I haven't been super-excited by Nolan since Interstellar and I loved that along with all of his previous work (despite TDK Rises falling a bit short...though still very entertaining). Dunkirk kinda won me around in the end but it's still a bit laboured and I probably won't watch it again, unlike everything else of his beforehand which is extremely rewatchable..
I thought Tenet was a miserable, clunky mess with no soul and Oppenheimer has lots of great parts but it's too "here, there and everywhere" to the point that it -- along with the music/sound -- became obnoxious; it feels like Nolan is just becoming a caricature of himself. The best scene in the whole of Oppenheimer is the one with James Remar as Secretary Stimson quietly talking to a small room of people incl. Oppenheimer where Nolan dials the excess back, stops all the theatrics and lets people converse calmly without trying to drown it out with noise and disorientate you with cuts/movement.
Just the idea of this movie [Odyssey] doesn't really appeal as a Nolan flick and everything I've seen just has me less excited. The cast just seems too "the current people" to the point it's gonna distract in this setting. The aesthetic just looks bland too.
Nolan has one obvious weakness which is exposition, but it never bothered me in the slightest until Tenet; his other weakness though is world building. He did very well in The Prestige & Batman Begins (where I suspect he had more help), forwent it with TDK and yet it somehow worked, faltered a little with TDKR and since has just circumvented it in his films as world building wasn't a major point. He could craft a coherent feeling in other ways (though again, less so after Dunkirk). When I look at this, I just don't see the slightest hint of someone 'building a world'. He certainly doesn't come close
in that way to say, a young Ridley Scott or even a Spielberg at any point.
On one hand I wanna be proven wrong with the Odyssey cause I sorely want to see a return to form -- I used to be so excited to see what's next --, on the other hand I feel like Nolan needs a stinker to course correct. He's so talented in many ways but seems to be leaning into his weakest areas without growing them. He's just leaving me at arms length more and more, it's like he blew his emotional load on Interstellar and leaves me cold now. I look at these press shots, leaked set shots or see the trailer and I don't see someone who has reverence for what he's doing...like, if you're doing this, why wouldn't you be making the best thing you can? I also wonder how incredibly mundane and fake that bland, plastic-looking armour is gonna appear on pin-sharp, hyper-real IMAX.
I really would love it if he just picked up a basic 35 or 65mm film camera, picked an aspect ratio and made a somewhat smaller film focused on a few people with a mostly linear or naturally coherent storyline, just a back to basics as it seems he's going bigger and bigger in many ways but the fundamentals aren't what they used to be. Insomnia, The Prestige, Inception & Interstellar, even though they're increasingly bigger, especially compared to many other films, there's a coherency to them that's been lost. They each flowed as one whole, while everything since feels like lots of bits haphazardly strung together.
I'm still 50/50 on this whole thing being a rug pull and Nolan doing something fucking wild.
Everything just feels off. It's so bizarre.
...
This is my only hope right now. ^