The GAF Video and Filmmaking Thread

Mmhm. Film gear in general is... well, a fool's game to keep buying everything. Unfortunately I'm not in a position to rent either, and buying has worked out more cost effective in the long term. Might change for my next narrative project though, but I've got a whole host of corporate work to sift through while I figure out what I want to do, and start the pre-production.

If you're content with 1080p, it really doesn't have to break the bank. Especially if you don't mind older mid-range DSLRs, and buy your kit one piece at a time. You can save even more money if you go pre-owned.

Here's my rig, it uses a Sony A58: https://www.youtube.com/watch?v=36t_ft-UpMY

(sorry for the vertical video, this was originally posted on Instagram months back)

Here's what I paid in total...

Sony A58 (used) - $225
Sony Alpha SAL35F18 35mm f/1.8 A-mount Prime Lens - $193
Aputure VS-1 7-Inch Digital Video LCD Monitor - $110
Shure VP83F LensHopper Condenser Mic - $299
Shure A83-FUR Windjammer - $45
NEEWER Matte Box - $19
Ravelli AVT Professional 67-inch Video Camera Tripod - $90
Smallrig Articulated Magic Arm with Single 15mm Rod Clamp - $30
Neewer Portable FilmMaker System - $70
Fotasy FF1B Pro Grade 15mm Rod Rig Follow Focus - $100
Fotodiox Follow Focus Ring - $11

So altogether I paid... $1,192 which isn't too bad considering I paced myself with my purchases. Not all of that is even necessary, and I played it smart by not going with name brands each time. Still my setup absolutely blows some people away. All of these items are solid and deliver exactly what I need them to. If you already have a camera, lenses, and a mic... you can shave off $762 of that price (only $430 for the accessories). I went with a really nice mic since I realize how important clean audio is.
 
Wait, you just straight up hold the DSLR without any kind of rig or handles?

Shot with the Canon 1DX mkII yesterday and today. Lots of handheld, occasionally used a tripod around the greens. There's no rhyme or reason to the sequencing, just wanted to throw some shots together for my boss to see.

https://vimeo.com/168557127

Really enjoyed shooting with it. Shot primarily in 1080/60, had a couple 1080/120 and even dabbled with the 4K. Loved shooting with it. Just need to get some ND filters and call it a day.

**Note, this is out of camera, no color correction.
 
Anyone have advice on cheap lighting options for Filming? I just bought a EOS 100D and am thinking lights is something i should figure out. I will be doing mostly interview style shooting with interiors that can be dark so I need a nice cheap lighting solution if you peeps have any!

Thanks ahead for any help!!
 
Yeah, "cheap" lights to me are around $100-200.

However, you can get SUPER cheap with clip on lights, or work lights. Light quality/CRI tends to be shit though, although a lot of bulbs are getting better.

eBay is a great place to look for used Mole Richardson lights for under $100. They ARE older, though, meaning they're not very efficient (generate a lot of heat), usually need to get an adapter for household plugs, etc.
 
Holy crap! I finally assembled a rough cut of my first web series episode together. Two and Three will shortly follow. I'm so excited. I've been working for this for two freaking years!
 
Seriously considering investing in a RED Scarlet-W. But I've got pretty next to no knowledge of shooting with RED. Anyone here owns a RED? What are the essentials to shoot with a RED? Batteries, mini-mags, matte-box, etc.

I was actually planning to get an FS7 but when I saw the RED Raven was coming out I was really intrigued by that camera. And when I saw the Scarlet-W was "only" a couple of K's more I kinda set my sights on that one. Though it it a fair bit more than the FS7.

I absolutely love the RED image. I love the colors and for some strange reason the images themselves look more "dynamic". But the low light capability and the cost (especially with extra needed accessories) are holding me back from jumping in right now. The FS7 on the other hand is pretty much ready to go. Built in NDs and built in shoulder rig make it such an easy to use camera.

Decisions, decisions..
 
