawn more enemies directly in front of or behind Snake. This is aggravating as hell. What's amazing about MGSV is doesn't do that type of scripting with very few exceptions (usually involving prisoners). Guards have patrols they go on without the psychic AI bullshit. And the areas are just as tense to sneak through. If a guard comes through and finds a body it's because it was a long range recon patrol that always would, or a set shift change that'd always occur regardless of where the player is. This is brilliant because it allows one to plan, yet also be surprised by enemies in a fair way.

I know this is a thread for the controls, but since a lot of people aren't staying just to that topic I just gotta say: MGSV doesn't get enough credit for how great the systems of AI it has work, and how it juggles them. You have tons of AI soldiers in an area, with great reactions to pretty much everything the player does. From firing a silenced gun, seeing missing supplies, missing vehicles, seeing a box move, etc. The AI also multitasks. If a soldier thinks he sees a suspicious individual, and then hears a noise he may look in the noise's direction briefly, but then will go right back to investigating the more important suspicious individual rather than forgetting about them (like GZ and previous games). On top of that it also is keeping track of the AI on long patrols, and state of alert in other bases.

Just having all that would already make the game great AI wise. But there's so much more. There's other AI going, AI buddies are all pretty great. And the enemy AI can actually see them, no Last of Us style invisible buddies here. If the soldiers see Quiet they'll react, same if she knocks someone down while traveling. You can recreate the scripted CoD "you take the one on the left, I'll take the right one" at any time. D-walker will be destroyed on sight. If the enemies see d-dog they'll shoo him away. If they're searching for Snake they'll ask "Hey boy, smell someone?", or if d-dog charges they'll react accordingly and shoot. There's multiple levels to each interaction accounted for and it makes the game feel great to interact in. Sure D-dog will run around and into guards as a big dog would, but you can tell him to sit and it's pretty minor considering the amount of ground and obstacles he and Snake can traverse. This interaction continues with the wild animals around. The AI will engage each threat accordingly, and separately. This allows the player to use the animals, buddies, and helicopter to all be diversions.

And one more thing, having a separate alert and combat alert is brilliant and makes that possible. It works a lot better than the way MGS4 shoe-horned the old one into its battlefields. And even if one uses a weapon and shoots at enemies from a distance and are not seen, if you keep firing they'll pick up on the location the fire is originating from blindly return fire even if they don't know for sure the player is there exactly. It's a lot more fair then them just knowing like the old games and getting an alert while still offering some resistance to just sniping everything. Oh and how the enemy fights in a combat alert is also great, once Snake breaks line of sight they will assume he's in that area, they won't psychically know if he went somewhere else unless they see him go there. Watching them shoot the hell out where I used to be while sneaking behind them is a thrill. Things like decoys give great ways to test and explore this.

Combine these controls and AI systems and you've got something that is fun to play regardless of environment. That said, I'd put the level design of the bases in mission 3, 4, 6, 9, 12, 13, 16, 28, 30, and 35 up against any of the areas in MGS4. MGS4 offering similar advances in tech, similarly large areas, and being known for similarly good level design as the previous games.

In fact, let's compare the traveling through the power plant area and mansion to the Laughing Octopus battle (arguably the best of the beauty core) in Act 2 of MGS4 to Mission 6 "Where the bees sleep" in MGSV. So the areas themselves are similarly large and filled \ as many nooks, hidden goodies, and secret paths. Both have small buildings that can be entered. The rewards for exploring those areas in MGS4 are chaff grenades, prisoners to save, ipod tracks, and guns. MGSV is similar and saturated with rewards like radios, soldiers, prisoners, diamonds, and materials. They've got the same patrolling helicopter and heavy enemy presence, etc. Although mission 6 does without the bullshit infinitely re-spawning like in 4.

If the player takes out the snipers on the bridge in MGSV, they accomplished something, same if they shoot down the helicopter. The game rewards them with less threats in the area and more points. If they extracted the soldiers, potentially new soldiers with cool skills as well. If the player takes out the snipers in the towers in the area past the power plant in MGS4, another one will magically appear 1 minute later and knowingly take the dead or knocked out soldiers place. One gets nothing other than the drebin points if for picking up his gun before he gets there. Shitty risk reward there. Coming across the helicopter in mission 6, its patrol is actually a serious concern. In daylight it can easily spot the player if they're anything but prone. If it does get alerted and the player hasn't brought a missile launcher Snake is fucked in a fight. Unless they call in a launcher and avoid it in combat until they can retrieve it. If one manages to sneak by, it's a real relief. Take it out, and it really feels like something was an accomplished. The threat is removed permanently and the player get points towards rank and achieve a hidden side objective for it. Now let's compare that to MGS4's patrolling chopper. This might as well be a prop. It can't see Snake unless it's an alert. It doesn't even shoot at the rebels if I recall correctly. If the player decides to destroy it they effortlessly go into inventory, equip a missile launcher, and hit with ease since it moves so slowly. Then they get some drebin points. woo. Oh and then in another minute the same helicopter comes and takes it's place. :/

