Whoops sorry man.![]()
Sorry, that looks silly to me.
Like he's barely touching the guy. And it's just a damn stick.
Sorry, that looks silly to me.
Like he's barely touching the guy. And it's just a damn stick.
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Heh, I've been scheming on ways to get out of work early to work on a remix of this thing to float at him, actually. He's pimped my old mashups/remixes before.
Should've kept the trailer dudes. The music they made was a lot more memorable than Williams' score.I don't think it was, much like almost none of the trailers/ads for Force Awakens were Williams music, but instead reinterpretations by a trailer house.
Desplat has range. He can do more abstract stuff as found in Tree of Life, he can do Blockbustery scores. He's just extremely talented. Dude's score will be incredible.
This was great as well. Star Wars music is in safe hands.
Should've kept the trailer dudes. The music they made was a lot more memorable than Williams' score.
Also Jedi Steps and Scherzo for X-WingsTotally disagree with that. Rey's theme and March of the Resistance alone were more memorable to me.
Probably not relevant to what he'll do with Rogue One at all
Should've kept the trailer dudes. The music they made was a lot more memorable than Williams' score.
Rey's Theme was the best thing Williams made for the movie, and that's about it. I replayed the last trailer for TFA dozens of times just to listen to that track. But if we're gonna argue over music, then we're gonna be here all day.The Force theme redone for the 100th time as opposed to all the new character and faction themes. Okay. Yeah, the "trailer dudes" sure have demonstrated the know-how to score an entire film as good as John Williams after doing a slight remix of currently-existing music... that he wrote.
Please tell me Vader is in the movie.
Should've kept the trailer dudes. The music they made was a lot more memorable than Williams' score.
Please tell me Vader is in the movie.
Williams can get bent
It's Giacchino's time
Williams can get bent
It's Giacchino's time
Rey's Theme was the best thing Williams made for the movie, and that's about it. I replayed the last trailer for TFA dozens of times just to listen to that track. But if we're gonna argue over music, then we're gonna be here all day.
Should've kept the trailer dudes. The music they made was a lot more memorable than Williams' score.
While I'm a massive Michael Giacchino fan, don't say ridiculous things.
I actually started laughing when that siren started.SIREN
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Please tell me Vader is in the movie.
i like the sound in the second half but it also sounds like Babar is getting laid.
Yeah, this is a load of shit (literally all they did was remix what JW has already done, aside from the beginning piano.. nicely done still, of course). His score was fantastic, just more subtle than other work he has done.
It's not even particularly subtle. I think people expect Duel of the Fates or the Imperial March every time, and if he doesn't do something that immediately classic (though I think Rey and the Resistance already have iconic themes) it's boring or something.
The music is a little more contextual this time around; it has your big balls brass themes of steel but the track that goes with the lightsaber duel is more preoccupied with doing interesting things such as intertwining Rey and Kylo's themes as they're the characters involved in the duel.
Yup. Not to mention that the closing credit score is worth the price of admission.
Are you sure? Heard it earlier and really didnt heared it.What weirds me out is that John Williams included the Vader theme just before Luke turns around and takes the hood off. It's weird, like, what the fuck is the music trying to say?
It isn't exact, but it's a variation of the Imperial/Vader theme.
At this point it falls under the category of badly kept secret.
He is in it.
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Yup. James Earl Jones even agreed to reprise the voice role for all new dialogue!
P.S. I loved the sirens.
Are you sure? Heard it earlier and really didnt heared it.