Seriously considering investing in a RED Scarlet-W. But I've got pretty next to no knowledge of shooting with RED. Anyone here owns a RED? What are the essentials to shoot with a RED? Batteries, mini-mags, matte-box, etc.

I was actually planning to get an FS7 but when I saw the RED Raven was coming out I was really intrigued by that camera. And when I saw the Scarlet-W was "only" a couple of K's more I kinda set my sights on that one. Though it it a fair bit more than the FS7.

I absolutely love the RED image. I love the colors and for some strange reason the images themselves look more "dynamic". But the low light capability and the cost (especially with extra needed accessories) are holding me back from jumping in right now. The FS7 on the other hand is pretty much ready to go. Built in NDs and built in shoulder rig make it such an easy to use camera.

Decisions, decisions..

This is coming from a sound recordist, but I've been on a bunch of RED shoots.

I know that most DP's recommend using Anton Bauer batteries, rather than the ones RED makes.

You'll also want a handful of mags, because they fill up fast, and can take an annoying amount of time to dump, depending on the machine being used. I've been on shoots that don't have enough cards floating around, so production is halted while waiting for files to transfer. Try to avoid that.

The RED takes time to build each day too, in ways that other cameras do not, which can be somewhat annoying, but that's a small thing that's mainly only noticeable when going back to shooting on a non RED camera.

Finally, for your sound recordist, find the setting that turns the fan off while recording. They can be loud cameras, but this setting at very least makes it quieter, which will help your location sound turn out better.

Just some assorted thoughts. Hope this helps!
 
Anybody got any experience as part of a news crew?

I'm on the verge of getting freelance work doing news packages for a local broadcast network, but they're very light on the details of the job. Any advice would be greatly appreciated.

Not looking forward to the deadlines, I tell you that much. Items have to be delivered for 3:30PM each day. The first package is pro-bono work too, for the work to be "assessed" to see if it matches their quality standards. Talk about a trial by fire.
 
I worked in local news at the start of my career but it was on the sports side, which was much more gratifying than the regular news beat.

If I suddenly lost my production job and local news was the only outlet that wanted to hire me I'd just get out of the industry and go try to get work at UPS or something. There are things you can learn, like how to edit faster, but so much of local news is so 1-dimensional and gross that I can't imagine myself ever going back.

**edit: my wife said what I wrote was mean. I wanted to clarify that it was my personal experience and what I see when I turn on the news today. Your mileage may vary. I just dislike local news and the need to show terrible accidents, injuries, stories about rape and murder... Shit like that.

I'm sure you'll pick up some good things though, like efficient shooting and editing. I hope they pay you decently for your work!
 
I worked in local news at the start of my career but it was on the sports side, which was much more gratifying than the regular news beat.

If I suddenly lost my production job and local news was the only outlet that wanted to hire me I'd just get out of the industry and go try to get work at UPS or something. There are things you can learn, like how to edit faster, but so much of local news is so 1-dimensional and gross that I can't imagine myself ever going back.

**edit: my wife said what I wrote was mean. I wanted to clarify that it was my personal experience and what I see when I turn on the news today. Your mileage may vary. I just dislike local news and the need to show terrible accidents, injuries, stories about rape and murder... Shit like that.

I'm sure you'll pick up some good things though, like efficient shooting and editing. I hope they pay you decently for your work!
Hah, I should have put the disclaimer that I'm British. British news, especially at the local level, is drier than toast. "If it bleeds, it leads" isn't really a thing we do. I expect the next few days will just be interviewing talking heads about the EU Referendum, then back to business as usual of assorted slice-of-life stories.

But yeah, I guess I've just got to pick it up as I go. I'm mostly used to short film shooting and some corporate videography, but I suppose this'll be a good opportunity to learn how to work faster.
 
I'm looking to build out my light kit...on a budget.

I have several CFLs (one 2 bank and two 4 banks) but jeeze, it's just so hard to control light with them. It's easier in MCU/CUs but for wide shots, light just spills all over the place. I'm not happy with a lot of wider shots I have to do.