So okay, what about those prisoners? That's where MGS4 should shine given the emphasis put on the battlefield. In 4 prisoners are about to be executed. Sneak by or risk detection to save them. Saving these initial prisoners gets outfit and shotgun, pretty good. But past that the rebels come in to help whether saved or not, but still it's a good sandbox where the player gets to figure out how they want to save them. Saving further prisoners doesn't offer any reward, they will just run off screen or get shot immediately. Although, if Snake helps them take out the power plant (the only way to stop the infinite soldiers in that area) it'll leave have an extra path without enemies an access to a area with a stinger. Also a decent reward (well not the stinger, that's pretty worthless compared to the Javelin). Now to the prisoner in MGSV, sneak to the bridge and one can see him getting water-boarded and interrogated (this is actually the animation ripped directly from a cutscene in the e3 redband trailer, just with soviets instead of marines). Can choose to save him there by rushing over or can mark him and watch him lead me directly to the mission objective. The key difference here is this all very subtle, if the player doesn't carefully scope out the area they may never see this prisoner, it doesn't cut to a cutscene and throw the stakes in anyone's face. Rather, even noticing the prisoner is a reward for observant players. This is the thing that makes V so controversial. Some want that cutscene, they don't want to potentially miss a cool gameplay gimmick. Others like having to earn that intel, and become more engaged from knowing they found something on their own. In any case if tracked the prisoner he will eventually lead the soldiers on a windy path to the Honey Bee, where they'll execute him. Orthe player can set up a trap for the guards and extract him. The main reward at stake here is the location of the hidden mission objective, getting a most likely good soldier and completing another hidden extra objective. Certainly a pretty good reward in it's own right since the caverns are big and double back a lot. Seems like a wash design wise since both offer a lot to do with the prisoner.

So what about exploring? As pointed out, both areas in the games offer substantial shortcuts if you explore. Both offer rewards in terms of hidden items. Diamonds and materials found are arguably more valuable due to the improved economy over 4, which basically gives infinite drebin points. But MGS4 does give out that shotgun and chaff grenades, unique items that can't be found elsewhere. The rest of the guns are basically worthless though, and MGS5 has similar things with blueprints or prisoners that can make new guns, but not in this mission. So it seems about the same to me.

So then there's the boss encounters, vs. Skulls and Laughing Octopus, respectively. First time through, Octopus is definitely more substantial, with all her tricks and such. And the Frogs offer a nice chance to potentially sneak up on them for a change rather than just shooting, the only place with really varied tactics possible in the fight. I have to give the gimmicks and bombast to Octopus certainly, hiding as a dead enemy or a painting, its great! But I really like the encounter with the skulls too. Because it has the one thing the actual fight with Octopus is lacking, a myriad of ways to take her down. With the Skulls the player is given an immediate choice, use the honey bee or not. If used it will mean be throwing away a lot of mission points. But if one doesn't care about rank it's got a great weapon to use. Miller also makes it clear running is a viable and safe tactic and that meaning the potential is there to run or sneak past the skulls. On top of that there's even more options, not spelled out explicitly. Such as the way I went my first time through, my plan was to try using an LMG but that fell through and I figured the fight out in a different way:

https://www.youtube.com/watch?v=VlPTn7u3IvM

Dying a few times and then discovering I could counter their attacks and take them out in a smooth and cinematic fashion was extremely rewarding. It made me feel even better than after beating Octopus, and the things I did in her fight like figuring out that comically huge Mark II was the boss and not actually Otacon. Because I figured it out, the game didn't even tell me that was an option. Of course, the reward comes because it is all optional.