I'm trawling eBay for some sub 1000w fresnels to help me control light in these situations, but I'm wondering if video-GAF has any suggestions or ideas for what works for them. It just seems like controlled lighting (like fresnels) is still a market that the budget platforms haven't broken into yet.
 
Speaking of lights, anyone know any portable battery powered LED's? It'll be on light stands about 14 feet up to light up a reception dance floor.

I've worked with Fillex P360 and they are amazing, so looking for similar ones for cheaper if there are any since I'll be needing multiple. If not i'll just settle on them
 
Speaking of lights, anyone know any portable battery powered LED's? It'll be on light stands about 14 feet up to light up a reception dance floor.

I've worked with Fillex P360 and they are amazing, so looking for similar ones for cheaper if there are any since I'll be needing multiple. If not i'll just settle on them

I've been using this for a little over a year, I love it: http://www.newsshooter.com/2016/01/...puture-light-storm-ls-1s-your-next-key-light/

Takes batteries but I usually just plug it in.
 
Can anyone recommend a free (decent) alternative for the iOS app Artemis Director's Viewfinder.
Doesn't need to have all the bells and whistles but similar.

Cheers
 
Did a short promo video on fitness/weight lifting for a friend and I liked the way it turned out. Shot on a GH4 with Voigtlander 25mm f/0.95

https://vimeo.com/173857370

Really nicely done. Some of the sound effects seemed a bit "stock-y" but aside from that I thought it was great.

Panasonic's line continues to amaze me. Had a G6 and upgraded it to a G7 recently and couldn't be happier.
 
Really nicely done. Some of the sound effects seemed a bit "stock-y" but aside from that I thought it was great.

Panasonic's line continues to amaze me. Had a G6 and upgraded it to a G7 recently and couldn't be happier.

The sound effects were definitely stock. My foley game is still weak haha
 
The sound effects were definitely stock. My foley game is still weak haha

I look forward to the day I can finally make my films sound natural. Figuring that out is the next big step for me.

Why are lenses so expensive?

Eh fuck it, I'm not even at the point of worrying about it yet lol. Kit lens it is.

My first year I got a camera, second year a lens, then finally a new camera to go with that sweet lens. Having gone through plenty of productions and watching other student projects using kit lenses, I've become part of the mindset that having a proper lens is vastly more important than getting a better camera. Especially a nice one that you can keep using on different cameras. Get comfortable with everything else first but an upgraded lens (yes the prices suck) is absolutely something to keep in mind.
 
Hey guys... first time in this thread. I'm not much of a filmmaker, I mostly do photography, but I did a bit of a journey over the past two months and have been putting together some video.

We bought a tuk-tuk basically, Chinese version, and tried to drive it across China. It didn't go as planned but we still had a bunch of fun and traveled across China anyway. Our first little mini episode is up on YouTube now and I'd love some feedback. I know the audio sucks we didn't take any audio gear with us and mainly shot on GoPro while I took photos with my DSLR. So yeah, still if anyone wants to give it a watch and let me know your thoughts and things to improve for future episodes that we are still cutting together now, let me know.

https://youtu.be/H_IYLBCe5Gg

Thanks.
 
Overall I really liked it, nicely done.

The audio wasn't that bad and you took care of it by having subtitles, so that worked out. My only criticism was that I would love to see the areas fleshed out more. It would be cool to see more direct interaction with the people of China, little interviews. In hindsight, the episode could be two or three times longer where you talk to the Chinese beekeeper about the life he chose, or talk to people at the temple. You can get so many interesting profiles/vignettes on a foreign destination video!

Also, you took so many fucking great photos, and you're seen taking photos in the video, why not insert some of them in the appropriate places?

Lastly, I'm sure I'm not the only person with a terrible grasp on Chinese geography, but maybe for each section you could pull up a translucent Indiana Jones-ish map showing where you are in relation to where you started. The map wouldn't necessarily have to be full screen, but maybe in a corner of the screen?

Either way, loved the video. I wish it were a bit longer but if you don't have the footage to support it then there's not a whole lot you can do. It felt more like an extended trailer, but that's not necessarily a bad thing. It just didn't feel "meaty".
 
Off the record, can I ask how much money you spent on/for the journey? How much was the tuk-tuk? Just curious.

Maybe for future episodes you could be on-camera setting up what we're about to see. There isn't much of a narrative, so I think it would be great to have you on camera as a host. You can keep everything quick to match the editing for the first episode, have you on for 5 or 10 seconds and then start working in the b-roll and continue talking periodically for voiceover in order to give anecdotal context to whatever scene.

In this episode, I want to know more about you-- who are you, how did you end up in China, how was this adventure born, who is your travel companion, how did you meet, why did she agree on trying to cross a massive country in a tuk-tuk... so many questions! I also really want to know more about the temple.

You could have a voiceover talking about your first impression, what you did while you were there, how you felt, why you decided to stop there.

Again, I'm not knocking anything you did, I think it's awesome. I would only like to see it fleshed out more, and that's a point in itself-- you made me want more.
 
Off the record, can I ask how much money you spent on/for the journey? How much was the tuk-tuk? Just curious.

Maybe for future episodes you could be on-camera setting up what we're about to see. There isn't much of a narrative, so I think it would be great to have you on camera as a host. You can keep everything quick to match the editing for the first episode, have you on for 5 or 10 seconds and then start working in the b-roll and continue talking periodically for voiceover in order to give anecdotal context to whatever scene.

In this episode, I want to know more about you-- who are you, how did you end up in China, how was this adventure born, who is your travel companion, how did you meet, why did she agree on trying to cross a massive country in a tuk-tuk... so many questions! I also really want to know more about the temple.

You could have a voiceover talking about your first impression, what you did while you were there, how you felt, why you decided to stop there.

Again, I'm not knocking anything you did, I think it's awesome. I would only like to see it fleshed out more, and that's a point in itself-- you made me want more.

No worries about the comments and suggestions. It's the first one and is basically just a preview, because reasons. Shit, I guess I'll explain lol. Had a first episode (mostly) done that was about 5 minutes long. Had more on Wutaishan and some other stuff, more dialog mainly...but editing wasn't quite finished and neither were the subtitles, but I had a bit of a deadline. In the photo thread I mentioned I had a meeting with a company in Beijing that wants to help promote the trip, they asked me to get them a completed "episode" before the meeting and so we made some concessions to get it ready. I had sent them the non-completed longer version prior to that and they liked it though. So yeah this ended up being what we got done in time, and I think it works relatively well for an intro teaser to the longer journey.

Another issue is my good friend who is doing the vast majority of the editing (for free, in his spare time) and is in the USA doesn't speak a word of Chinese. So we gotta tell him what time stamps are important for conversation and stuff, plus our time difference, plus just life.. makes getting more in depth fleshed out stuff covered. But that will definitely be coming for sure. Another issue is the first week or so we had boatloads of problems, stress with the car, batteries that didn't get charged, plus our inexperience with filmmaking in general, inexperience interviewing people, at that time unsure of the best way to do it as well, for example, should we translate what they said into English and explain to the camera or should we just use Chinese and add subtitles later. So yeah first week or two maybe even our inexperience really showed and we had a bit of a learning curve, I think as we go we got a lot better. I hope that bears itself out in our later episodes.

I have a bunch of my backstory and some of the reasons for the journey on my website (crossingchina.com), but we could definitely add some of that to episodes in the future, I think it's a good idea for people to know us both too and relate to us better. We also had a "preview" of the trip before we set off that explains who we are and our goals, but it's unedited just one take banter back and forth between me and Jasmine. It's not that great, but I'm sure some of it can be salvaged and integrated somewhere. It's up on youtube along with a few other random mostly unedited vids that we just threw up there while we were traveling.