MGS4 ensures the player sees that cool moment, makes them see it. V has those moments too, but leaves them to be found or potentially missed by the player. Making the experiences far more subjective in it versus 4. I think that's one reason opinions on it vary so wildly. If someone fought the Skulls in a different way and their fight sucked, was unsatisfying, left them hollow- that's obviously a valid experience and feeling. Whereas everyone is basically going to get the same fight with Octopus. Maybe they a gun that damaged her blue bar instead, but the actual actions of how they did it will pretty much be the same. Even hitting her with an assault rifle vs a LMG doesn't really change the speed of the fight (unlike with skulls where an LMG tears them up in mission 6 as I later found going back to retry that strategy from earlier). And that's another big thing, anyone can go back and try a different, more fun strategy with them. As opposed to Octopus which is lacking in that department compared to previous MGS bosses. This difference of letting the player discover vs. force feeding carries into the other things I mentioned. It's why the soldiers infinitely respawn in MGS4, the games wants to make sure the player sees them, to know wow, this place is battlefield! Same reason the Frogs are scripted to appear in Act 5 as the player sneaks through, to make sure they all have the same tense experience of a frog squad patrolling right past them. MGSV is confident enough in its gameplay and advanced AI systems to know someone sneaking through OKB0 is going to have that tense moment if they choose to.

So yeah, I guess I'm not seeing the gulf in scenario and level design quality between this and other recent MGS games people talk about. I see it as a different approach to how it is presented, but the core quality is still there and just as good. Players just might not see it depending on how they play.

Okay there, huuge off-topic rant that no one will probably read over (maybe I'll repost in a more relevant thread or make a thread).

Back on topic, being able to cqc from the ground is such a great small yet welcome change. https://www.youtube.com/watch?v=rCISJDiAEco
 
Only games close to MGSV when it comes down to movement are Ex Troopers, Monster Hunter Series beginnig at 3rd gen and the Souls games.
In all of these Games Movement feels just natural after a few hours. Like stepping on a bike after and just knowing how to control it.
 
I swear sone of these posts make me feel like I'm playing a totally different game, I've had to go to the same locations Over and Over again to do the same fucking shit, extract the prissiones, extract the soldier, get the blueprint and here's the main quest mission in THAT FUCKING SAKE PLACE.

I could write an essay on everything thats wrong with the game, but the controls are not one of them, everything else... God help me finish this.
 
Yep, nailed it.

You mention Arsenal in MGS4 and I agree with you about that being a great area in that game, but it's a prime example for showing why MGS5 is even better. In MGS4 the frogs are scripted completely, they will always appear when you hit certain points. Basically the game cheats, and you can't out-plan the enemies until after you trigger them.

This type of AI cheating is all over MGS4 and MGS2 to a lesser extent. Like the enemies spawning forever CoD style in Act 1 and Act 2. Stealth an area but then, oops- time to infinitely spawn more enemies directly in front of or behind Snake. This is aggravating as hell. What's amazing about MGSV is doesn't do that type of scripting with very few exceptions (usually involving prisoners). Guards have patrols they go on without the psychic AI bullshit. And the areas are just as tense to sneak through. If a guard comes through and finds a body it's because it was a long range recon patrol that always would, or a set shift change that'd always occur regardless of where the player is. This is brilliant because it allows one to plan, yet also be surprised by enemies in a fair way.

I know this is a thread for the controls, but since a lot of people aren't staying just to that topic I just gotta say: MGSV doesn't get enough credit for how great the systems of AI it has work, and how it juggles them. You have tons of AI soldiers in an area, with great reactions to pretty much everything the player does. From firing a silenced gun, seeing missing supplies, missing vehicles, seeing a box move, etc. The AI also multitasks. If a soldier thinks he sees a suspicious individual, and then hears a noise he may look in the noise's direction briefly, but then will go right back to investigating the more important suspicious individual rather than forgetting about them (like GZ and previous games). On top of that it also is keeping track of the AI on long patrols, and state of alert in other bases.

Just having all that would already make the game great AI wise. But there's so much more. There's other AI going, AI buddies are all pretty great. And the enemy AI can actually see them, no Last of Us style invisible buddies here. If the soldiers see Quiet they'll react, same if she knocks someone down while traveling. You can recreate the scripted CoD "you take the one on the left, I'll take the right one" at any time. D-walker will be destroyed on sight. If the enemies see d-dog they'll shoo him away. If they're searching for Snake they'll ask "Hey boy, smell someone?", or if d-dog charges they'll react accordingly and shoot. There's multiple levels to each interaction accounted for and it makes the game feel great to interact in. Sure D-dog will run around and into guards as a big dog would, but you can tell him to sit and it's pretty minor considering the amount of ground and obstacles he and Snake can traverse. This interaction continues with the wild animals around. The AI will engage each threat accordingly, and separately. This allows the player to use the animals, buddies, and helicopter to all be diversions.

And one more thing, having a separate alert and combat alert is brilliant and makes that possible. It works a lot better than the way MGS4 shoe-horned the old one into its battlefields. And even if one uses a weapon and shoots at enemies from a distance and are not seen, if you keep firing they'll pick up on the location the fire is originating from blindly return fire even if they don't know for sure the player is there exactly. It's a lot more fair then them just knowing like the old games and getting an alert while still offering some resistance to just sniping everything. Oh and how the enemy fights in a combat alert is also great, once Snake breaks line of sight they will assume he's in that area, they won't psychically know if he went somewhere else unless they see him go there. Watching them shoot the hell out where I used to be while sneaking behind them is a thrill. Things like decoys give great ways to test and explore this.

Combine these controls and AI systems and you've got something that is fun to play regardless of environment. That said, I'd put the level design of the bases in mission 3, 4, 6, 9, 12, 13, 16, 28, 30, and 35 up against any of the areas in MGS4. MGS4 offering similar advances in tech, similarly large areas, and being known for similarly good level design as the previous games.

In fact, let's compare the traveling through the power plant area and mansion to the Laughing Octopus battle (arguably the best of the beauty core) in Act 2 of MGS4 to Mission 6 "Where the bees sleep" in MGSV. So the areas themselves are similarly large and filled as many nooks, hidden goodies, and secret paths. Both have small buildings that can be entered. The rewards for exploring those areas in MGS4 are chaff grenades, prisoners to save, ipod tracks, and guns. MGSV is similar and saturated with rewards like radios, soldiers, prisoners, diamonds, and materials. They've got the same patrolling helicopter and heavy enemy presence, etc. Although mission 6 does without the bullshit infinitely re-spawning like in 4.

If the player takes out the snipers on the bridge in MGSV, they accomplished something, same if they shoot down the helicopter. The game rewards them with less threats in the area and more points. If they extracted the soldiers, potentially new soldiers with cool skills as well. If the player takes out the snipers in the towers in the area past the power plant in MGS4, another one will magically appear 1 minute later and knowingly take the dead or knocked out soldiers place. One gets nothing other than the drebin points if for picking up his gun before he gets there. Shitty risk reward there. Coming across the helicopter in mission 6, its patrol is actually a serious concern. In daylight it can easily spot the player if they're anything but prone. If it does get alerted and the player hasn't brought a missile launcher Snake is fucked in a fight. Unless they call in a launcher and avoid it in combat until they can retrieve it. If one manages to sneak by, it's a real relief. Take it out, and it really feels like something was an accomplished. The threat is removed permanently and the player get points towards rank and achieve a hidden side objective for it. Now let's compare that to MGS4's patrolling chopper. This might as well be a prop. It can't see Snake unless it's an alert. It doesn't even shoot at the rebels if I recall correctly. If the player decides to destroy it they effortlessly go into inventory, equip a missile launcher, and hit with ease since it moves so slowly. Then they get some drebin points. woo. Oh and then in another minute the same helicopter comes and takes it's place. :/

So okay, what about those prisoners? That's where MGS4 should shine given the emphasis put on the battlefield. In 4 prisoners are about to be executed. Sneak by or risk detection to save them. Saving these initial prisoners gets outfit and shotgun, pretty good. But past that the rebels come in to help whether saved or not, but still it's a good sandbox where the player gets to figure out how they want to save them. Saving further prisoners doesn't offer any reward, they will just run off screen or get shot immediately. Although, if Snake helps them take out the power plant (the only way to stop the infinite soldiers in that area) it'll leave have an extra path without enemies an access to a area with a stinger. Also a decent reward (well not the stinger, that's pretty worthless compared to the Javelin). Now to the prisoner in MGSV, sneak to the bridge and one can see him getting water-boarded and interrogated (this is actually the animation ripped directly from a cutscene in the e3 redband trailer, just with soviets instead of marines). Can choose to save him there by rushing over or can mark him and watch him lead me directly to the mission objective. The key difference here is this all very subtle, if the player doesn't carefully scope out the area they may never see this prisoner, it doesn't cut to a cutscene and throw the stakes in anyone's face. Rather, even noticing the prisoner is a reward for observant players. This is the thing that makes V so controversial. Some want that cutscene, they don't want to potentially miss a cool gameplay gimmick. Others like having to earn that intel, and become more engaged from knowing they found something on their own. In any case if tracked the prisoner he will eventually lead the soldiers on a windy path to the Honey Bee, where they'll execute him. Orthe player can set up a trap for the guards and extract him. The main reward at stake here is the location of the hidden mission objective, getting a most likely good soldier and completing another hidden extra objective. Certainly a pretty good reward in it's own right since the caverns are big and double back a lot. Seems like a wash design wise since both offer a lot to do with the prisoner.