The tuktuk aka sanlunche was 4500 RMB, about 500 bucks or so I guess, maybe a bit more. We sold it when it was barely running and 300 km later for 1500 RMB so we took a loss there lol. The entire trip for both of us cost me about 10,000 RMB, maybe a bit more. I paid for nearly everything, which was one of the ways I convinced Jasmine to quit her job and travel and assist me. Chinese people are pretty tough to get to do an adventurous thing like this, there is lots of pressure from family to work work work. Train and bus travel out here is cheap and we stayed at the cheapest hotels possible/slept outside at times, and/or on overnight trains. Once you leave the major cities hotels can be found for 60-100 per night, and guest houses even cheaper. We paid 25 rmb for 3 nights at one place, ended up leaving after the second night, but yeah it's cheap as you leave higher tier cities.



Overall I really liked it, nicely done.

The audio wasn't that bad and you took care of it by having subtitles, so that worked out. My only criticism was that I would love to see the areas fleshed out more. It would be cool to see more direct interaction with the people of China, little interviews. In hindsight, the episode could be two or three times longer where you talk to the Chinese beekeeper about the life he chose, or talk to people at the temple. You can get so many interesting profiles/vignettes on a foreign destination video!

Also, you took so many fucking great photos, and you're seen taking photos in the video, why not insert some of them in the appropriate places?

Lastly, I'm sure I'm not the only person with a terrible grasp on Chinese geography, but maybe for each section you could pull up a translucent Indiana Jones-ish map showing where you are in relation to where you started. The map wouldn't necessarily have to be full screen, but maybe in a corner of the screen?

Either way, loved the video. I wish it were a bit longer but if you don't have the footage to support it then there's not a whole lot you can do. It felt more like an extended trailer, but that's not necessarily a bad thing. It just didn't feel "meaty".

One of the problems we faced with the beekeeper, and tons of other people we chatted with, is that they are super suspicious. They'll chat with you about basic stuff, but anything deeper than basically "where are you from?" they will start to ask if you are a foreign spy or some other stupid stuff like that. Or they'll just shut down and say they are busy. We got a few really interesting interviews though, and like I said before we need to edit them (which is a pain with our current set up with main editor not speaking Chinese)... also they are further on down the road so, we'll see how we go there.

I like your suggestion to splice in some photos, especially when you've got me on camera shooting the photos, like of the beekeeper.

I'll talk with my friend about putting up some maps, I'm sure it's no problem considering he did one briefly in that video already, just make it more focused on exactly where we are would be cool. Chinese Geography is tough, language issues don't help for most people.

Thanks so much for the suggestions and will definitely be trying to integrate them as best as we can. Hope to make each video more like 5-7 minutes and focus on one or two places per episode. That's what we've talked about anyway, so we will see.
 
Ah, the shorter episode makes sense, then. And I'm not surprised at all by the hiccups and hurdles along the way. I applaud you for even taking on the challenge.

I subscribed to your youtube channel (that's like subscription #3 for me, I think) and look forward to seeing more of these. Like I said, great job. I hope you at least make your money back, but even if you don't, what a cool adventure.
 
Been working on a Beer/Brewery Review channel for the past few months. Lurked around here for a bit and figured I'd ask for feedback from y'all movie makers!

My videos are not films persay but I am planning to make some of them more skit based and hopefully that will add some depth to the reviews, making them more fun in the process!

Let me know what ya think, here was the latest beer review and the comic con special I did!
 
Ah, the shorter episode makes sense, then. And I'm not surprised at all by the hiccups and hurdles along the way. I applaud you for even taking on the challenge.

I subscribed to your youtube channel (that's like subscription #3 for me, I think) and look forward to seeing more of these. Like I said, great job. I hope you at least make your money back, but even if you don't, what a cool adventure.

Thanks a lot, I really mean it.

And I don't expect to make money really, and that wasn't the intention, though it would be pretty nice if I am able to! Ideally it could lead to some money making opportunities in the future. If this stuff with the company in BJ works out it'll be great, China can be frustrating with contracts and deals though. So it goes...
 
Great video! What kind of equipment are you using for recording sound in the interview and what camera?

Good job again!
The interviews were shot with my Canon 7D (wide angle) and my Canon 5D3 (tight). Audio was captured directly to the 5D using a Sennheiser lav mic.

Thanks for watching!
 
I wanted GAF to know that I finally managed to repack my Ronin-M into its original box after half an hour of consulting YouTube unboxing videos for reference.

Carry on.
 
Did a short promo video on fitness/weight lifting for a friend and I liked the way it turned out. Shot on a GH4 with Voigtlander 25mm f/0.95

https://vimeo.com/173857370

Really loved this. The edits mixing the slowmo zooms really worked for me.

What's your workflow to get those color? It was really contrasty with good punch without being too warm like a lot of Panasonic video I've been watching lately. (I just bought a GX80 and am dabbling with some amateur video work.).
 
Really loved this. The edits mixing the slowmo zooms really worked for me.

What's your workflow to get those color? It was really contrasty with good punch without being too warm like a lot of Panasonic video I've been watching lately. (I just bought a GX80 and am dabbling with some amateur video work.).

Thanks. Honestly there wasn't much of a workflow, I just had to work with what I had. I planned out a lot of shots beforehand but when I arrived to shoot all my morale went down because a lot of things were against me (people were still in gym, I couldn't control lighting, it wasn't a good scenic ground to work with, ect) so I said to the guy "Just workout your normal routine and I'll get a few shots here and there" And 2 hours later, this is what I came up with. The only really directed thing was the skipping part where I turned off all lights. So the color you see is just straight from camera. I was planning to shoot in v-log and grade in post but I completely forgot to put it in that setting. I've been trained to pay close attention to white balance though so that and the voigtlander lens had a lot to do with color.

GX80 is a cool little camera, I've been using the GX85 recently and am really impressed with it. Especially how you can autofocus while recording.

Great color here, by the way. Just AWB and internal recording? No LUT or grading?

I can't remember if it was AWB or if I manually did it, and yes just internal recording. No post on color. Really wanted to try it though
 
Finished a couple of Abstract films today. They're based on my macro photographic work.

They are reflective of my interest in old science films, 60's psychedelia and student films of the era.

28420025610_896b25234f.jpg

A Study of Form and Flow.

https://youtu.be/jt1C8STS2qc
https://vimeo.com/177122618



28420027330_6932a44f6f.jpg

A Study of Waves and Repulsion.

https://youtu.be/F5tgOxEckQk
https://vimeo.com/177116530


Just for fun I thought I'd try making an ident.
28420028670_b300aa303c.jpg

Mock BBC 4 ident.

https://youtu.be/ShYTAqE5eyc
https://vimeo.com/177075383
 
What's the deal with the 4.6K Ursa Mini right now? The magenta cast has somewhat been fixed with the new firmware apparently, but it's hard to find consensus. Are Blackmagic even shipping the cameras anymore, or have they halted production?

Speaking of Mini cameras, who's had a crack with the Alexa Mini? I wanted to rent one out for the day to play around with it, but at £400 per day I'm a little wary about getting it out for just a goof around shoot.
 
So my buddy and I agreed to film this dance competition and turn it into a music video for a now defunct music group. Due to venue pretty much every shot was going to look the same so we improvised and tried to do the whole thing with whip pans.

Mind you we had no rig or really room to do much but that was our plan and we stuck to it. Cutting it was probably the hardest game of tetris I've ever played

https://www.youtube.com/watch?v=7W67RbQROfA
 
Anybody got much experience with testing DCPs?

I made two using Premiere, but while the audio file played fine, the video was just blackness.

Might try again with DCP-o-matic and see what I get.

Answers would be appreciated, I need a functional DCP ready for the 10th or my film gets dropped from a festival.
 
Thank you.

It's basically this https://youtu.be/rqQSlEViNpk


The panel presentation is new to me. Seemed like a more imposing way to go for that work.

The audio was made in Logic Pro X.