So what about exploring? As pointed out, both areas in the games offer substantial shortcuts if you explore. Both offer rewards in terms of hidden items. Diamonds and materials found are arguably more valuable due to the improved economy over 4, which basically gives infinite drebin points. But MGS4 does give out that shotgun and chaff grenades, unique items that can't be found elsewhere. The rest of the guns are basically worthless though, and MGS5 has similar things with blueprints or prisoners that can make new guns, but not in this mission. So it seems about the same to me.

So then there's the boss encounters, vs. Skulls and Laughing Octopus, respectively. First time through, Octopus is definitely more substantial, with all her tricks and such. And the Frogs offer a nice chance to potentially sneak up on them for a change rather than just shooting, the only place with really varied tactics possible in the fight. I have to give the gimmicks and bombast to Octopus certainly, hiding as a dead enemy or a painting, its great! But I really like the encounter with the skulls too. Because it has the one thing the actual fight with Octopus is lacking, a myriad of ways to take her down. With the Skulls the player is given an immediate choice, use the honey bee or not. If used it will mean be throwing away a lot of mission points. But if one doesn't care about rank it's got a great weapon to use. Miller also makes it clear running is a viable and safe tactic and that meaning the potential is there to run or sneak past the skulls. On top of that there's even more options, not spelled out explicitly. Such as the way I went my first time through, my plan was to try using an LMG but that fell through and I figured the fight out in a different way:

https://www.youtube.com/watch?v=VlPTn7u3IvM

Dying a few times and then discovering I could counter their attacks and take them out in a smooth and cinematic fashion was extremely rewarding. It made me feel even better than after beating Octopus, and the things I did in her fight like figuring out that comically huge Mark II was the boss and not actually Otacon. Because I figured it out, the game didn't even tell me that was an option. Of course, the reward comes because it is all optional.

MGS4 ensures the player sees that cool moment, makes them see it. V has those moments too, but leaves them to be found or potentially missed by the player. Making the experiences far more subjective in it versus 4. I think that's one reason opinions on it vary so wildly. If someone fought the Skulls in a different way and their fight sucked, was unsatisfying, left them hollow- that's obviously a valid experience and feeling. Whereas everyone is basically going to get the same fight with Octopus. Maybe they a gun that damaged her blue bar instead, but the actual actions of how they did it will pretty much be the same. Even hitting her with an assault rifle vs a LMG doesn't really change the speed of the fight (unlike with skulls where an LMG tears them up in mission 6 as I later found going back to retry that strategy from earlier). And that's another big thing, anyone can go back and try a different, more fun strategy with them. As opposed to Octopus which is lacking in that department compared to previous MGS bosses. This difference of letting the player discover vs. force feeding carries into the other things I mentioned. It's why the soldiers infinitely respawn in MGS4, the games wants to make sure the player sees them, to know wow, this place is battlefield! Same reason the Frogs are scripted to appear in Act 5 as the player sneaks through, to make sure they all have the same tense experience of a frog squad patrolling right past them. MGSV is confident enough in its gameplay and advanced AI systems to know someone sneaking through OKB0 is going to have that tense moment if they choose to.

So yeah, I guess I'm not seeing the gulf in scenario and level design quality between this and other recent MGS games people talk about. I see it as a different approach to how it is presented, but the core quality is still there and just as good. Players just might not see it depending on how they play.

Okay there, huuge off-topic rant that no one will probably read over (maybe I'll repost in a more relevant thread or make a thread).

Back on topic, being able to cqc from the ground is such a great small yet welcome change. https://www.youtube.com/watch?v=rCISJDiAEco
Fantastic write-up comparing MGSV to past level design, AI routines and gameplay scenarios. MGSV is so good here, as well.

There's so much going on -- so many layers, branching paths, emergent moments, detailed behaviors, and so little "cheating" on the AI's end (no scripted spawning, etc). AND when you factor in all of the different points of infiltration, the time and weather, the vast tool kit, the buddy mechanics and support systems, it's incredible the design supports it all.

Replaying missions for optional tasks really underscores this high level of design.
 
Nearly 5160 hours in, Super Smash Bros Melee still feels SO GOOD to play (controls, feedback, game feel)

Melee is my gold standard ;)
 
Nearly 5160 hours in, Super Smash Bros Melee still feels SO GOOD to play (controls, feedback, game feel)

Melee is my gold standard ;)
The line above the "gold standard" question specified realistic third-person games. Any favorites for game feel there?
 
Kinda miss the cut scenes from MGS4. The story isn't explained as much to me and those cassettes don't cut it as l don't listen to them.

Good value for money though.

p.s., mission 14 sucks.
 
Top Bottom