I had a few specifics about the shoot if you don't mind:
Any behind the scenes stills?
What was the lighting setup like?
How did you judge exposure?
Was there coloring or is that straight from camera?
What focal length did you choose?
 
I had a few specifics about the shoot if you don't mind:
Any behind the scenes stills?
What was the lighting setup like?
How did you judge exposure?
Was there coloring or is that straight from camera?
What focal length did you choose?
No behind the scenes stills.
Just sunlight, bounced with white card, slightly overexposed.
Extensive colouring, a lot of trial and error too.

I used a 40mm for that one. For the other two I used a macro extension tube with the 40mm.
 
Anybody got much experience with testing DCPs?

I made two using Premiere, but while the audio file played fine, the video was just blackness.

Might try again with DCP-o-matic and see what I get.

Answers would be appreciated, I need a functional DCP ready for the 10th or my film gets dropped from a festival.

Had that same experience with Adobe Media Encoder's Wraptor DCP export preset. Used DCP-o-matic and got both picture and sound--I'd give it another go. Or give Wraptor a shot--your mileage may vary.

Projectors are pretty sensitive to DCP settings, I feel.
 
anyone in here ever shoot video for a wedding?

Do you include the entire speeches from the Maid of Honor and Best Man? It seems kind of boring and drags the video down for me but that's probably because I don't know them.

this is the entire video here... you can see the speeches in the middle:
ABTORMbh.png


I shot a wedding by myself and I'm decently happy with the results as it was just me and I didn't have any other coverage but my one camera. Playing music over b-roll helps a ton.
 
Depends on your package. What I've always offered was a montage (or three), then I'd have the ceremony in full (light editing) and reception in full.

I'd do a little more editing with the reception-- get them walking in, and then take their first dance song and lay it on a track, pick the best moments from their dance and edit it down. I would personally show the speeches in their entirety, or as much as I could stand without losing their message, then I'd take the audio from a couple dance songs and edit together a bunch of dancing clips. (Edit: looking at your screenshot, looks like you've done that)

If you have a couple minutes, this is the pre reception and reception from a wedding I edited a couple years ago:

https://vimeo.com/157621898
Password: wedding

I always ask the couple if they have specific songs they'd like used in the video, so that's what you're hearing at the beginning. I can't be that hokey even when I'm trying..
 
anyone in here ever shoot video for a wedding?

Do you include the entire speeches from the Maid of Honor and Best Man? It seems kind of boring and drags the video down for me but that's probably because I don't know them.

this is the entire video here... you can see the speeches in the middle:
ABTORMbh.png


I shot a wedding by myself and I'm decently happy with the results as it was just me and I didn't have any other coverage but my one camera. Playing music over b-roll helps a ton.

When I use to do wedding video production as an editor, I try to summarize the speeches down to the main point as much as I can and keep the pacing of the speech as smooth as possible. Like you say, those long speech will get boring quick if they talk about stuff which isn't too important or junk stuff. You could ask them directly, if they want the full speech as a side thing (bonus track?) for them to listen from beginning to end with no edited (well, the audio part but the video can cut a bit if you have more than one angle). Still, listen to the speech and ask yourself what part of the speech catch your attention the most as this might be the best part which need to keep while the rest just remove it or shorten it down so, people who watch it don't feel the drag listen to it.
 
Thanks for the input.

this was actually for a friend as I've never done it before so the expectations aren't too high but I did ask what they would prefer.

brerwolfe, I'll check your vid out when I get a chance at work today. Thanks!
 
Don't get excited, it's only the boring part of wedding videography!

To tell the truth, most wedding video tend to be a bit boring mostly how it's fully structure with limited creativity even if you go to different type of religious/non religious wedding. They will be those special one but those are the unique one which you don't see them too often.

Still, if this is your 1st time doing this and if they give you some control of the creativity side of it, try to use is as a learning experience from it. It's not for everyone but it's something interesting to do once a while if you're doing video work as a job not as a hobby,
 
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